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A visionary of the Greenwich Village nightlife scene in the 1950s and 60s, photographer Robert James Campbell vigorously documented New York's jazz era, and its metamorphosis into the beat and folk movements. Despite Campbell's artistic prowess--evident in his arresting images of the people who would shape the American cultural landscape for generations to come--Campbell died alone in a homeless shelter in Burlington, Vermont in 2002. His identity, and former life as an esteemed photojournalist for The Village Voice and Downbeat Magazine, would only be revealed by the unlikely discovery by a young college graduate of his ephemera and personal belongings within a trove of cardboard boxes. Rebirth of the Cool is the story of Robert James Campbell as reconstructed by Jessica Ferber, and born from tragedy; Campbell, once a wildly talented artist, but wrought by mental demons, financial hardship, and health failure, had to give up his passionate work at what should have been the prime years of his career, having succumbed to his deteriorating body and mind. Campbell left New York for LA and then disappeared into New England with little hope, but resolute to keep and care for his art he managed to diligently transport his negatives and images with him throughout his turbulent life, and ultimately with him into homelessness. At the height of his photographic career Campbell captured the likes of John Coltrane, The Modern Jazz Quartet, Philly Joe Jones, Count Basie, Bud Powell, Richie Havens, Chuck Berry, and more. Shot onstage and off, the intimacy of the photos is moving and prescient. Rebirth of the Cool collects the best of Campbell's work, shot at legendary clubs like Birdland, The Village Vanguard, and The Gaslight Cafe, as well as street photography, international work from his time spent in Germany, and tour photography. The era in which Campbell photographed was brief and precious, and the content he left behind represents a time capsule--a rebirth and regeneration--of a moment that was flashpoint for the culture and heritage of New York, and the nation as a whole.
Having retired from crime-fighting at the tender age of 14, Static is astonished to be called back to arms by some of his fellow 'Bang Babies', all empowered in the 'Big Bang' battle. But even with the help of the mighty hero Hardware, can Static defeat Dakota's greatest superhero - now become its greatest villain?
Kool gave up a life of bootlegging to open a Jazz nightclub in East Los Angeles. But his dream was short-lived. An event dubbed "The Zoot Suit Riots" would change his world forever.
Having retired from crime-fighting at the tender age of 14, Static is astonished to be called back to arms by some of his fellow “Bang Babies,” all empowered in the “Big Bang” battle. But even with the help of the mighty hero Hardware, can Static defeat Dakota’s greatest superhero-who has now become its greatest villain?
Static, currently appearing in TEEN TITANS, is back in this new collection of classic stories from his hit Milestone series!When a mutagenic gas accidentally gave him superhuman abilities, Virgil Hawkins was reborn as Static, the electrically powered teen Super Hero. And while Static tries to balance the pressures of his school work, after-school job and family life, he also protects his inner city neighborhood against villains including Holocaust and Commando X. Collecting STATIC #1-4 and STATIC SHOCK!: REBIRTH OF THE COOL #1-4.
In this poignant and powerful memoir, David B. Bohl reveals the inner turmoil and broad spectrum of warring emotions--shame, anger, triumph, shyness, pride--he experienced growing up as a "relinquished" boy. Adopted at birth by a prosperous family, Bohl battled throughout his earlier years to keep up a good front and surpass expectations as he tried desperately to fit in. An over-achiever at everything he undertook, whether in sailing, academics, or life as a trader on the Chicago Exchange floor, he continued his search for happiness, often finding it in a bottle or pill, and ultimately becoming a raging and wealthy alcoholic. Not until David marries and has children of his own does he feel compelled to search for his birth parents to discover if genetics played a role in the well-being of his offspring. "Baby Boy Bender," as he was labeled in the adoption papers, had been born to a red-haired co-ed who struggled with alcoholism and an athlete who later died of a brain tumor. After several severe seizures and frequent blackouts, it was time to make a drastic change and admit his addiction. Raised with no religious teachings, David struggled with traditional recovery fellowships and sought out secular supports, where he finally fit in. This support allowed him to learn the stark facts about mental health and addiction, as well as the monumental issues many "relinquishees" need to overcome to find peace and a quality of life they deserve.
The life (1912-1988) and career of Gil Evans paralleled and often foreshadowed the quickly changing world of jazz through the 20th century. Gil Evans: Out of the Cool is the comprehensive biography of a self-taught musician whom colleagues often regarded as a mentor. His innovative work as a composer, arranger, and bandleader--for Miles Davis, with whom he frequently collaborated over the course of four decades, and for his own ensembles--places him alongside Duke Ellington and Aaron Copland as one of the giants of American music. His unflagging creativity galvanized the most prominent jazz musicians in the world, both black and white. This biography traces Evans's early years: his first dance bands in California during the Depression; his life as a studio arranger in Hollywood; and his early work with Claude Thornhill, one of the most unusual bandleaders of the Big Band Era. After settling in New York City in 1946, Evans's basement apartment quickly became a meeting ground for musicians. The discussions that took place there among Miles Davis, Gerry Mulligan, John Lewis, and others resulted in the "Birth of the Cool" scores for the Miles Davis Nonet and, later on, for Evans's masterpieces with Davis: "Miles Ahead," "Porgy and Bess," and "Sketches of Spain." This replaces 1556524250.
This collection of the best articles the hip-hop generation has produced captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the 25th-anniversary celebration.
Nation branding is the most recent feature of imagined nation-making in the history of nations. Facing global competition, national decision-makers aim to distinguish their countries from others by means of branding. Quite a few nations have considered the term ‘cool’ suitable for describing some essence of their country’s brand. Cool Nations. Media and the Social Imaginary of the Branded Country traces the mediated ways in which the transnational idea of "cool" has circulated from popular culture, fashion, and marketing into describing nations. The book explores the commodification of the nation, the shift to a promotional political culture, and the role of media in contributing to the circulation of the idea of the Cool Nation. The social imaginary of nation branding takes its theory and practices from marketing, unlike earlier imaginations based on ideas of democracy or citizenship. Cool Nations argues that "cool" is one of the vehicles through which the commodification of nations takes place.
The Rhetoric of Cool: Composition Studies and New Media offers a historical critique of composition studies’ rebirth narrative, using that critique to propose a new rhetoric for new media work. Author Jeff Rice returns to critical moments during the rebirth of composition studies when the discipline chose not to emphasize technology, cultural studies, and visual writing, which are now fundamental to composition studies. Rice redefines these moments in order to invent a new electronic practice. The Rhetoric of Cool addresses the disciplinary claim that composition studies underwent a rebirth in 1963. At that time, three writers reviewed technology, cultural studies, and visual writing outside composition studies and independently used the word cool to describe each position. Starting from these three positions, Rice focuses on chora, appropriation, commutation, juxtaposition, nonlinearity, and imagery—rhetorical gestures conducive to new media work-- to construct the rhetoric of cool. An innovative work that approaches computers and writing issues from historical, critical, theoretical, and practical perspectives, The Rhetoric of Cool challenges current understandings of writing and new media and proposes a rhetorical rather than an instrumental response for teaching writing in new media contexts.