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?? AMAZON TOP 25 BESTSELLER ??#1 New Adult & College Romance BestsellerEverything changed the night he betrayed me, and now, the game has entered a new level.Galen did me a favor, reminding me the only person I can count on is myself, and I'm more determined than ever to avenge my father's death and avoid the destiny Sinner has mapped out for me.Saint is used to calling the shots, but there are new rules, my rules, and if he wants me in his life, and in his bed, he'll toe the line. They all will, because I can't pull this off alone, and they owe me.Sinner thinks he's in control, but forcing me into initiation plays right into my hands. War has come to Lowell as rival gangs battle The Sainthood for ultimate power, and I enjoy rebelling from the inside, placing more obstacles in Sinner's path while I exact my revenge.But I'm not some innocent thirteen-year-old anymore-I have blood on my hands and lethal enemies on my tail.I'm playing a dangerous game, especially where my heart is concerned, but there's no turning back. I haven't come this far to walk away empty-handed, and the more secrets we uncover, the more we realize how far-reaching the betrayal and corruption extend, and there's no choice anymore.The Sainthood must be taken down, and we're the only ones who can do it.This is book two of three and it's not a standalone read. Due to dark themes and content, this #whychoose romance is only recommended to readers aged eighteen and older.
The British public school is an iconic institution, a training ground for the ruling elite and a symbol of national identity and tradition. But beyond the elegant architecture and evergreen playing fields is a turbulent history of teenage rebellion, sexual dissidence, and political radicalism. James Brooke-Smith wades into the wilder shores of public-school life over the last three hundred years in Gilded Youth. He uncovers armed mutinies in the late eighteenth century, a Victorian craze for flagellation, dandy-aesthetes of the 1920s, quasi-scientific discourse on masturbation, Communist scares in the 1930s, and the salacious tabloid scandals of the present day. Drawing on personal experience, extensive research, and public school representations in poetry, school slang, spy films, popular novels, and rock music, Brooke-Smith offers a fresh account of upper-class adolescence in Britain and the role of elite private education in shaping youth culture. He shows how this central British institution has inspired a counterculture of artists, intellectuals, and radicals—from Percy Shelley and George Orwell to Peter Gabriel and Richard Branson—who have rebelled against both the schools themselves and the wider society for which they stand. Written with verve and humor in the tradition of Owen Jones’s The Establishment: And How They Get Away With It, this highly original cultural history is an eye-opening leap over the hallowed iron gates of privilege—and perturbation.
Getting called a “towel head” inspires high school senior Asha Jamison with a great money-making idea: selling T-shirts promoting the Latte Rebellion, a club that raises awareness of mixed-race students. When their “cause” goes viral, Asha’s life spirals out of control.
The definitive oral history—with a foreword by Lou Reed—of the center of New York’s 1960s and ’70s underground culture. From its opening in December 1965 on Park Avenue South, Max’s Kansas City, a hybrid restaurant, bar, nightclub, and art gallery, was the boisterous meeting spot for famous—or soon-to-be-famous—figures in New York’s underground art, music, literary, film, and fashion scenes. Max’s regulars included Andy Warhol (and his superstars such as Viva, Ultra Violet, Edie Sedgwick, Gerard Malanga, Holly Woodlawn, and Candy Darling), Mick Jagger, Lou Reed, Patti Smith, Allen Ginsberg, William Burroughs, David Bowie, Iggy Pop, Bob Dylan, Jane Fonda, and dozens more. A hotbed of drugs, sex, and creative collaboration, Max’s was the place to see and be seen among the city’s cultural elite for nearly two decades. With reminiscences from the likes of Alice Cooper, Bebe Buell, Betsey Johnson, Leee Black Childers, Holly Woodlawn, and John Chamberlain, along with Max’s owner Mickey Ruskin and several waitresses and bartenders, this vivid oral history evokes an unforgettable place where a spontaneous striptease, a brawl over the meaning of art, and an early performance by the Velvet Underground were all possibilities on any given night. High on Rebellion dazzles with rare photos and other Max’s memorabilia, and firsthand accounts of legendary nights, chance encounters, romances sparked and extinguished, and stars being born.
In the 1960s he exhorted students at Columbia University to burn their college to the ground. Today he’s chair of their School of the Arts film division. Jamal Joseph’s personal odyssey—from the streets of Harlem to Riker’s Island and Leavenworth to the halls of Columbia—is as gripping as it is inspiring.Eddie Joseph was a high school honor student, slated to graduate early and begin college. But this was the late 1960s in Bronx’s black ghetto, and fifteen-year-old Eddie was introduced to the tenets of the Black Panther Party, which was just gaining a national foothold. By sixteen, his devotion to the cause landed him in prison on the infamous Rikers Island—charged with conspiracy as one of the Panther 21 in one of the most emblematic criminal cases of the sixties. When exonerated, Eddie—now called Jamal—became the youngest spokesperson and leader of the Panthers’ New York chapter.He joined the “revolutionary underground,” later landing back in prison. Sentenced to more than twelve years in Leavenworth, he earned three degrees there and found a new calling. He is now chair of Columbia University’s School of the Arts film division—the very school he exhorted students to burn down during one of his most famous speeches as a Panther.In raw, powerful prose, Jamal Joseph helps us understand what it meant to be a soldier inside the militant Black Panther movement. He recounts a harrowing, sometimes deadly imprisonment as he charts his path to manhood in a book filled with equal parts rage, despair, and hope.
Black students' bodies and minds are under attack. We're fighting back. From the north to the south, corporate curriculum lies to our students, conceals pain and injustice, masks racism, and demeans our Black students. But it¿s not only the curriculum that is traumatizing students.
An inspiring coming-of-age story told in prose and “spare, lyrical” verse (The Horn Book Magazine) from award-winning author Margarita Engle about a girl falling in love for the first time while finding the courage to protest for women’s right to vote in 1920s Cuba. Rima loves to ride horses alongside her abuela and Las Mambisas, the fierce women veterans who fought during Cuba’s wars for independence. Feminists from many backgrounds have gathered in voting clubs to demand suffrage and equality for women, but not everybody wants equality for all—especially not for someone like Rima. In 1920s Cuba, illegitimate children like her are bullied and shunned. Rima dreams of a day when she is free from fear and shame, the way she feels when she’s riding with Las Mambisas. As she seeks her way, Rima forges unexpected friendships with others who long for freedom, especially a handsome young artist named Maceo. Through turbulent times, hope soars, and with it…love.