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They can run, but they can't hide. Also, they can't run. A routine resupply stop takes a terrifying turn when the crew of the Arete realize they're unable to access astral space. Now, intelligence services across the galaxy are realizing that the advanced haathee vessel is trapped in realspace and unable to flee. Now, Captain Jessie Ramsey has to play the less enviable role in a game of cat and mouse. Her ship is tough, great in a fight, but there's only so much she can handle at once. Meanwhile, the crew scrambles to find a way to repair the star-drive. They have limited materials on hand, a damaged example unit that was jury-rigged to begin with, and no one who knows exactly how one is supposed to work. Hunting pirates was supposed to earn them goodwill, but it's hard to recruit when you're being pursued by Martian warships and a band of pirates who desperately want something you stole from them. All in a day's work for an outlaw starship captain.
As thinking, writing, and gossip increasingly take place in cyberspace, the part of our life that can be monitored and searched has vastly expanded. E-mail, even after it is deleted, becomes a permanent record that can be resurrected by employers or prosecutors at any point in the future. On the Internet, every website we visit, every store we browse in, every magazine we skim--and the amount of time we skim it--create electronic footprints that can be traced back to us, revealing detailed patterns about our tastes, preferences, and intimate thoughts. In this pathbreaking book, Jeffrey Rosen explores the legal, technological, and cultural changes that have undermined our ability to control how much personal information about ourselves is communicated to others, and he proposes ways of reconstructing some of the zones of privacy that law and technology have been allowed to invade. In the eighteenth century, when the Bill of Rights was drafted, the spectacle of state agents breaking into a citizen's home and rummaging through his or her private diaries was considered the paradigm case of an unconstitutional search and seizure. But during the impeachment of President Bill Clinton, prosecutors were able to subpoena Monica Lewinsky's bookstore receipts and to retrieve unsent love letters from her home computer. And the sense of violation that Monica Lewinsky experienced is not unique. In a world in which everything that Americans read, write, and buy can be recorded and monitored in cyberspace, there is a growing danger that intimate personal information originally disclosed only to our friends and colleagues may be exposed to--and misinterpreted by--a less understanding audience of strangers. Privacy is important, Rosen argues, because it protects us from being judged out of context in a world of short attention spans, a world in which isolated bits of intimate information can be confused with genuine knowledge. Rosen also examines the expansion of sexual-harassment law that has given employers an incentive to monitor our e-mail, Internet browsing habits, and office romances. And he suggests that some forms of offensive speech in the workplace--including the indignities allegedly suffered by Paula Jones and Anita Hill--are better conceived of as invasions of privacy than as examples of sex discrimination. Combining discussions of current events--from Kenneth Starr's tapes to DoubleClick's on-line profiles--with inno-vative legal and cultural analysis, The Unwanted Gaze offers a powerful challenge to Americans to be proactive in the face of new threats to privacy in the twenty-first century.
In 1959, seven U.S. military fighter pilots were selected to train as America's first astronauts. Alan Shepard, Gordon Cooper, Gus Grissom, John Glenn, Scott Carpenter, Wally Schirra and Deke Slayton would become known as the Mercury Seven (M7). These men, who had jockeyed for the best flying jobs in the military, began com-peting for rides on rockets. Most would eventually vie for the ultimate ride to the moon. The author Ed Buckbee, who has enjoyed a 40+ year association with the U.S. manned space flight program, follows these brave men who pioneered the U.S. space program. Through time and personal friend-ships, he captures dreams of flying higher, faster and farther than any-one in the known universe. Readers are invited behind the scenes to witness the competition between chimpanzees and astronauts, and the conflict between NASA engineers designing capsules and those who would pilot them. Through this book, readers feel the collective will of a nation to defeat the Russians in an all-out space race via an American team of 400,000 engineers, technicians, astronauts and sup-port personnel who performed as if the country were at war. The eras of Mercury, Gemini and Apollo-- these were times of nobility and humility, but also times of arrogance, tension, and from time-to--time, humour. "Gotcha's" were commonplace astronaut pranks and a dubious answer to the question, "Are you a turtle?" resulted in a healthy bar tab. But what of our first space heroes after the Apollo program was com-pleted? Accepting the call of Project Mercury meant a lifetime com-mitment. Their work continued with motivational programs for youth through the U.S. Space Camp programs, public programs at institu-tions such as the Smithsonian's National Air and Space Museum, the U.S. Space & Rocket Center, the U.S. Astronaut Hall of Fame, and oth-ers. The author himself shared the task of motivating the next generation through creation of U.S. Space Camp and the Astronaut Hall of Fame. Bonus DVD-10 with rare film footage: 1976 Interview with Wernher von Braun; 30th Anniversary Documentary on Skylab; "Gotcha" film about Alan Shepard; Space Camp Documentary - Reach For The Stars; 1997 Panel Discussion at Pensacola with Armstrong, Shepard, Lovell, Aldrin & Cernan; 2002 Panel Discussion at Pensacola with the Mercury Astronauts; "Gotcha" Documentary - The Lighthouse Never Fails; U.S. Space & Rocket Center Documentary - From the Valley to the Moon; Documentary - The Flight of Freedom 7; Mercury Astronauts Documentary - The First; "Gotcha" film of Apollo 12.
As the second volume of a two-volume set on new media users in China, this book approaches the subject from a micro level. examining the mediatized existence and life of new media users in the digital age and the approaching age of artificial intelligence. To further explore the interaction between people and new media, this volume focuses on the idea of the "mediatized survival" of new media users. By analyzing user behaviour and practice in mediatized time and space, including selfies, photo retouching, memes, online videos, social media posts, video conferences, and WeChat red packets, the author elucidates the mediatized self-expression embodied in these key phenomena and shows how reality and virtual life converge and interact. The final two chapters discuss drivers of new forms of mediatization surrounding data and cyborgs, exploring the impact of algorithms on people and the outlook for human-machine relationships. This title will be a must-read for scholars, students and media professionals interested in the topics of internet communication, new media usage and media and society as a whole.
Gemini 4 pilot Ed White could see Hawaii, California, Texas, and Florida. Millions of Americans had seen these places before, but White had a unique view. He looked at them while walking in space. One hundred miles above Earth and moving freely outside the Gemini 4 spacecraft, White saw these states as tiny stepping stones. The first American spacewalk was a monumental achievement, and it helped push the space program toward its ultimate goal of landing men on the Moon. From the brave astronauts to the technology that made it possible, author Carl R. Green explores the astounding Gemini 4 mission.
Tom Blackwell (born 1938) is primarily known for his work in photorealism, a movement characterized by its ardent embrace of photographic source material. In 1969, he began a series of brashly beautiful motorcycle paintings that established him as one of the founders and foremost artists of the movement. In his equally celebrated store-window paintings, Blackwell captures the counterpoint between the idealized reality within the store display and the bustling urban life reflected in the glass. As author Linda Chase remarks in her essay, The magic of these paintings resides in the artist's ability to transform the arbitrary photographic information into dynamic and complex artistic compositions, revealing and clarifying the image while preserving its mystery. The first comprehensive resource on an icon of photorealism, this volume includes further essays by esteemed art writers Louis K. Meisel and Carter Ratcliff.
Consciousness is dimensionally structured. Nobody has consciousness. Instead, everybody is in consciousness. Building on the work of Samuel Avery, the book presents a new myth and paradigm for understanding consciousness, exploring the connections between consciousness, physics, quantum mechanics, myth, and meditation.
Poppy Gore, a local realtor, discovers the body of a client she had met only once lying on the floor of an isolated cabin on a West Virginia mountaintop with four bullet holes in his chest. Sheriff Billy Jones calls on a fellow law professional, the Chief of the Fairfax Police, who assigns Lieutenant Chase Mansfield of the Criminal Investigations Bureau to the case. The investigation begins with the eccentric Scott family, a clan at war with itself. Mary Scott, the family matriarch, points a finger at Barbara, the tearless widow, and demands that Mansfield arrest the bitch. Barbara indifferently explains that she and Dred Scott, the victim, were legally separated. She denies knowing that Scott had owned a mountain cabin and offers a solid alibi affirmed by a companion, a Russian diplomat with a FBI tail. Before Lieutenant Mansfield can identify the killer, Dreds brother Clayton Scott is murdered in his Fairfax home. High-level corruption, corporate conspiracy, political warfare, and the bitter disintegration of a prominent family greatly complicate the investigation.
We live in an information economy, a vast archive of data ever at our fingertips. In the pages of science fiction, powerful entities--governments and corporations--attempt to use this archive to control society, enforce conformity or turn citizens into passive consumers. Opposing them are protagonists fighting to liberate the collective mind from those who would enforce top-down control. Archival technology and its depictions in science fiction have developed dramatically since the 1950s. Ray Bradbury discusses archives in terms of books and television media, and Margaret Atwood in terms of magazines and journaling. William Gibson focused on technofuturistic cyberspace and brain-to-computer prosthetics, Bruce Sterling on genetics and society as an archive of social practices. Neal Stephenson has imagined post-cyberpunk matrix space and interactive primers. As the archive is altered, so are the humans that interact with ever-advancing technology.
Doing the right thing can bring the wrong type of attention. Now the Empire knows the amazing things the Wanderer is capable of, they want the ship for themselves. As powerful as the Wanderer is it is no match for the imperial fleet that seeks to capture it. Jess has only one option – run. With the imperial fleet dogging his steps Jess continues to head for the Wanderer's homeworld, but in running from the Empire he is running blindly towards a far greater danger.