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Realization of Forms in Contemporary Architecture takes a captivating journey through the minds of visionary architects who push boundaries and redefine what’s possible. From the philosophies and methodologies driving these architectural masterminds to cutting-edge trends in the field, this book unravels the secrets behind these awe-inspiring structures. The book uncovers how digital technology is revolutionizing this process, opening doors to unimaginable possibilities, and explores material-based forms that challenge traditional norms, as well as the hurdles faced in conceptualization, construction, and societal acceptance. It also provides thought-provoking insights into where contemporary architecture is headed. Whether you’re an architecture student, enthusiast, or simply curious about ground-breaking design, this book will leave you inspired and eager to push the boundaries of what is possible in the world of architecture.
This title embraces philosophical theories behind architect-designed conceptualization, and how the potential arises for the generation of further innovative ideas. Featuring chapters on Architectural Design as a Way of Thinking, Conceptualization, Design Progression, Form, Function & Order: Conceptual Thinking, Conceptualization in the Design Process, Design Development and Space Crafting.
Contemporary Architecture and the Digital Design Process introduces the reader to new developments in the computer modelling of design form in contemporary architectural practice through a series of detailed case studies. The book illustrates how evolving design practices use and exploit the potential of new computing technologies in a wide range of areas and application. A central thesis of this book is that technology follows design demand, rather than design adjusting to available new technology. Designers are not merely passive recipients of prescribed computing tools and techniques. Instead, they are increasingly able to express their intuitive design ideas through the rational medium of computing. The book features several contemporary building projects, each of which introduces a range of CAD and computing issues based upon the work of creative architectural and engineering design practices. These include the offices of Frank O. Gehry, Peter Cook and Colin Fournier, Anthony Hunt Associates, Peter Hubner, Szyskowitz-Kowalski, and Faulkner Brown. All these examples show what architects need to know and the skills they need to acquire to use advanced CAD technology.
A provocative examination of the connections between contemporary expression in architecture and traditional materials and forms. Architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture. Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered "the basis for modern design." The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian facade becomes a scrim on the facade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh. Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton & Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi in the USA; Max Dudler in Germany; Dortre Mandrup in Denmark; and Herzog & de Meuron in Switzerland.
A relatively new trend in architecture, folding is a playful method that opens up the design process to spontaneity and surprise. Folding Architecture presents the results of research into the technique, which was carried out in The Netherlands by the architectural faculty at the TU in Delft. It is an enlightening and inspiring survey that is vividly illustrated and presents all of the much-discussed concepts, projects and buildings in which this process has been applied. And as the book implies the possibilities are endless. Compulsory reference material for any architect or student of architecture who wishes to design outside of mainstream. Sophia Vyzoviti is an architect and teaches design method at the TU in Delft.
Published in 1923, Toward an Architecture had an immediate impact on architects throughout Europe and remains a foundational text for students and professionals. Le Corbusier urges readers to cease thinking of architecture as a matter of historical styles and instead open their eyes to the modern world. Simultaneously a historian, critic, and prophet, he provocatively juxtaposes views of classical Greece and Renaissance Rome with images of airplanes, cars, and ocean liners. Le Corbusier's slogans--such as "the house is a machine for living in"--and philosophy changed how his contemporaries saw the relationship between architecture, technology, and history. This edition includes a new translation of the original text, a scholarly introduction, and background notes that illuminate the text and illustrations.
Today, with the advent of digital media technologies and the ability to conceptualize, express and produce complex forms using digital means, the question of the status of the architectural form is once again under consideration. Indeed, the computer liberated architecture from the tyranny of the right angle and enabled the design and production of non-standard buildings, based on irregular geometry. Yet, the questions concerning the method of form expression in contemporary architecture, and its meaning, remain very much open. Performalism takes up this discussion, defines it and presents changes in form conception in architecture, followed by their repercussions. The book is supported by a wealth of case studies from some of the top firms across the globe and contributed to by some of the top names in this field. With a unique and insightful emphasis on professional practice this is essential reading for all architects, aspiring and practicing.