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A new volume of the works of the Gawain poet, destined to become the definitive edition for students and scholars. This volume brings together four works of the unknown fourteenth-century poet famous for the Arthurian romance Sir Gawain and the Green Knight, in their original Middle English. In one of the great tales of medieval literature, Gawain, the noblest knight of King Arthur's court, must keep a deadly bargain with a monstrous knight and resist the advances of his host's beautiful wife. The dream vision of Pearl depicts a bereaved father whose lost child leads him to glimpse heaven. And in moral poems based on stories from the Bible, Cleanness warns against sins of the flesh and of desecration, while Patience encourages readers to endure suffering as God's will. Little is known about the so-called 'Gawain poet', who wrote during the late fourteenth century. It is believed that he came from south-east Cheshire, an important cultural and economic centre at the time, and he was clearly well-read in Latin, French and English. Although he is not named as the author of Sir Gawain and the Green Knight, Pearl, Patience, Cleanness, the four works have been attributed to him based on a careful comparison of their language, date and themes. Myra Stokes was formerly Senior Lecturer in the Department of English at Bristol University. Her books include Justice and Mercy in Piers Plowman and The Language of Jane Austen. Ad Putter teaches at the English Department and the Centre for Medieval Studies of the University of Bristol, where is Professor of Medieval English Literature. His monographs include Sir Gawain and the Green Knight and French Arthurian Romance and An Introduction to the Gawain Poet, and he is also co-editor of The Cambridge Companion to the Arthurian Legend.
This Middle-English poem about the moral testing of a young hero is commonly described as the greatest Arthurian romance in our literary tradition. It is a question still as to who the author is, but this poet is considered second only to Chaucer.
Investigations into the heroic - or not - behaviour of the protagonists of medieval romance. Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism. Dr Neil Cartlidge is Lecturer in English at the University of Durham. Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath
If a literary movement arises but no one notices, is it still a movement? In Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology, Dennis Wilson Wise argues that the answer is “yes.” Over the last ten decades, poets working in fantasy, science fiction, and horror have collectively brought forth a revival in alliterative poetics akin to what once happened in the mid-fourteenth century. Altogether, this anthology collects for the first time over fifty speculative poets—several of whom are previously unpublished—from across North America and Europe. Alongside such established names as C. S. Lewis, Patrick Rothfuss, Edwin Morgan, Poul Anderson, Jo Walton, P. K. Page, and W. H. Auden, this anthology includes representative texts from cultural movements such as contemporary neo-Paganism and the Society for Creative Anachronism. A lengthy critical introduction by the editor—written accessibly for a general audience—explains and contextualizes the Modern Revival for critics and readers alike, and extensive footnotes offer aids to anyone new to medieval history or Norse mythology. Overall, this indispensable anthology—the first major academic book to focus on speculative poetry—establishes where the medieval meets the modern in the hitherto unrecognized Modern Alliterative Revival.