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• Guide to creating highly realistic pyrography portraits of domestic animals, North American wildlife, African wildlife, and birds. • Skill-building tutorials show how to burn specific features like eyes, noses, fur, etc. • Author’s social media @MinisaPyrography: 13K Facebook followers, 2K Instagram followers. • Woodburning Realistic People sold 2,597 copies with $20,745.97 since its release in June 2017.
Nature in Wood is a title by Fox Chapel Publishing
This exciting collection of realistic projects for dedicated carvers features20 stunning patterns of a wide range of birds, including a great blue heron, house wren, mourning dove, wild turkey, and more. With helpful instructions and detailed patterns, also included are a few animal projects. From ducks, geese, and songbirds to birds of prey and shorebirds, Carving Wildlife in Wood is a must-have source of inspiration for passionate carvers with a love for nature!
Each title in this series features bird reference and woodcarving patterns. Ready-to-use patterns are drawn to scale for the following species: Cardinal, Wood Duck, Bluebird, Pintail Drake, Chickadee, Blue Jay, Baltimore Oriole, Ruffed Grouse, Mallard, Boreal Owl, Robin, Hooded Merganser, Hummingbird, Canada Goose, American Widgeons, Common Loon, and Canvasback.
This book begins by considering responses by French artists to the First World War, showing how Purism, Dada, and early Surrealism are related to the ethos of post-war reconstruction. The authors then discuss the language of construction in places as dissimilar as France, Germany, and the Soviet Union; the contrasting demands of the utility and decoration of objects and paintings; and the relationship of surrealism to questions of sexuality and gender and to Freudian theory. The book concludes by addressing the widespread debate over realism in art: whether it represents an alternative to the elitism of the avant-garde or whether avant-garde art should play a role in the development of a modern realism.
New Yorker book critic and award-winning author James Wood delivers a novel of a family struggling to connect with one another and find meaning in their own lives. In the years since his daughter Vanessa moved to America to become a professor of philosophy, Alan Querry has never been to visit. He has been too busy at home in northern England, holding together his business as a successful property developer. His younger daughter, Helen—a music executive in London—hasn’t gone, either, and the two sisters, close but competitive, have never quite recovered from their parents’ bitter divorce and the early death of their mother. But when Vanessa’s new boyfriend sends word that she has fallen into a severe depression and that he’s worried for her safety, Alan and Helen fly to New York and take the train to Saratoga Springs. Over the course of six wintry days in upstate New York, the Querry family begins to struggle with the questions that animate this profound and searching novel: Why do some people find living so much harder than others? Is happiness a skill that might be learned or a cruel accident of birth? Is reflection conducive to happiness or an obstacle to it? If, as a favorite philosopher of Helen’s puts it, “the only serious enterprise is living,” how should we live? Rich in subtle human insight, full of poignant and often funny portraits, and vivid with a sense of place, James Wood’s Upstate is a powerful, intense, beautiful novel.
What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.
First book of this new collection (Learning series) in a small format. In this volume dedicated to paint different types of wood, planes, ships, tools, accessories etc.
In this comprehensive assessment of Kant's metaethics, Frederick Rauscher shows that Kant is a moral idealist rather than a moral realist and argues that Kant's ethics does not require metaphysical commitments that go beyond nature. Rauscher frames the argument in the context of Kant's non-naturalistic philosophical method and the character of practical reason as action-oriented. Reason operates entirely within nature, and apparently non-natural claims - God, free choice, and value - are shown to be heuristic and to reflect reason's ordering of nature. The book shows how Kant hesitates between a transcendental moral idealism with an empirical moral realism and a complete moral idealism. Examining every aspect of Kant's ethics, from the categorical imperative to freedom and value, this volume argues that Kant's focus on human moral agency explains morality as a part of nature. It will appeal to academic researchers and advanced students of Kant, German idealism and intellectual history.
A study of the typical chracteristics of twentieth-century realism.