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Predenville discusses the historical, artistic, and critical contexts in which painting has taken a realist turn. Color illustrations.
An exploration of the American realist tradition. It discusses and displays the most important work of the different groups and schools, including American Impressionism, the Ashcan School, Precisionism and Urban Realism. Featured artists include Georgia O'Keeffe, Andrew Wyeth and Thomas Eakins.
Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
A rich compendium of Estes' virtuosic photorealist paintings, which capture light and reflections in brilliant detail Richard Estes (b. 1932) is one of the most celebrated adopters of Photorealism; his paintings are characterized by painstaking detail that mimics the clarity and accuracy of photographs. Estes' most famous canvases from the 1970s depict New York's urban landscape, and his manner of painting reflections in a multitude of metal and glass surfaces displays astounding technical skill. In his subsequent career, Estes has continued to demonstrate his superlative ability to show complex plays of light and shadow in Maine seascapes, views of Venetian lagoons, and nighttime street scenes. Accompanying Estes' first solo exhibition of paintings in the United States in over two decades, Richard Estes' Realism surveys fifty years of his work and places him within the historical narrative of realist painting. The authors explore the ongoing modernist dialogue between camera and canvas, and discuss the situation of Estes' work at the crossroads of painting and photography. Fifty full-page plates showcase the amazing precision of Estes' paintings, and a thorough chronology and bibliography provide an enlightening account of his life. This handsome book offers a lavish presentation of Estes' spellbinding body of work that attests to his enduring artistic impact. Distributed for the Portland Museum of Art and the Smithsonian American Art Museum Exhibition Schedule: Portland Museum of Art (05/22/14-09/07/14) Smithsonian American Art Museum (10/10/14-02/08/15)
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
Subject: The case for realism -- The new painting in America -- Vernacular modernism -- New brutalism and the 'as found' -- New realism and pop art -- Composite painting -- Assemblages and world making -- Art and life: happenings -- Hybrid practices and political art
In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called "Christina's World." The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. "Christina's World" was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.