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This book is a result of Eli Epstein's 18 years in the Cleveland Orchestra and 30 years of Conservatoire teaching. It breaks down into four parts, dealing with Technique, Musicianship, Warm up and Exercises and finally Applying the Method. It is both innovative and inspiring and presents his theories in a clear and understandable way, which gives the reader much to think about and practical ideas to help improve one's playing. An excellent addition to any horn enthusiast's collection.The third edition presents MRI images and data of an elite group of horn players, including Stefan Dohr, Fergus McWilliam, Sarah Willis, Stefan Jezierski (all of the Berlin Philharmonic), Marie-Luise Neunecker, Jeff Nelsen, and others. MRI films confirm that what we do internally, inside the mouth, pharynx, and thoracic cavity is just as important as what we do externally. And, just as there are hallmarks of healthy embouchures that most professional horn players employ, there are many consistent internal movement patterns among the elite group. Epstein presents tried and true methods to learn and teach these exemplary biomechanics. "Without a doubt the most physiologically correct book ever published on horn playing." ~John Ericson, Horn Matters
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
From the author of the highly acclaimed, New York Times bestselling novel Pax comes a gorgeous and moving middle grade novel that is an ode to introverts, dreamers, and misfits everywhere. Ware can’t wait to spend summer “off in his own world”—dreaming of knights in the Middle Ages and generally being left alone. But then his parents sign him up for dreaded Rec camp, where he must endure Meaningful Social Interaction and whatever activities so-called “normal” kids do. On his first day Ware meets Jolene, a tough, secretive girl planting a garden in the rubble of an abandoned church next to the camp. Soon he starts skipping Rec, creating a castle-like space of his own in the church lot. Jolene scoffs, calling him a dreamer—he doesn’t live in the “real world” like she does. As different as Ware and Jolene are, though, they have one thing in common: for them, the lot is a refuge. But when their sanctuary is threatened, Ware looks to the knights’ Code of Chivalry: Thou shalt do battle against unfairness wherever faced with it. Thou shalt be always the champion of the Right and Good—and vows to save the lot. But what does a hero look like in real life? And what can two misfit kids do?
Presents the early life of the famous African American cornet player, describing his humble beginnings on the streets of New Orleans to his emergence as a legend among the biggest jazz clubs of the city.
Uni the Unicorn, the only unicorn who believes kids are real, slides down a double rainbow to visit friends on earth. Uni the Unicorn visits her best friend in the real world. Now everyone will know that unicorns exist, and that Uni is real after all. But when the little girl introduces Uni to her family and friends, they can't see the unicorn. Then, with the power of believing and Uni's magic horn, one little boy begins to see something. And then all the kids begin to believe in magic. And as the real world grows brighter and brighter, all kinds of other magical creatures appear, ending the book with the most dazzling array of imaginary creatures. Paris Rosenthal, the daughter of the late Amy Krouse Rosenthal, wrote this as a tribute to her mom.
Contains thoughts and exercises on playing well, warming up, practicing, facial muscles, dynamics, sound production, breathing, intonation, memorization, endurance, self-instruction, performance, etc.
The black rhino is nature's tank, feared by all animals. Even lions will break off a hunt to detour around one. And yet the black rhino is on the edge of extinction, its numbers dwindling from 100,000 at the turn of the century, to less than 2,500 today. The reason is that in places like Yemen, China, Korea, Taiwan, and Thailand, the rhino's horn is more valuable than gold, so valuable that people will risk their lives to harvest it. To deter rhino poachers, African governments have spent millions--on helicopters, paramilitary operations, fences and guard dogs, even relocation to protected areas. Finally, Namibia decided to de-horn its rhino population, in a last ditch effort to stop the slaughter. In 1991, Carol Cunningham and Joel Berger, and their eighteen-month-old daughter Sonja, went to Namibia to weigh the effects of de-horning on rhinos. In Horn of Darkness, they tell the story of three years in the Namib Desert, studying Africa's last sizable population of free-roaming black rhinos. This is the closest most readers will come to experiencing life in the remaining wilds of Africa. Cunningham and Berger, writing nate chapters, capture what it is like to leave the comforts of civilization, to camp for months at a time in a land filled with deadly predators, to study an animal that is reclusive, unpredictable, and highly dangerous. The authors describe staking out water holes in the dead of the night, creeping to within twenty-seven meters of rhinos to photograph them, all the while keeping a lookout for hyenas, elephants, and lions. They recount many heart-pounding escapes--one rhino forces Carol Cunningham up a tree, an unseen lion in hot pursuit of hyenas races right past a frozen Joel Berger--and capture the adrenaline rush of inching closer to a rhino that might flee--or charge--at any moment. They also give readers a clear sense of the careful, patient work involved in studying animals, the frustration of long days without finding rhinos or seeing other people, coping with heat and thirst (the Namib desert is one of the driest on Earth), with dirt and insects, driving hundreds of kilometers in a Land Rover packed to capacity, slowing amassing records on one hundred individual rhinos over the course of several years. And perhaps most important, the authors reveal that the data they collected suggests that the de-horning project might backfire--that in the four years after de-horning began, calf survival was down (the evidence suggests that hyenas might be preying on calves and the horn less mothers couldn't defend their offspring). They also describe the dark side of scientific work, from the petty jealousy of other scientists--outside researchers were often seen as ecological imperialists--to the controversy that erupted after the authors published their findings, as furious officials of the Namibian conservation program denounced their findings and through delays and other tactics effectively withheld a permit to allow the couple to continue their study. Weaving together the historical accounts of other naturalists, a vividly detailed look at life in the wild, and a behind-the-scenes glimpse of scientific work and the dark side of the conservation movement, Horn of Darkness is destined to be a classic work on the natural world.
A bestselling author and advertising veteran shares a life’s lessons from the ad trade. Dave Marinaccio, cofounder and the creative director of LMO Advertising, is a veteran of the industry who, as a young man starting out, studied stand-up at Second City in Chicago. He later wrote an international bestseller, All I Really Need to Know I Learned from Watching Star Trek. His equally entertaining new book takes us inside the world of advertising, offering stories and observations from his three decades at some of America's best-known agencies, working with clients from Pizza Hut to the Holocaust Museum. In short, punchy chapters, Dave pulls back the curtain and shares his insights on how marketing decisions are made and other lessons. His topics range from logos, the big idea, and selling perfume to how we undervalue our gifts, to do-overs, celebrities, and "meetingsmanship." And more than a few lessons turn out to be apt not just for business but for our stressed-out lives. Admen, Mad Men, and the Real World of Advertising is written to be easily digestible by interns, CEOS, or anyone who has ever watched a television commercial or clicked on a banner ad. Irreverent, packed with useful information, and unflinchingly honest, it is a serious business book by a seriously funny man and a must for anyone who lives, works, or plays in today's commercial culture.
LET'S GET THE FEMINIST PARTY STARTED! Have you ever wanted to be a superheroine? Join a fandom? Create the perfect empowering playlist? Understand exactly what it means to be a feminist in the twenty-first century? You’ve come to the right place. Forty-four writers, dancers, actors, and artists contribute essays, lists, poems, comics, and illustrations about everything from body positivity to romance to gender identity to intersectionality to the greatest girl friendships in fiction. Together, they share diverse perspectives on and insights into what feminism means and what it looks like. Come on in, turn the pages, and be inspired to find your own path to feminism by the awesome individuals in Here We Are. Welcome to one of the most life-changing parties around!