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'[A] Jane Austen-meets-Bernard Cornwell novel' Daily Mail Raw recruits march under the summer sun. But on distant shores a terrible event is about to sing its siren's song to the true soldier gentlemen of Britain. For it is 1808, and the Peninsular War is about to erupt . . . Meet the men of the 106th Foot, a new regiment staffed by young gentlemen who know nothing of war. William Hanley is in the army because he has no other livelihood. Hamish Williams, a man without money or influence, is hoping war will make his name. Their friend Billy Pringle believes the rigours of combat will keep him from the drinking and womanising that are his undoing. And for George Wickham, battle is simply another means of social climbing. When the band of four are plunged into a savage war against the veteran armies of Napoleon, they find their illusions shattered and their lives changed for ever as they face the brutality of the battlefield . . . Combining the vivid detail of a master historian with the engaging characters and pulsating action of a natural storyteller, True Soldier Gentlemen is perfect for fans of Bernard Cornwell, Patrick O'Brian, C.S. Forester, Allan Mallinson and Simon Scarrow. ********************* 'It's so well written, flows so well, that the detail does not drag you down . . . a fantastic read, well written, well laid out and absorbing from start to finish' Goodreads reviewer 'Having now read quite a few novels set during the Napoleonic Wars, I was extremely impressed by Adrian Goldsworthy's knowledge of the period and his ability to relate this to the reader without it reading like a history text' Goodreads reviewer
Real War, Real Soldier gathers the remaining memories of a veteran of World War II. Raoul Corbeil served in the Canadian Army from 1942 to 1946, and fought in the bitter Northwest Campaign that opened the route to Antwerp and liberated Belgium and the Netherlands. His war was a true front soldier’s war, a patient and dangerous advance as an infantryman in one of Canada’s most celebrated regiment, the Fusiliers Mont Royal. He faced the enemy literally man to man, killed some and gave hope to others. Raoul Corbeil narrates his combats, his retreats, and his entries into enemy held towns. His story is an enlightening look into the day to day life of a real soldier at the front. He participated in the patrols he described, and helped real people on occasion. Raoul Corbeil’s story is preceded in Real War, Real Soldier by a succinct but rich introduction to Canada’s role in the war, and to the life of Canadians during the war. The introduction is written by Jean Thibault, Ph.D., an historian specialized in the history of Canada during World War II. Real War, Real Soldier also includes a chronology, a short bibliography, and a sketch map to help the reader place the events.
“This epic account is as thrilling and fast-paced as the raid itself and will quickly rival, if not surpass, Dee Brown’s Grierson’s Raid as the standard.” —Terrence J. Winschel, historian (ret.), Vicksburg National Military Park Winner, Operational/Battle History, Army Historical Foundation Distinguished Book Award Winner, Fletcher Pratt Literary Award, Civil War Round Table of New York There were other simultaneous operations to distract Confederate attention from the real threat posed by U. S. Grant’s Army of the Tennessee. Benjamin Grierson’s operation, however, mainly conducted with two Illinois cavalry regiments, has become the most famous, and for good reason: For 16 days (April 17 to May 2) Grierson led Confederate pursuers on a high-stakes chase through the entire state of Mississippi, entering the northern border with Tennessee and exiting its southern border with Louisiana. Throughout, he displayed outstanding leadership and cunning, destroyed railroad tracks, burned trestles and bridges, freed slaves, and created as much damage and chaos as possible. Grierson’s Raid broke a vital Confederate rail line at Newton Station that supplied Vicksburg and, perhaps most importantly, consumed the attention of the Confederate high command. While Confederate Lt. Gen. John Pemberton at Vicksburg and other Southern leaders looked in the wrong directions, Grant moved his entire Army of the Tennessee across the Mississippi River below Vicksburg, spelling the doom of that city, the Confederate chances of holding the river, and perhaps the Confederacy itself. Based upon years of research and presented in gripping, fast-paced prose, Timothy B. Smith’s The Real Horse Soldiers captures the high drama and tension of the 1863 horse soldiers in a modern, comprehensive, academic study. Readers will find it fills a wide void in Civil War literature.
A sniper in Haiti faces the repercussions of the shot he never took. A team of SEALs help rescue a kidnapped girl in the Philippines. Army interpreters in Iraq battle their toughest foe: the rats of Saddam’s palace. A soldier on a late-night run surprises a motorpool saboteur. A young cavalry lieutenant, fresh off the Battle of Kamdesh, meets the Marine half-brother he’s never known. A Navy ship reacts to an unexpected man overboard. And if you’ve ever wondered what Christmas was like in a war zone, you’re about to find out. True War Stories is a 260-page full color graphic novel anthology containing fifteen true tales of American service members overseas. Nearly every branch of the military is represented in this collection of stories that are heartwarming, heroic, harrowing, and even at times, hilarious, spanning the globe. This unique project, assembled by the multiple-Eisner nominated writer/editor, Alex de Campi and co-written/edited by Iraq War veteran Khai Krumbhaar is an entertaining and moving work of graphic nonfiction, pairing members of the US military with the biggest names in comics to share real war stories told by those who lived them. Artists include Peter Krause, Ryan Howe, Skylar Patridge (drawing her own father's Vietnam story), Eoin Marron, Tish Doolin (a former Army medic), Dave Acosta, A. D'Amico, Drew Moss, Josh Hood, PJ Holden, Chris Peterson, Sam Hart, Jeff McComsey, and Paul Williams. Colors are by Dee Cunniffe, Matt Soffe, Kelly Fitzpatrick, Tarsis Cruz, and Aladdin Collar. All lettering is done by de Campi herself.
From the moment his first novel was published, Larry Heinemann joined the ranks of the great chroniclers of the Vietnam conflict--Philip Caputo, Tim O’Brien, and Gustav Hasford. In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells the story of his war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier. In the tradition of Naked and the Dead and The Thin Red Line, Close Quarters is the harrowing story of how a decent kid from Chicago endures an extraordinary trial-- and returns profoundly altered to a world on the threshold of change.
Amid the fearsome battles of the Civil War, both Union and Confederate soldiers were urged onward by song. There were songs to wake them up and songs to call them to bed, Songs to ready them for battle and to signal their retreat, Songs to tell them that their side was right, and the other wrong . . . And there was one song that reminded them all of what they hoped to return to after the war. Defeated in the battle of Fredericksburg, Virginia, the Union soldiers retreated across the river. There, a new battle emerged as both armies volleyed competing songs back and forth. With the Christmas season upon them, however, Federals and Confederates longed for the same thing. As the notes of "Home, Sweet Home" rose up from both sides, they found common ground for one night. Interwoven with soldiers' letters and journal entries, this is a true story of duty and heartbreak, of loyalty and enemies, and of the uniting power of music. Debbie Levy's moving text and Gilbert Ford's vibrant, layered illustrations come together to create an unforgettable tale of American history.
In the tradition of Michael Herr's Dispatches, a National Guardsman's account of the war in Iraq. John Crawford joined the Florida National Guard to pay for his college tuition, willingly exchanging one weekend a month and two weeks a year for a free education. But in Autumn 2002, one semester short of graduating and newly married—in fact, on his honeymoon—he was called to active duty and sent to the front lines in Iraq. Crawford and his unit spent months upon months patrolling the streets of Baghdad, occupying a hostile city. During the breaks between patrols, Crawford began recording what he and his fellow soldiers witnessed and experienced. Those stories became The Last True Story I'll Ever Tell—a haunting and powerful, compellingly honest book that imparts the on-the-ground reality of waging the war in Iraq, and marks as the introduction of a mighty literary voice forged in the most intense of circumstances.
"These thousands, and tens and twenties of thousands of American young men, badly wounded, all sorts of wounds, operated on, pallid with diarrhea, languishing, dying with fever, pneumonia, &c. open a new world somehow to me, giving closer insights, new things, exploring deeper mines than any yet, showing our humanity, (I sometimes put myself in fancy in the cot, with typhoid, or under the knife,) tried by terrible, fearfulest tests, probed deepest, the living soul's, the body's tragedies, bursting the petty bounds of art." So wrote Walt Whitman in March of 1863, in a letter telling friends in New York what he had witnessed in Washington's war hospitals. In this, we see both a description of war's ravages and a major artist's imaginative response to the horrors of war as it "bursts the petty bounds of art." In "...the real war will never get in the books", Louis Masur has brought together fourteen of the most eloquent and articulate writers of the Civil War period, including such major literary figures as Nathaniel Hawthorne, Harriet Beecher Stowe, Ralph Waldo Emerson, Frederick Douglass, Herman Melville, Walt Whitman, Henry Adams, and Louisa May Alcott. Drawing on a wide range of material, including diaries, letters, and essays, Masur captures the reactions of these writers as the war was waged, providing a broad spectrum of views. Emerson, for instance, sees the war "come as a frosty October, which shall restore intellectual & moral power to these languid & dissipated populations." African-American writer Charlotte Forten writes sadly of the slaughter at Fort Wagner: "It seems very, very hard that the best and noblest must be the earliest called away. Especially has it been so throughout this dreadful war." There are writings by soldiers in combat. John Esten Cooke, a writer of popular pre-Revolutionary romances serving as a Confederate soldier under J.E.B. Stuart, describes Stonewall Jackson's uniform: "It was positively scorched by sun--had that dingy hue, the product of sun and rain, and contact with the ground...but the men of the old Stonewall Brigade loved that coat." And John De Forest, a Union officer, describes facing a Confederate volley: "It was a long rattle like that which a boy makes in running with a stick along a picket-fence, only vastly louder; and at the same time the sharp, quiet whit-whit of bullets chippered close to our ears." And along the way, we sample many vivid portraits of the era, perhaps the most surprising of which is Louisa May Alcott's explanation of why she preferred her noon-to-midnight schedule in a Washington hospital: "I like it as it leaves me time for a morning run which is what I need to keep well....I trot up & down the streets in all directions, some times to the Heights, then half way to Washington, again to the hill over which the long trains of army wagons are constantly vanishing & ambulances appearing. That way the fighting lies, & I long to follow." With unmatched intimacy and immediacy, "...the real war will never get in the books" illuminates the often painful intellectual and emotional efforts of fourteen accomplished writers as they come to grips with "The American Apocalypse."
A controversial psychological examination of how soldiers’ willingness to kill has been encouraged and exploited to the detriment of contemporary civilian society. Psychologist and US Army Ranger Dave Grossman writes that the vast majority of soldiers are loath to pull the trigger in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning, have developed sophisticated ways of overcoming this instinctive aversion. The mental cost for members of the military, as witnessed by the increase in post-traumatic stress, is devastating. The sociological cost for the rest of us is even worse: Contemporary civilian society, particularly the media, replicates the army’s conditioning techniques and, Grossman argues, is responsible for the rising rate of murder and violence, especially among the young. Drawing from interviews, personal accounts, and academic studies, On Killing is an important look at the techniques the military uses to overcome the powerful reluctance to kill, of how killing affects the soldier, and of the societal implications of escalating violence.