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Excerpt from Real Stories From Baltimore County History In its report to the National Education Association the Committee of Eight on the Study of History in the Elementary Schools, appointed by the American Historical Society, said: "Our history teaching in the past has tailed largely because it has not been picturesque enough." If this criticism were justified by the colorless history teaching observed in the presentation of material throughout the grades, doubtless the same truth applies to the teaching of local history, for all too often that which is near and immediate, by virtue of its nearness, loses its romantic quality and becomes prosaic and commonplace fact. It is true that distance does lend a kind of enchantment as well as dignity to what may have been, once upon a time, a commonplace event, but any significant character or event takes on new meaning, may even have a quality of picturesqueness, if placed in its right perspective. Therefore it behooves us to choose such material from out the past experiences of the communities as will interpret the present, and to manifest such skill in method of presentation that local history teaching may not fail "because it is not picturesque enough." The history of any community is the history of the common man, and as there is a constant struggle in adjustment to environment, history is ever in the process of making, is not static, but ever in a fluid state, progressing, changing as time goes on. The aim of local history teaching may then said to be "to make the children more intelligent with respect to the more crucial activities, conditions and problems of present-day life," by selecting those typical activities which serve this purpose. Certain interesting elements indicative of changes constantly taking place appear in the study of every community in which the people should have wholesome pride. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book is a comprehensive narrative of the history and development of Baltimore County from its origins through the twentieth century. The authors describe major events and analyze their impact. The book also addresses the activities of women and blacks, whose contributions have often been neglected in the past, and describes occasions of city-county cooperation and differences.
Baltimore mobster Charlie Wilhelm reveals in his own words the details of hiswild life in crime and his desperate struggle for redemption.of shocking photos. Original.
"'Good evening, I'm Ric Cottom' is the well-recognized introduction to Your Maryland on WYPR. When, in 2001, Ric signed on to deliver a weekly segment on Maryland history during All Things Considered on WYPR, his was the first short-form radio spot the station featured. Ric narrates little-known human interest stories from any point in Maryland's past, from the early colonial period through the start of the twentieth century. He discovered many of the stories during his time as the director of the Maryland Historical Society, researching factual histories that he could deliver in a storytelling format. The genre is unique, blending narrative or literary nonfiction with regional history. The mission behind Ric's segment is to entertain his audience while sparking their interest in history. Ric has an unusual talent for discovering stories and weaving them into a fascinating narrative. All scenes from Maryland history are fitting for 'Your Maryland.' Ric carefully selects stories that he can convey with some comedy. Even those stories with heavier subject matter, as in the short biography of gunsmith and executioner John Dandy, are conveyed with some dark humor and levity. The volume here collects approximately half of all of the 'Your Maryland' stories Ric has composed over the years and presents them in chronological format. It is the type of book that people might read a little bit at a time, perhaps out of order, and not necessarily cover-to-cover. It's designed as a little book for a very broad audience of Marylanders"--Provided by publisher.
The brutal lynching of two young black men in Marion, Indiana, on August 7, 1930, cast a shadow over the town that still lingers. It is only one event in the long and complicated history of race relations in Marion, a history much ignored and considered by many to be best forgotten. But the lynching cannot be forgotten. It is too much a part of the fabric of Marion, too much ingrained even now in the minds of those who live there. In Our Town journalist Cynthia Carr explores the issues of race, loyalty, and memory in America through the lens of a specific hate crime that occurred in Marion but could have happened anywhere. Marion is our town, America’s town, and its legacy is our legacy. Like everyone in Marion, Carr knew the basic details of the lynching even as a child: three black men were arrested for attempted murder and rape, and two of them were hanged in the courthouse square, a fate the third miraculously escaped. Meeting James Cameron–the man who’d survived–led her to examine how the quiet Midwestern town she loved could harbor such dark secrets. Spurred by the realization that, like her, millions of white Americans are intimately connected to this hidden history, Carr began an investigation into the events of that night, racism in Marion, the presence of the Ku Klux Klan–past and present–in Indiana, and her own grandfather’s involvement. She uncovered a pattern of white guilt and indifference, of black anger and fear that are the hallmark of race relations across the country. In a sweeping narrative that takes her from the angry energy of a white supremacist rally to the peaceful fields of Weaver–once an all-black settlement neighboring Marion–in search of the good and the bad in the story of race in America, Carr returns to her roots to seek out the fascinating people and places that have shaped the town. Her intensely compelling account of the Marion lynching and of her own family’s secrets offers a fresh examination of the complex legacy of whiteness in America. Part mystery, part history, part true crime saga, Our Town is a riveting read that lays bare a raw and little-chronicled facet of our national memory and provides a starting point toward reconciliation with the past. On August 7, 1930, three black teenagers were dragged from their jail cells in Marion, Indiana, and beaten before a howling mob. Two of them were hanged; by fate the third escaped. A photo taken that night shows the bodies hanging from the tree but focuses on the faces in the crowd—some enraged, some laughing, and some subdued, perhaps already feeling the first pangs of regret. Sixty-three years later, journalist Cynthia Carr began searching the photo for her grandfather’s face.