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From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variety of disciplines—provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community.
From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variety of disciplines—provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community.
Do you have an awesome sister who has an awesome sister? Do you have a girlfriend who is more like a sister? This cool blank lined note book will make a cool gift for all those that have cool siblings Can be used for poetry, note taking and making lists 120 Pages High Quality Paper 6
"A personal account of my only sibling -Tammi Terrell's short, but fully-livedexistence. Her solo hits, and the masterful hit-making duets alongside Marvin Gaye, continue to uplift and inspire newgenerations of music lovers." - Ludie H. Montgomery
2022 ALA Rainbow Book List An inspiring story about affirming a sibling's gender identity. Evan loves being big brother to Sam and Finn. They do everything together—go fishing, climb trees, and play astronauts. But lately, Evan notices that he and Sam don't look like brothers anymore. Sam wants to have long hair, and even asks to wear a dress on the first day of school. As time goes by, Evan comes to understand why Sam wants to look like a girl—because Sam is a girl. Sam is transgender. And just like always, Sam loves to dream with Evan and Finn about going to the moon together. Based on one family's real-life experiences, this heartwarming story of a girl named Sam and the brothers who love and support her will resonate with readers everywhere.
An epistolary novel of historical fiction that imagines the life of Katharine Wright and her relationship with her famous brothers, Wilbur and Orville Wright. On December 17, 1903, Orville and Wilbur Wright flew the world’s first airplane at Kitty Hawk, North Carolina, establishing the Wright Brothers as world-renowned pioneers of flight. Known to far fewer people was their whip-smart and well-educated sister Katharine, a suffragette and early feminist. After Wilbur passed away, Katharine lived with and took care of her increasingly reclusive brother Orville, who often turned to his more confident and supportive sister to help him through fame and fortune. But when Katharine became engaged to their mutual friend, Harry Haskell, Orville felt abandoned and betrayed. He smashed a pitcher of flowers against a wall and refused to attend the wedding or speak to Katharine or Harry. As the years went on, the siblings grew further and further apart. In The Wright Sister, Patty Dann wonderfully imagines the blossoming of Katharine, revealed in her “Marriage Diary”—in which she emerges as a frank, vibrant, intellectually and socially engaged, sexually active woman coming into her own—and her one-sided correspondence with her estranged brother as she hopes to repair their fractured relationship. Even though she pictures “Orv” throwing her letters away, Katharine cannot contain her joie de vivre, her love of married life, her strong advocacy of the suffragette cause, or her abiding affection for her stubborn sibling as she fondly recalls their shared life. An inspiring and poignant chronicle of feminism, family, and forgiveness, The Wright Sister is an unforgettable portrait of a woman, a sister of inventors, who found a way to reinvent herself.
The companion to Raina Telgemeier's #1 NEW YORK TIMES bestselling and Eisner Award-winning graphic memoir, SMILE. Raina can't wait to be a big sister. But once Amara is born, things aren't quite how she expected them to be. Amara is cute, but she's also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn't improve much over the years, but when a baby brother enters the picture and later, something doesn't seem right between their parents, they realize they must figure out how to get along. They are sisters, after all. Raina uses her signature humor and charm in both present-day narrative and perfectly placed flashbacks to tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.
Caroline, known as “Lina” to her family, has always lived in the shadow of her older brother William Herschel’s accomplishments. And yet when William invites Lina to join him in England to assist in his musical and astronomical pursuits—not to mention to run his bachelor household—she accepts, finding a new sense of purpose. William may be an obsessive genius, but Lina adores him, and aids him with the same fervency as a beloved wife. When William decides to marry, however, Lina’s world collapses. As she attempts to rebuild a future, we witness the dawning of an early feminist consciousness—a woman struggling to find her own place among the stars.
Raina Telgemeier’s #1 New York Times bestselling, Eisner Award-winning companion to Smile! Raina can't wait to be a big sister. But once Amara is born, things aren't quite how she expected them to be. Amara is cute, but she's also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn't improve much over the years, but when a baby brother enters the picture and later, something doesn't seem right between their parents, they realize they must figure out how to get along. They are sisters, after all.Raina uses her signature humor and charm in both present-day narrative and perfectly placed flashbacks to tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.