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"This is absorbing, headlong reading, a play on classic horror with an inventiveness of its own... As with all the best illusions, you are left feeling not tricked, but full of wonder." – The New York Times The haunting new thriller from Alex North, author of the New York Times bestseller The Whisper Man You knew a teenager like Charlie Crabtree. A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat. Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and suffering from dementia, has taken a turn for the worse. Though every inch of him resists, it is time to come home. It's not long before things start to go wrong. Paul learns that Detective Amanda Beck is investigating another copycat that has struck in the nearby town of Featherbank. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago. It wasn't just the murder. It was the fact that afterward, Charlie Crabtree was never seen again...
Shadows, as the title insinuates, splits open and lays bare the frightening vision of humanity, the heart of man depressed, a veritable inferno in which there is little to be enjoyed and everything to be endured, as all is vanity, a gnawing emptiness. Nothing is but what it seems. Simple but without being simplistic, there is in the damp climate of Doh's poetry broken promises, displaced emotional centres, a pervading sense of doom, of impending disaster, and a total helplessness reminiscent of Plato's proverbial mythical cave in which all reality is but shadow, devoid of substance, with the observer chained to the walls of his feelings, beliefs, and unfulfilled ambitions. The second section, 'Celebration', is, however, a source of warmth, of light, the sun's rays in an otherwise damp and and dark collection.
Journalist Maximillian Potter uncovers a fascinating plot to destroy the vines of La Romance-Conti, Burgundy's finest and most expensive wine. In January 2010, Aubert de Villaine, the famed proprietor of the Domaine de la Romance-Conti, the tiny, storied vineyard that produces the most expensive, exquisite wines in the world, received an anonymous note threatening the destruction of his priceless vines by poison—a crime that in the world of high-end wine is akin to murder—unless he paid a one million euro ransom. Villaine believed it to be a sick joke, but that proved a fatal miscalculation and the crime shocked this fabled region of France. The sinister story that Vanity Fair journalist Maximillian Potter uncovered would lead to a sting operation by some of France's top detectives, the primary suspect's suicide, and a dramatic investigation. This botanical crime threatened to destroy the fiercely traditional culture surrounding the world's greatest wine. Shadows in the Vineyard takes us deep into a captivating world full of fascinating characters, small-town French politics, an unforgettable narrative, and a local culture defined by the twinned veins of excess and vitality and the deep reverent attention to the land that runs through it.
This new, expanded collection of Antonio Tabucchi's stories collects the best short fiction from the Italian author recognized as one of the masters of the form. Message From the Shadows is a new collection featuring Antonio Tabucchi's finest short stories, spanning the breadth of his career. These playful tales explore Tabucchi's signature themes, from his inventive, lyrical meditations on language, art, and philosophy, to his fascination with the passage of time, and the mystery of storytelling.
"Eleanore Mikus: Shadows of the Real brings together for the first time the monochromatic work of an immensely important artist. Her art is related to minimalism; to slow down perception and thought, it reduces artistic means to only a few elements. Mikus differs from the minimalists in her use of materials. Her subtly inflected surfaces play with real light and shadows. They manifest the seemingly contradictory qualities of pristine appearance and old age. While sharing the austerity and sense of purity found in early suprematist paintings by Kasimir Malevich and Alexander Rochenko, among others, Mikus's white, black, and gray works have a sensuousness and a subtlety that bring them into closer harmony with organic nature. As light and viewpoints change, evanescent shadows emerge and disappear on the gently modulated surfaces. In the 1960s Mikus's works were acquired by major museums on the East and West coasts. In this book Robert Hobbs, an associate professor of the history of art at Florida State University and the author of monographs on Milton Avery, Edward Hopper, and Robert Smithson, examines Mikus's relationship to Zen Buddhism, which began to fascinate Americans after World War II. He also considers her development as a critic of American postwar consumption and prosperity. Cornell professor Judith Bernstock, the author of a recent monograph on Joan Mitchell and the forthcoming book Under the Spell of Orpheus, looks at Mikus's contributions in relation to the tradition of modern art. The book contains an appreciation by Thomas W. Leavitt, the director of Herbert F. Johnson Museum of Art at Cornell University." -- Provided by publisher
" ... selected not only African oral and written stories but also tales from around the world ..."--Pref., p. 11.
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Young readers will learn how shadows are made with light in this accessible, photo-filled book. Simple text explains different kinds of shadows and teaches students how they can make their own shadows. Vibrant photos bring basic science concepts to life and encourage kids to explore the shadows they see every day.
Horace Carpetine does not believe in ghosts. Raised to believe in science and reason, Horace Carpetine passes off spirits as superstition. Then he becomes an apprentice photographer and discovers an eerie—and even dangerous—supernatural power in his very own photographs. When a wealthy lady orders a portrait to place by her daughter's gravesite, Horace's employer, Enoch Middleditch, schemes to sell her more pictures—by convincing her that her daughter's ghost has appeared in the ones he's already taken. It's Horace's job to create images of the girl. Yet Horace somehow captures the girl's spirit along with her likeness. And when the spirit escapes the photographs, Horace discovers he's released a ghost bent on a deadly revenge. . . .
Winner of the Jesse H. Jones Award for Best Book of Fiction A visionary neo-Western blend of magical realism, mystery, and horror, Valley of Shadows sheds light on the dark past of injustice, isolation, and suffering along the US-Mexico border. Solitario Cisneros thought his life was over long ago. He lost his wife, his family, even his country in the late 1870s when the Rio Grande shifted course, stranding the Mexican town of Olvido on the Texas side of the border. He’d made his brooding peace with retiring his gun and badge, hiding out on his ranch, and communing with horses and ghosts. But when a gruesome string of murders and kidnappings ravages the town, pushing its volatile mix of Anglo, Mexican, and Apache settlers to the brink of self-destruction, he feels reluctantly compelled to confront both life, and the much more likely possibility of death, yet again. As Solitario struggles to overcome not only the evil forces that threaten the town but also his own inner demons, he finds an unlikely source of inspiration and support in Onawa, a gifted and enchanting Apache-Mexican seer who champions his cause, daring him to open his heart and question his destiny. As we follow Solitario and Onawa into the desert, we join them in facing haunting questions about the human condition that are as relevant today as they were back then: Can we rewrite our own history and shape our own future? What does it mean to belong to a place, or for a place to belong to a people? And, as lonely and defeated as we might feel, are we ever truly alone? Through luminous prose and soul-searching reflections, Rudy Ruiz transports readers to a distant time and a remote place where the immortal forces of good and evil dance amidst the shadows of magic and mountains.