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Real Gone turns the myth of the Sixties on its head. The protagonist may be a peripatetic young man on an intense search but he knows, intuitively, that the gaff is in. There are sex and drugs, of course, and politics, even a little rock and roll. That may sound familiar but in this story it isn't. There is also Rhythm and Blues, and jail and murder; some famous people have walk-on parts but they are no match for a wild assortment of obscure rounders, radicals and roustabouts. Set in 1967-1968, the novella records a rare in history, the very moment that an empire reached its peak and started its decline. A brief few months and then Real Gone.
Photographs by Jack Pierson. Text by Jim Lewis, Christopher Phillips.
The Real Gone, Horn Gone Blues Skoot Larson _________________________ When alto saxophone legend and San Pedro native Art Pepper was arrested for narcotics possession and sent to San Quentin in 1960, his signature Martin alto saxophone disappeared. Had he pawned it? Was it buried somewhere in the Los Angeles Police Departments vast evidence room? A seller on present day Internet auction site, Net Bid, claims to have Arts horn, and has put it up for grabs, which draws the attention of one Lucien Bezich, a saxophonist in the band of local jazz man turned reluctant detective Lars Lyndstrom. Loose, as hes called, is a musical genius, but rather slow, and easily excitable in his day-to-day life outside jazz. Loose wants Art Peppers axe badly enough to borrow $3,000 from his mother to place a bid on the horn. For his money, however, all Loose gets is a corpse thats been strangled with the cord that goes around the saxophone players neck to steady the instrument, along with his own arrest for the sax-strap murder. When the Net Bid seller disappears as well, The police discover that this same suspect is also being sought for questioning in the theft of over a million dollars worth of container cargo from the Port of Los Angeles. Can Lars untangle this web to save his friend and fellow musician? If so, it will require another satori from Lars to solve this Zen-jazz mystery.

Hearings

United States. Congress. House. Committee on Interstate and Foreign Commerce

Published: 1960

Total Pages: 1604


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'This mix of genuine humility and hard-won hubris, of mysticism and technical mastery ... makes Van Morrison quite simply, and quite indisputably, "The Bard of Belfast".' Paul Muldoon If I ventured in the slipstream Between the viaducts of your dreams Keep 'Er Lit is the second volume of Van Morrison's collected lyrics containing one hundred and twenty songs from across his storied career. It contains love songs, work songs, songs about the pains and anxieties of existence, songs of consolation, songs about various kinds of spiritual quest and the realms of the mystical, and songs which deal with healing and reconciliation, both with the self and with others. Then there are the songs of memory and of childhood; songs about the natural world and about the perspectives it can provide on time. Taken together with Lit Up Inside , this volume gives an overview of his fifty-year career, revealing why he is celebrated as one of the most innovative and enduring songwriters of our time.
(Piano/Vocal/Guitar Songbook). A great songbook of Disney/Pixar's blockbuster. Includes a color section with scenes from the movie and arrangements from eight songs, including: Life Is a Highway * Our Town * Real Gone * Route 66 * Sh-Boom (Life Could Be a Dream) * and more.
Hymns to the Silence is a thoroughly informed and enlightened study of the art of a pop music maverick that will delight fans the world over. In 1991, Van Morrison said, Music is spiritual, the music business isn't. Peter Mills' groundbreaking book investigates the oppositions and harmonies within the work of Van Morrison, proceeding from this identified starting point. Hymns to the Silence is a detailed investigative study of Morrison as singer, performer, lyricist, musician and writer with particular attention paid throughout to the contradictions and tensions that are central to any understanding of his work as a whole. The book takes several intriguing angles. It looks at Morrison as a writer, specifically as an Irish writer who has recorded musical settings of Yeats poems, collaborated with Seamus Heaney, Paul Durcan and Gerald Dawe, and who regularly drops quotes from James Joyce and Samuel Beckett into his live performances. It looks at him as a singer, at how he uses his voice as an interpretive instrument. And there are chapters on his use of mythology, on his stage performances, and on his continuing fascination with America and its musical forms.
“Transfixing…[Wayne’s] prison diary is, above all, a testament to the irrepressibility of his charisma—his is a force that can never go dormant, even when it’s not plainly on display.” –The New Yorker From rap superstar Lil Wayne comes Gone ’Til November, a deeply personal and revealing account of his time spent incarcerated on Rikers Island for eight months in 2010. In 2010, recording artist Lil Wayne was at the height of his career. A fixture in the rap game for more than a decade, Lil Wayne (aka Weezy) had established himself as both a prolific musician and a savvy businessman, smashing long-held industry records, winning multiple Grammy Awards, and signing up-and-coming talent like Drake and Nicki Minaj to his Young Money label. All of this momentum came to a halt when he was convicted of possession of a firearm and sentenced to a yearlong stay at Rikers Island. Suddenly, the artist at the top of his game was now an inmate at the mercy of the American penal system. At long last, Gone ’Til November reveals the true story of what really happened while Wayne was behind bars, exploring everything from his daily rituals to his interactions with other inmates to how he was able to keep himself motivated and grateful. Taken directly from Wayne’s own journal, this intimate, personal account of his incarceration is an utterly humane look at the man behind the artist.
Have the 1950s been overly romanticized? Beneath the calm, conformist exterior, new ideas and attitudes were percolating. This was the decade of McCarthyism, Levittowns, and men in gray flannel suits, but the 1950s also saw bold architectural styles, the rise of paperback novels and the Beat writers, Cinema Scope and film noir, television variety shows, the Golden Age of the automobile, subliminal advertising, fast food, Frisbees, and silly putty. Meanwhile, teens attained a more prominent role in American culture with hot rods, rock 'n' roll, preppies and greasers, and—gasp—juvenile delinquency. At the same time, a new technological threat, the atom bomb, lurked beneath the surface of the postwar decade. This volume presents a nuanced look at a surprisingly complex time in American popular culture.
(Fake Book). An amazing collection of over 300 songs especially for vocalists, including: Aguas De Marco (Waters of March) * Almost like Being in Love * Any Place I Hang My Hat Is Home * Boogie Woogie Bugle Boy * Brazil * Bridge over Troubled Water * C'est Si Bon (It's So Good) * Diamonds Are a Girl's Best Friend * Down with Love * For Once in My Life * Getting to Know You * Happy Talk * Harlem Nocturne * Hello, Dolly! * On Broadway * On Green Dolphin Street * Piano Man * Puttin' on the Ritz * Raindrops Keep Fallin' on My Head * Send in the Clowns * Sing * Sit down You're Rockin' the Boat * Smooth Operator * Sunrise, Sunset * You're the Cream in My Coffee * and more.