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Improvisation - the creation of a unique combination of musical content within a musical context - is core to musicianship. As authors Suzanne L. Burton and Alden H. Snell II demonstrate, students already build skills that drive improvisation when they listen to music or imitate rhythmic patterns. Building from this observation, Ready, Set, Improvise! addresses improvisation in a cogent, clear, practical, and sequential manner. As an essential resource for music educators, this book synthesizes what we know about exemplary music teaching and learning, provides an easy-to-follow sequence for guiding improvisation instruction, and gives techniques for assessment of students' skill and conceptual development. Burton and Snell explore lessons in singing, rhythmic chanting, moving, and playing instrument exercises that prepare students to improvise. This all-in-one guide gives music teachers the necessary tools with which to plan the next steps for students to become independent musicians.
This book is perfect "€" jam-packed with games and lists, it's also the most user-friendly book we've ever seen! Who knows what you'll love more? Maybe it will be the clean layout that specifies space prep minutes, player prep minutes, performance minutes, and number of players for every single game. Or maybe it will be the appendices, where each of the 71 games is cross-referenced by not only these details just mentioned, but also dramatic skills and National Theatre Standards by grade! Perhaps you'll best love the CD-Rom which includes printable PDF files of every list in the book. You can even print these lists directly onto labels or pages for student use. Besides directions and examples, every single game also has tips on side coaching and evaluation and critique. It just doesn't get better than this! This mother lode of rich activities will be mined by drama teachers in search of memory jogs and new inspirations for years to come!
We all want good scenes. But it seems the harder we work, the less likely we are to stumble towards them.Improvising Now offers techniques, tricks, and secrets used by professionals to make the act of improvising easier, more efficient, and more enjoyable onstage. You'll discover easy tools to navigate some of the more stressful parts of scene work, including:* Starting scenes* Discovering the character dynamic* Playing patterns and Game of the Scene* Heightening your own ideas* Mental blocks to discovery* Navigating group scenes* Second beats and structure* Tips for intermediate/expert improvisersThis book also provides an insider's look at the business of comedy. From producing your own independent improv shows to getting hired by a paying comedy theatre.Work less, play more. Enjoy whatever Now you're in.
Inspire and involve your adolescent students in active music-making with this second edition of Engaging Musical Practices: A Sourcebook for Middle School General Music. A practical and accessible resource, fourteen chapters lay out pedagogically sound practices for preservice and inservice music teachers. Beginning with adolescent development, authors outline clear, pedagogical steps for the creation of an inclusive curriculum that is age-appropriate age-relevant, and standards-based. You will find timely chapters on singing and playing instruments such as guitar, keyboard, ukulele, drumming and percussion. Other chapters address ways to make music with technology, strategies for students with exceptionalities, and the construction of instruments. Further, there are chapters on songwriting, interdisciplinary creative projects, co-creating musicals, infusing general music into the choral classroom, and standards-based assessment. The book is full of musical examples, sample rubrics, and resource lists. This second edition of Engaging Musical Practices: A Sourcebook for Middle School General Music is a necessity for any practitioner who teaches music to adolescent students or as a text for secondary general music methods courses.
Beginning with simple sensory-awareness exercises in a relaxed atmosphere, and moving through pantomime and role playing to longer skits, Let's Improvise emphasises self-discovery through doing. Through hundreds of exercises that encourage personal and social growth you will feel free to create – to transform an ordinary idea into a celebration of life: to “try on” a variety of characters from life and literature: to take creative risks; to test and revise your thoughts, feelings, and values: to lose your inhibitions and build confidence and cooperation through teamwork – and much more.
GROWING UP IN POVERTY, every day is a battle with fear, stress, and anxiety. Mistakes, misreads, misplays, miscalculations: all can end in missed opportunities that may never come again. The struggles of the poor demand courage, stamina, constant re-ordering of priorities, and the need for winning strategies. Salespeople from entry-level cold callers to wily veterans suffer much the same anxieties but lack the street-smart skills that a deeply deprived childhood demands: adapt or die,while still having fun! Author Anthony Belli is a millionaire high-performance salesman and sales force manager who grew up dirt poor in East Harlem, New York. Often hungry and without a cent in his pocket, as a child, Belli became expert in the highly creative art of person-to-person negotiation using a variety of risk- managed, cash-producing techniques to underwrite his next slice of pizza, tactics he describes as "eating without stealing." The Street-Smart Salesman imparts Belli's hard-earned wisdom and advice to the lasting benefit of a salesperson's bottom line and ability to sleep at night. Populated with real-life characters from Belli's old neighborhood deadbeat landlord, hooker with a heart, mobbed-up candy store owner, countless junkies, winos, and wiseguys this unflinching memoir teaches how the survival skills of the honest poor can be used to maximize success in sales. Belli's wholly unconventional, ghetto-tested strategies include: Minimize cold-calling: Using customers' networks to supply your pipeline Recognition that sales are driven by emotions not logic, and not price Playing dumb: When to talk and when to shut up Why hope is your enemy and reality your friend Ways to play a last-minute balky customer Prioritizing for profit And more! Belli's hard-earned insights defy conventional sales training wisdom by valuing humility, creativity, attention, and improvisation over the vaunted one-two punch of ceaseless script recitation accompanied by free samples. Take his advice to heart, and watch your anxiety recede as your fortunes grow.
The Principles of Comedy Improv is an authoritative handbook for beginners and experts alike. More than just entertainment, improv’s tenets enable you to change every moment of your life. Your guide is Tom Blank, who crystallizes two decades of experience to convey improv in unparalleled scope, depth, and fun.
Music Learning Today: Digital Pedagogy for Creating, Performing, and Responding to Music presents an approach to conceptualizing and utilizing technology as a tool for music learning. Designed for use by pre- and in-service music teachers, it provides the essential understandings required to become an adaptive expert with music technology, creating and implementing lessons, units, and curriculum that take advantage of technological affordances to assist students in developing their musicianship. Author William I. Bauer makes connections among music knowledge and skill outcomes, the research on human cognition and music learning, best practices in music pedagogy, and technology. His essential premise is that music educators and students benefit through use of technology as a tool to support learning in the three musical processes - creating, performing, and responding to music. The philosophical and theoretical rationales, along with the practical information discussed in the book, are applicable to all experience levels. However, the technological applications described are focused at a beginning to intermediate level, relevant to both pre-service and in-service music educators and their students. This expanded second edition features an all-new student-friendly design and updated discussions of recent technological developments with applications for music teaching and learning. The revamped companion website also offers a new teacher's guide, with sample syllabi and lessons for each chapter.
Improvisation is an art of spontaneity, freedom and impulse. Audiences the world over flock to shows where anything could happen! But lurking at the heart of many companies that perform it is a contradiction, a bait and switch. Students who sign up for classes are taught 'The Rules': the strictly right and wrong way to play make-believe. How the hell did that happen?Patti Stiles is an actor, improvisor, director, teacher and playwright who has worked professionally in theatre since 1983. In Improvise Freely, she turns 'The Rules' of improvising on their head and shows that there is another way. Is it okay to ask questions? Why do we Who? What? Where? And what if it's time to say 'No thanks' to 'Yes And'?
"Hand-held mobile devices such as iPads, tablets, or smartphones hold potential for creative music making experiences within P-12 and higher education contexts. Yet, navigating this technology and associated apps while embracing pedagogical change can be a daunting task. Creative Music Making at Your Fingertips explores the enormous potential of one rather small technological device to transform the music making experiences of students. In this book the authors provide evidence, ideas, and examples of the role that mobile technology, such as an iPad, tablet, or other hand-held device plays in the development of musical thinking and musical engagement of our students--in- or outside of school. The promise of mobile devices for music education lies in their possibilities. In this book and on the companion website, the authors share strategies that will spark your imagination to explore digital musicianship and the use of mobile devices for your students' musical engagement"--