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1.Forms of Poetry, 2. Stanza Forms, 3. Poetic Device, 4. Let Me Not to The Marriage Of True Minds, 5. On His Blindness, 6.Presentin Absence, 7. Essay on the Man, 8. Elegy Written in a Country Charchyard, 9. The World is too Much With Us, 10.Ode on a Crecian urn, 11. Break Break Nreak, 12.Dover Beach, 13. My Lost Duchess, 14.The Love Song of J. Alfred Prufrock, 15. The Lake Isle Of Innisfree, 16. Church Going,17. Rhetoric and Prosody Practical Criticism,
This supplemental volume continues the rigorous standard set forth in the main, three-volume Classical Chinese: A Basic Reader while reinforcing its linguistic lessons from carefully chosen representative works. Comprised of three parts--"Poetry," "Lyrics," and "Prose"--it presents texts, chronologically, that represent the artistic embodiment of China's Confucian and Taoist thought. Two introductions separately describe the structural and formal features of regulated verse and parallel prose; each genre is unique to Chinese literature yet both share common characteristics tempered by the Chinese language. The main text and its four supplementary volumes together represent the most comprehensive and authoritative textbook on the language, literature, philosophy, history, and religion of premodern China. Field-tested and fine-tuned for years in classroom settings by three members of the Chinese Linguistics Project at Princeton University, it is the definitive new resource for students and instructors of classical Chinese language or culture.
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
1.Forms of Poetry, 2. Stanza Forms, 3. Poetic Device, 4. Let Me Not to The Marriage Of True Minds, 5. On His Blindness, 6.Presentin Absence, 7. Essay on the Man, 8. Elegy Written in a Country Charchyard, 9. The World is too Much With Us, 10.Ode on a Crecian urn, 11. Break Break Nreak, 12.Dover Beach, 13. My Lost Duchess, 14.The Love Song of J. Alfred Prufrock, 15. The Lake Isle Of Innisfree, 16. Church Going,17. Rhetoric and Prosody Practical Criticism,
III: Subjectivity and the Self -- 6. Re-reading Troilus in Response to Tony Spearing -- 7. The English Charles: Subjectivity, Texts and Culture -- IV: Reading for Form -- 8. The Inescapability of Form -- 9. Destroyer of Forms: Chaucer's Philomela -- 10. Gower's Confessio Amantis and Chaucer's Canterbury Tales as Dits -- 11. Poems without Form? Maiden in the mor lay Revisited -- 12. "I" and "We" in Chaucer's Complaint unto Pity -- V: Epilogue -- 13. Two Appreciations of A.C. Spearing -- 14. Announcing a Literary Find Apparently Related to the Gawain-poet -- Works Cited -- Index
Did you grow up reciting Little Miss Muffet, Jack Be Nimble, and Mary Had a Little Lamb? Mother Goose nursery rhymes have helped generations of children achieve literacy. This first grade classroom resource will help teachers incorporate rhymes into a standards-based curriculum that is aligned to TESOL, WIDA, and Common Care. Students will master phonological awareness, phonics skills, vocabulary, comprehension, fluency, and writing while purposefully playing with rhymes. Watch your students light up as they recite these traditional and original rhymes and complete hands-on activities with this invaluable resource.