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This major new reading of the novels of Thomas Hardy, by leading critic George Levine, disentangles the author's often elaborately distanced prose from his beautiful poetic and precise renderings of the natural world. Clear, direct and minimally academic in his own writing, Levine provides an overview of Hardy's entire fictional canon, with extensive discussions of his early and late novels including his last, The Well-Beloved. Levine draws new attention to the way Hardy absorbed both the ideas and the writing strategies of Charles Darwin, and develops new perspectives first articulated in the criticism of great novelists - in particular Virginia Woolf and D. H. Lawrence. Levine departs from the critical norm by reading Hardy in the context of his deep feeling for the natural world and all living things, and the implicit affirmation of life that sometimes drives his bleakest narratives.
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"A masterful portrait" (The Philadelphia Inquirer) from a Whitbread Award-winning biographer, and author of A Life of My Own. The novels of Thomas Hardy have a permanent place on every booklover's shelf, yet little is known about the interior life of the man who wrote them. A believer and an unbeliever, a socialist and a snob, an unhappy husband and a desolate widower, Hardy challenged the sexual and religious conventions of his time in his novels and then abandoned fiction to reestablish himself as a great twentieth-century lyric poet. In this acclaimed new biography, Claire Tomalin, one of today's preeminent literary biographers, investigates this beloved writer and reveals a figure as rich and complex as his tremendous legacy.
A study of the fictious world in Hardy’s novels in relation to real places and Hardy’s real-life experiences. Thomas Hardy’s Wessex is one of the great literary evocations of place, populated with colourful and dramatic characters. As lovers of his novels and poetry know, this ‘partly real, partly dream-country’ was firmly rooted in the Dorset into which he had been born. J. B. Bullen explores the relationship between reality and the dream, identifying the places and the settings for Hardy’s writing, and showing how and why he shaped them to serve the needs of his characters and plots. The locations may be natural or man-made, but they are rarely fantastic or imaginary. A few have been destroyed and some moved from their original site, but all of them actually existed, and we can still trace most of them on the ground today. Thomas Hardy: The World of his Novels is essential reading for students of literature and for all Hardy enthusiasts who want to gain new insights into his work. Praise for Thomas Hardy “Take pleasure in a book like this one, which skillfully interweaves its evocative accounts of Hardy’s life, of Dorset and Cornwall places, and of the stories unfolded from places in six of his novels (and a few poems) so that we vividly re-experience them. . . . The pleasures of this book (and they are real) come from its ability to re-enchant us in a way that is not un-Hardy-like, to draw us again into the intensely seen, heard, and felt world of the novels and poems. It set me to re-reading Hardy, with different eyes.” —Review 19
Two on a Tower, a tale of star crossed love, is considered a minor work of Thomas Hardy. When it was published, it was called 'shocking' and 'repulsive'. So, make of that what you will. But this was Victorian England, and the book tells the tale of an aristocratic woman falling in love with a 'commoner' who is 8 years younger than her.
It might have been about eleven o'clock when he awoke. He was so surprised at awaking without, apparently, being called or struck, that on second thoughts he assumed that somebody must have called him in spite of appearances, and looked out of the hut window towards the sheep. They all lay as quiet as when he had visited them, very little bleating being audible, and no human soul disturbing the scene. He next looked from the opposite window, and here the case was different. The frost-facets glistened under the moon as before; an occasional furze bush showed as a dark spot on the same; and in the foreground stood the ghostly form of the trilithon. But in front of the trilithon stood a man.
The Woodlanders is a novel by Thomas Hardy. It was serialised from May 1886 to April 1887 in Macmillan's Magazine[1] and published in three volumes in 1887.[2] It is one of his series of Wessex novels.