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A cultural imaginary is a structuring space through which collective understandings of cultural and society phenomena are formed, reproduced, and accepted as the norm. Reading the Walls of Bogotá uses graffiti and street art to explore the urban imaginaries of violence in Bogotá, Colombia. These artistic forms are produced and received in different ways in different areas of the city and offer an insight into citizens’ everyday experiences and perceptions of violence from the political, to the personal, to that of structural inequality. Through graffiti, in which critiques of memory, space, politics, and aesthetics are embedded, artists and their viewers form vernacular theories through which they interpret the world and the spaces they inhabit. By focusing on creative expression, Alba Griffin shows how Bogotá’s residents respond to imaginaries of violence, how they critique the norms, how they appropriate space to challenge or negotiate violence, and how they push back against inequality.
For decades, Colombia was the 'narcostate'. Now travel to Colombia and South America is on the rise, and it's seen as one of the rising stars of the global economy. Where does the truth lie? Writer and journalist Tom Feiling, author of the acclaimed study of cocaine The Candy Machine, has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, to paint a fresh picture of one of the world's most notorious and least-understood countries. He talks to former guerrilla fighters and their ex-captives; women whose sons were 'disappeared' by paramilitaries; the nomadic tribe who once thought they were the only people on earth and now charge $10 for a photo; the Japanese 'emerald cowboy' who made a fortune from mining; and revels in the stories that countless ordinary Colombians tell. How did a land likened to paradise by the first conquistadores become a byword for hell on earth? Why is one of the world's most unequal nations also one of its happiest? How is it rebuilding itself after decades of violence, and how successful has the process been so far? Vital, shocking, often funny and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia, to create a stunning work of reportage, history and travel writing.
Security and risk have become central to how cities are planned, built, governed, and inhabited in the twenty-first century. In Endangered City, Austin Zeiderman focuses on this new political imperative to govern the present in anticipation of future harm. Through ethnographic fieldwork and archival research in Bogotá, Colombia, he examines how state actors work to protect the lives of poor and vulnerable citizens from a range of threats, including environmental hazards and urban violence. By following both the governmental agencies charged with this mandate and the subjects governed by it, Endangered City reveals what happens when logics of endangerment shape the terrain of political engagement between citizens and the state. The self-built settlements of Bogotá’s urban periphery prove a critical site from which to examine the rising effect of security and risk on contemporary cities and urban life.
Public reading programs are flourishing in many Latin American cities in the new millennium. They defy the conception of reading as solitary and private by literally taking literature to the streets to create new communities of readers. From institutional and official to informal and spontaneous, the reading programs all use public space, distribute creative writing to a mass public, foster collective rather than individual reading, and provide access to literature in unconventional arenas. The first international study of contemporary print culture in the Americas, Public Pages reveals how recent cultural policy and collective literary reading intervene in public space to promote social integration in cities in Colombia, Argentina, Brazil, Mexico, and Chile. Marcy Schwartz looks at broad institutional programs such as UNESCO World Book Capital campaigns and the distribution of free books on public transportation, as well as local initiatives that produce handmade books out of recycled materials (known as cartoneras) and display banned books at former military detention centers. She maps the connection between literary reading and the development of cultural citizenship in Latin America, with municipalities, cultural centers, and groups of ordinary citizens harnessing reading as an activity both social and literary. Along with other strategies for reclaiming democracy after decades of authoritarian regimes and political violence, as well as responding to neoliberal economic policies, these acts of reading collectively in public settings invite civic participation and affirm local belonging.
NATIONAL BESTSELLER • Seven-year-old Chula lives a carefree life in her gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside her walls, where the godlike drug lord Pablo Escobar reigns, capturing the attention of the nation. “Simultaneously propulsive and poetic, reminiscent of Isabel Allende...Listen to this new author’s voice—she has something powerful to say.” —Entertainment Weekly When her mother hires Petrona, a live-in-maid from the city’s guerrilla-occupied neighborhood, Chula makes it her mission to understand Petrona’s mysterious ways. Petrona is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls’ families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy. Inspired by the author's own life, Fruit of the Drunken Tree is a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.
Where would you go to church if you found yourself far from home, in another country, perhaps one with a different language than you know? Many people have that question as they travel, or as the live and work around the world. The body of Christ has not been inactive in providing for their need. Around the world, international churches have been planted, serving the needs of diverse, mobile congregations, speaking multiple languages, but finding themselves in one place and of one accord for the gospel. From Bangkok to Bishkek, Budapest to Bogotá is the fascinating and inspiring history of the over 2,000 international, English language, international Protestant churches scattered in almost every non-English-speaking country around the world. Serving expatriates, travelers, students and others who live outside their homeland, these churches, while often unknown or recognized, provide a compelling story of ministry not only to expats but to English-speaking local citizens as well. This history, and these stories, will inspire you and energize you with the realization of the way in which God's work is carried out in so many different localities and situations. Pastors, missionaries, business travelers, and international students can all benefit from reading this book, while researchers looking into the work of the church around the world will find a wealth of historical information, much of it first hand.
Seen from above, from the sky, a country's geography looks like it really is: a huge living individual organism that has nothing to do with a mound of amorphous geography. Rivers that run like veins over valleys and mountians are a sight of majestic vitality; mountain chains as gigantic arms emerging from thick jungles and forests, extended through the land as vitaloxigen suppliers. This is Colombia seen from the air An hallucinating tour through the landscape of a country where one can breathe, touch and see exuberance, where the shiny silver rivers of the Caribbean plains glow while the high-tide of the deep Pacific Coast announces the arrival of whales to the Continent. A paradise where the coffee growing area spreads out like aninmense quilt, sewn in green over the mountains, and moors host lakes of multi-coloured waters and unique species. Colombia from the air is the perfect book to cherish and be dazzled by the irresistible beauty that comes from the earth and the sea, fading in the horizon.
‘This new generation of Latin American writers has exchanged history for memory, dictators for narcos and political engagement for gender and class consciousness.’ El País Ten years on from the first Bogotá 39 selection, which brought writers such as Juan Gabriel Vásquez, Alejandro Zambra and Junot Díaz to fame, comes this story collection showcasing thirty-nine exceptional new talents. Chosen by some of the biggest names in Latin American literature, together with publishers, writers and literary critics and a panel of expert judges, this exciting anthology paves the way for a new generation of household names. These stories have been brought into English by some of the finest translators around, including familiar names such as Daniel Hahn, Christina MacSweeney and Megan McDowell, as well as many new and exciting translators who are just launching their careers. With authors from fifteen different countries, this diverse collection of stories transports readers to a host of new worlds, and represents the very best writing coming out of Latin America today.
A brilliant debut from 'one of the most original new voices of Latin American literature' (Mario Vargas Llosa) 'For anyone who has read the entire works of Gabriel García Márquez, The Informers is a thrilling new discovery' Colm Toibin, Guardian 'One of this year's outstanding books' Financial Times When Gabriel Santoro publishes his first book, a biography of a Jewish family friend who fled Germany for Colombia shortly before World War Two, it never occurs to him that his father will write a devastating review in a national newspaper. Why does he attack him so viciously? Do the pages of his book unwittingly hide some dangerous secret? As Gabriel sets out to discover what lies behind his father's anger, he finds himself undertaking an examination of the guilt and complicity at the heart of Colombian society, as one treacherous act perpetrated in those dark days returns with a vengeance half a century later.