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A cultural imaginary is a structuring space through which collective understandings of cultural and society phenomena are formed, reproduced, and accepted as the norm. Reading the Walls of Bogotá uses graffiti and street art to explore the urban imaginaries of violence in Bogotá, Colombia. These artistic forms are produced and received in different ways in different areas of the city and offer an insight into citizens’ everyday experiences and perceptions of violence from the political, to the personal, to that of structural inequality. Through graffiti, in which critiques of memory, space, politics, and aesthetics are embedded, artists and their viewers form vernacular theories through which they interpret the world and the spaces they inhabit. By focusing on creative expression, Alba Griffin shows how Bogotá’s residents respond to imaginaries of violence, how they critique the norms, how they appropriate space to challenge or negotiate violence, and how they push back against inequality.
In Bogotá, a taut, moving novel set in present-day Colombia, Wilfredo decides to uproot his family from their small town, where his ferry service on the river subjects him to the gruesome errands demanded by the local paramilitary. Moving in with relatives in a slum in Bogotá, the family tries desperately to achieve the smallest measure of comfort and hope in a world of almost total ruin, wracked by deprivation, fear, and ceaseless violence. Alan Grostephan depicts with startling immediacy an urban landscape of extreme harshness and oppressive instability. The tension between the desperate conditions surrounding his characters and their efforts to hold on to their humanity gives Bogotá a ferocious energy. As Wilfredo and his family fight to stay alive and stay together, their plight emerges as equally enraging and uplifting, constituting a portrait of a society always on the verge of disintegration.
For decades, Colombia was the 'narcostate'. Now travel to Colombia and South America is on the rise, and it's seen as one of the rising stars of the global economy. Where does the truth lie? Writer and journalist Tom Feiling, author of the acclaimed study of cocaine The Candy Machine, has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, to paint a fresh picture of one of the world's most notorious and least-understood countries. He talks to former guerrilla fighters and their ex-captives; women whose sons were 'disappeared' by paramilitaries; the nomadic tribe who once thought they were the only people on earth and now charge $10 for a photo; the Japanese 'emerald cowboy' who made a fortune from mining; and revels in the stories that countless ordinary Colombians tell. How did a land likened to paradise by the first conquistadores become a byword for hell on earth? Why is one of the world's most unequal nations also one of its happiest? How is it rebuilding itself after decades of violence, and how successful has the process been so far? Vital, shocking, often funny and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia, to create a stunning work of reportage, history and travel writing.
Security and risk have become central to how cities are planned, built, governed, and inhabited in the twenty-first century. In Endangered City, Austin Zeiderman focuses on this new political imperative to govern the present in anticipation of future harm. Through ethnographic fieldwork and archival research in Bogotá, Colombia, he examines how state actors work to protect the lives of poor and vulnerable citizens from a range of threats, including environmental hazards and urban violence. By following both the governmental agencies charged with this mandate and the subjects governed by it, Endangered City reveals what happens when logics of endangerment shape the terrain of political engagement between citizens and the state. The self-built settlements of Bogotá’s urban periphery prove a critical site from which to examine the rising effect of security and risk on contemporary cities and urban life.
NATIONAL BESTSELLER • Seven-year-old Chula lives a carefree life in her gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside her walls, where the godlike drug lord Pablo Escobar reigns, capturing the attention of the nation. “Simultaneously propulsive and poetic, reminiscent of Isabel Allende...Listen to this new author’s voice—she has something powerful to say.” —Entertainment Weekly When her mother hires Petrona, a live-in-maid from the city’s guerrilla-occupied neighborhood, Chula makes it her mission to understand Petrona’s mysterious ways. Petrona is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls’ families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy. Inspired by the author's own life, Fruit of the Drunken Tree is a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.
Public reading programs are flourishing in many Latin American cities in the new millennium. They defy the conception of reading as solitary and private by literally taking literature to the streets to create new communities of readers. From institutional and official to informal and spontaneous, the reading programs all use public space, distribute creative writing to a mass public, foster collective rather than individual reading, and provide access to literature in unconventional arenas. The first international study of contemporary print culture in the Americas, Public Pages reveals how recent cultural policy and collective literary reading intervene in public space to promote social integration in cities in Colombia, Argentina, Brazil, Mexico, and Chile. Marcy Schwartz looks at broad institutional programs such as UNESCO World Book Capital campaigns and the distribution of free books on public transportation, as well as local initiatives that produce handmade books out of recycled materials (known as cartoneras) and display banned books at former military detention centers. She maps the connection between literary reading and the development of cultural citizenship in Latin America, with municipalities, cultural centers, and groups of ordinary citizens harnessing reading as an activity both social and literary. Along with other strategies for reclaiming democracy after decades of authoritarian regimes and political violence, as well as responding to neoliberal economic policies, these acts of reading collectively in public settings invite civic participation and affirm local belonging.
After completing the shooting of Sleeping by the Mississippi in 2002, Alec Soth traveled to Bogot�, Colombia to adopt a baby girl. While the courts processed paperwork, he and his wife spent two months in the capital city waiting to take their new baby home. "The baby's birth mother gave the new parents a book filled with letters, pictures and poems. I hope that the hardness of the world will not hurt your sensitivity," she wrote, "When I think about you I hope that your life is full of beautiful things." With these words as a mission statement, Soth began making his own book for his daughter. Soth writes, "In photographing the city of her birth, I hope I've described some of the beauty in this hard place." Beauty makes itself known through ramshackle architecture, the companionship of animals, and the perseverance of the human spirit. Yet, in Dog Days, Bogot�, Soth's photographs transcend the simple description of beauty and poetically roam through a cast of strays, tough souls, and hints of hope. Alec Soth, born in 1969, is a photographer born and based in Minneapolis, Minnesota. He is the recipient of several major fellowships from the McKnight and Jerome Foundations and was awarded the 2003 Santa Fe Prize for Photography. His work is represented in major public and private collections, including the San Francisco Museum of Modern Art, the Museum of Fine Arts Houston and the Walker Art Center in Minneapolis. Soth's photographs have been featured in numerous solo and group exhibitions, including the 2004 Whitney and S�o Paulo Biennials. His monographs Sleeping by the Mississippi and NIAGARA were published by Steidl. Soth is an associate photographer with Magnum Photos
Where would you go to church if you found yourself far from home, in another country, perhaps one with a different language than you know? Many people have that question as they travel, or as the live and work around the world. The body of Christ has not been inactive in providing for their need. Around the world, international churches have been planted, serving the needs of diverse, mobile congregations, speaking multiple languages, but finding themselves in one place and of one accord for the gospel. From Bangkok to Bishkek, Budapest to Bogotá is the fascinating and inspiring history of the over 2,000 international, English language, international Protestant churches scattered in almost every non-English-speaking country around the world. Serving expatriates, travelers, students and others who live outside their homeland, these churches, while often unknown or recognized, provide a compelling story of ministry not only to expats but to English-speaking local citizens as well. This history, and these stories, will inspire you and energize you with the realization of the way in which God's work is carried out in so many different localities and situations. Pastors, missionaries, business travelers, and international students can all benefit from reading this book, while researchers looking into the work of the church around the world will find a wealth of historical information, much of it first hand.
“Love thrillers? Me, too, and Linda Moore’s whip smart Five Days in Bogotá adds extra ammunition to the genre, with a feisty art . . . heroine on the verge of bankruptcy who has to thwart art fraud, nefarious ex-boyfriend, and even drug lords, in order to keep her family safe. A hold-your-breath read about what we do for love—of family and of art.” —Caroline Leavitt, New York Times best-selling author of Pictures of You and With or Without You Gallery owner Ally Blake risks everything to exhibit at an art fair in Bogotá in the 1990s. She needs wealthy collectors to boost her gallery's sales and save her family from bankruptcy. When her art crates are tampered with and she discovers an ex-boyfriend and colleague from her State Department days in Santiago has involved her in a money laundering scheme, she devises a strategy to thwart the fraud, protect her children, and secure her family’s future—but pulling it off will require her to make the art deal of a lifetime.