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Looking at the Book of Esther through the lens of intertextuality, this collection considers its connections with each division of the Hebrew Bible, along with texts throughout history. Through its exploration, it provides and invites further study into the relationship between Esther and its intertexts, many which are under explored. Topics covered in the book include considerations of Esther alongside the Torah and the prophetic books, as well as in dialogue with the Qumran community. As an edited collection, the book draws together scholars with expertise in the wide variety of texts that are intertextually connected with Esther, offering the reader a more nuanced and informed discussion. By including some reflection on the nature of intertextuality as a 'method', it also enables the reader to appreciate the varying intertextual approaches currently employed in biblical studies. In applying these to a focused analysis of Esther, this collection will facilitate greater insight on both the book of Esther and current methodological research.
Looking at the Book of Esther through the lens of intertextuality, this collection considers its connections with each division of the Hebrew Bible, along with texts throughout history. Through its exploration, it provides and invites further study into the relationship between Esther and its intertexts, many which are under explored. Topics covered in the book include considerations of Esther alongside the Torah and the prophetic books, as well as in dialogue with the Qumran community. As an edited collection, the book draws together scholars with expertise in the wide variety of texts that are intertextually connected with Esther, offering the reader a more nuanced and informed discussion. By including some reflection on the nature of intertextuality as a 'method', it also enables the reader to appreciate the varying intertextual approaches currently employed in biblical studies. In applying these to a focused analysis of Esther, this collection will facilitate greater insight on both the book of Esther and current methodological research.
This volume fills an important lacuna in the study of the Hebrew Bible by providing the first comprehensive treatment of intertextuality in Job, in which essays will address intertextual resonances between Job and texts in all three divisions of the Hebrew canon, along with non-canonical texts throughout history, from the ancient Near East to modern literature. Though comprehensive, this study will not be exhaustive, but will invite further study into connections between Job and these texts, few of which have previously been explored systematically. Thus, the volume's impact will reach beyond Job to each of the 'intertexts' the articles address. As a multi-authored volume that gathers together scholars with expertise on this diverse array of texts, the range of discussion is wide. The contributors have been encouraged to pursue the intertextual approach that best suits their topic, thereby offering readers a valuable collection of intertextual case studies addressing a single text. No study quite like this has yet been published, so it will also provide a framework for future intertextual studies of other biblical texts.
This collection of essays considers the Book of Esther from a literary and sociological perspective. In part one, Else Holt outlines the main questions of historical-critical research in the Book of Esther. She also discusses the theological meaning of a biblical book without God, and examines how the book was transmitted through the last centuries BCE. She also explores how the Hebrew and Greek variants of the Book of Esther picture its main character, Esther, the Jewish queen of Persia. In part two, Holt offers deconstructive reading of themes hidden under the surface-levels of the book. Chapters include discussions of Esther's initiation into her role as Persian queen; the inter-textual conversation with two much later texts, The Arabian Nights and The Story of O; and the relationship between Mordecai, the Jew, and his opponent Haman, the Agagite, as a matter of mimetic doublings. The last part of the book introduces the sociological concept of ethnicity-construction as the backdrop for perceiving the instigation of the Jewish festival Purim and the violence connected to it, and looks at the Book of Esther as an example of trauma literature. The concluding chapter analyses the moral quality of the book of Esther, asking the question: Is it a bedtime story?
Intertextuality (the reading of one text in terms of another) is a diverse practice. It is a central and prevalent subject in poststructuralist literary theory. Reading between Texts is the first book to address intertextuality as it relates specifically to interpretation of the Hebrew Bible. The contributors bring together lucid theoretical discussion and sophisticated interpretations from a variety of backgrounds, offering biblical scholars and students a helpful and thorough introduction to the issues and possibilities of intertextuality. The Literary Currents in Biblical Interpretation series explores current trends within the discipline of biblical interpretation by dealing with the literary qualities of the Bible: the play of its language, the coherence of its final form, and the relationships between text and readers. Biblical interpreters are being challenged to take responsibility for the theological, social, and ethical implications of their readings. This series encourages original readings that breach the confines of traditional biblical criticism.
An examination of MT Esther’s relationship to the Joseph story, this study employs recent advances in author-oriented biblical intertextuality to address the debate concerning the religious purpose of the Scroll. While previous scholarship has seen Esther’s divine silence indicating God’s hidden hand, the characters’ or readers’ quiet faiths, or the secular concerns of an ancient Jewish nationalism, key aspects of Esther’s allusive character illustrate how the book purposefully constructs a theology of divine absence. As good-looking Israelites continue to rise in foreign courts to deliver themselves and their people from imminent dangers, the patterns God initiated in the Egyptian past are shown to extend into the Persian present even when the divine remains out of sight. Since this diachronically-oriented analysis suggests this theological interest was developed by Esther’s authors, it engages with Esther’s ancient Greek witnesses to demonstrate that the MT redactors altered an earlier version of the Scroll to position the Hebrew Megillah alongside Joseph’s instructive backdrop. By attending to these historical and interpretive issues, this work thus speaks to both Scroll scholarship and the study of inner-biblical allusions.
This book situates the book of Esther in the intellectual history of Ancient Judaism and provides a new understanding of its purpose.
Although the Hebrew Bible as a whole is centered on God and God's relations with Israel, the character of God appears in most biblical stories only indirectly. How are modern readers to make sense of this paradox? God as an Absent Character in Biblical Hebrew Narrative establishes a set of literary methods that both academic and non-academic readers can use to understand the character of God, who is the single most important character in Hebrew Bible narrative and, strangely, absent from the majority of it.
This volume is written in the context of trauma hermeneutics of ancient Jewish communities and their tenacity in the face of adversity (i.e. as recorded in the MT, LXX, Pseudepigrapha, the Deuterocanonical books and even Cognate literature. In this regard, its thirteen chapters, are concerned with the most recent outputs of trauma studies. They are written by a selection of leading scholars, associated to some degree with the Hungaro-South African Study Group. Here, trauma is employed as a useful hermeneutical lens, not only for interpreting biblical texts and the contexts in which they were originally produced and functioned but also for providing a useful frame of reference. As a consequence, these various research outputs, each in their own way, confirm that an historical and theological appreciation of these early accounts and interpretations of collective trauma and its implications, (perceived or otherwise), is critical for understanding the essential substance of Jewish cultural identity. As such, these essays are ideal for scholars in the fields of Biblical Studies—particularly those interested in the Pseudepigrapha, the Deuterocanonical books and Cognate literature.
The Hebrew Bible, or Christian Old Testament, contains some of the finest literature that we have. This biblical literature has a place not only in the synagogue or the church but also among the classics of world literature. The stories of Jacob and David, for instance, present the earliest surviving examples of literary characters whose development the reader follows over the length of a lifetime. Elsewhere, as in the books of Esther or Ruth, readers find a snapshot of a particular, fraught moment that will define the character. The Hebrew Bible also provides quite a few high points of lyric poetry, from the praise and lament of the Psalms to the double entendres in the love of poetry of the Song of Songs. In short, the Bible can be celebrated not only as religious literature but, quite simply, as literature. This book offers a thorough and lively introduction to the Bible's two primary literary modes, narrative and poetry, foregrounding the nuances of plot, character, metaphor, structure and design, and intertextual allusions. Tod Linafelt thus gives readers the tools to fully experience and appreciate the Old Testament's literary achievement. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.