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Improve students' reading fluency while providing fun and purposeful practice and performance through this reader's theater script. Engage students through reader's theater to make learning fun while building knowledge about Barbara Jordan.
Improve students' reading fluency while providing fun and purposeful practice and performance through Reader's Theater Scripts. Engage students through Reader's Theater to make learning fun while building knowledge of Texas history and the significant people, events, and places that make Texas what it is today. Improve vocabulary and comprehension with repeated practice and performance of the scripts along with TEKS-based activities in the lesson plans, which include word study, comprehension questions, and extension activities. Make your classroom a Reader's Theater classroom today!
Improve students' reading fluency while providing fun and purposeful practice and performance through this reader's theater script. Engage students through reader's theater to make learning fun while building knowledge about Oveta Culp Hobby
Improve students' reading fluency while providing fun and purposeful practice and performance through Reader's Theater Scripts. Engage students through Reader's Theater to make learning fun while building knowledge of Texas history and the significant people, events, and places that make Texas what it is today. Improve vocabulary and comprehension with repeated practice and performance of the scripts along with TEKS-based activities in the lesson plans, which include word study, comprehension questions, and extension activities. Make your classroom a Reader's Theater classroom today!
Too often, observers and writers of Texas history have accepted assumptions about labor movements in the state—both organized and not—that do not bear up under the light of careful scrutiny. Offering a scholarly corrective to such misplaced suppositions, the studies in Texas Labor History provide a helpful new source for scholars and teachers who wish to fill in some of the missing pieces. Tackling a number of such presumptions—that a viable labor movement never existed in the Lone Star State; that black, brown, and white laborers, both male and female, were unable to achieve even short-term solidarity; that labor unions in Texas were ineffective because of laborers’ inability to confront employers—the editors and contributors to this volume lay the foundation for establishing the importance of labor to a fuller understanding of Texas history. They show, for example, that despite differing working conditions and places in society, many workers managed to unite, sometimes in biracial efforts, to overturn the top-down strategy utilized by Texas employers. Texas Labor History also facilitates an understanding of how the state’s history relates to, reflects, and differs from national patterns and movements. This groundbreaking collection of studies offers notable opportunities for new directions of inquiry and will benefit historians and students for years to come.
THE STORY: Elected to the Texas State Senate in 1966, Barbara Jordan became the first black senator since 1883. Six years later she became the first black woman from the Deep South elected to the United States House of Representatives. During the 1
The first comprehensive analysis of Barbara Jordan's written speeches. The speeches offer important insights into Jordan's moral theories and her model of a flourishing multi-ethnic society.
Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages? In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.