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In this science fiction sequel to The Path, the crew of a ship bound to colonize another planet must first save the universe from a deadly entity. Life has changed for computer wrangler Simon Bank when he awakens from a hundred-year coma. To start, he’s on board a massive spaceship on a mission to colonize Alpha Centauri B. The crew includes his former adversary Cramer, a computer entity named Ra (now in a human form and going by Aten), and a telepathic dog named Zip. Everyone believes Simon is a hero, and there’s no time to disagree . . . Simon accidentally awakened a powerful entity that believes human life to be a virus worthy of annihilation. Before it destroys all life on Earth and the spaceship, Simon must find a way to stop it. Once again, Simon must rely on his computer skills and his motley group of friends to save the universe before his crew finds themselves on a journey to nowhere . . . Praise for The Path “Excellently mixes both empathic human behavior with high-tech sci-fi knowledge in a complex main character that holds up a mirror to all of us human beings.” —Bavo Dhooge, Diamond Bullet Award–winning author of Styx
"A portrait of Mother Angelica describes the influential nun's youth, her dedication to a cloistered order of Franciscan nuns, and her creation of the powerful, multimillion-dollar Eternal World Television Network,"--NoveList.
NEW YORK TIMES BESTSELLER • “In this dramatic page-turner, Raymond Arroyo has captured the life and lessons of Mother Angelica, a woman who may well be the patron saint of CEOs.”—Lee Iacocca, The Iacocca Family Foundation, former CEO of the Chrysler Corporation In 1981, a simple nun, using merely her entrepreneurial instincts and two hundred dollars, launched what would become the world’s largest religious media empire. In the garage of a Birmingham, Alabama, monastery, the Eternal Word Television Network grew at a staggering pace under her guidance. Mother Angelica (1923–2016) remains on the air, offering faith-filled advice, hope, and laughter to her audience through rebroadcasts of her original homilies. Raymond Arroyo, through more than five years of exclusive interviews with Mother Angelica, traces her tortuous rise to success and exposes for the first time the fierce opposition she faced, both outside and inside her church.
High in the Swiss Alps in a quaint village far away from the chaos and destruction of World War II, Angelica leads an idyllic childhood haunted by only one thingher fear of water. But as Angelica develops into a strong, independent woman, her desire to travel becomes overpowering, and she vows to overcome her paralyzing fear one day. Now her chance has come. Even as Angelicas father attempts to squelch her insatiable desire to explore Greece and eventually meet her Uncle Victor in the New World, Angelica secures a job as a travel guide and bravely books her first passage on a voyage captained by an old Greek. As Captain Angelis adds wisdom and comfort to Angelicas first voyage, he has no idea that an unexpected adventure awaits them in the unpredictable Mediterranean Sea. Strengthened by her traumatic experience, Angelica safely arrives in Greece where she quickly proves herself in her new job. But when she is pursued by a handsome Greek, she soon realizes that her heart lies with someone else. As Angelicas heart leads her in a new direction, she must bravely face her fear once again as she embarks on a challenging adventure to the New World where her true destiny awaits.
Whether they're flirting en espanol, gossiping over mojitos, or dancing with their latest papi chulos, the characters in Friday Night Chicas prove that there is nothing quite like a night out with your chicas. Set in New York City, Miami's South Beach, downtown Chicago, and L.A., these four flirty novellas explore dating, marriage, friendship, and sex, through the eyes of four different Latina women. Mary Castillo's Friday Night in L.A.: Isela isn't looking for a one-night stand; she's desperate for one last shot at saving her career. Her ticket is Hollywood's director du jour Tyler Banks, but one major mistake could cost her everything. Caridad Pineiro's Friday Night in South Beach: It's Tori's thirtieth birthday and all she wants is a nice quiet night with her family and friends. However, Tori's friends have other plans and during an overnight casino cruise, Tori finds herself taking the gamble of her life! Berta Platas's Friday Night in Chicago: The once-shy Cali has decided to attend her high school reunion. She slips into her slinkiest Donna Karan and puts on her highest Manolos. After all, she's out to seek revenge, Latina-style. . . Sofia Quintero's Friday Night in New York City: Gladys's friends throw her a bachelorette party at one of NYC's raunchiest male strip joints. They expected a party, but they didn't expect the not-so-blushing bride to disappear with one of the strippers!
A long time ago, Angelica Vicetti did some very bad things with some very bad men. Now she's built a new life for her family, far from Las Vegas. Now it's all about to come crashing down. Angelica Vicetti of Las Vegas has become Angela Cassetta of Poplar Bluffs, just outside Atlanta, Georgia. She's built a successful real estate agency, and the son she rescued from Vegas when he was a youngster is now a high school baseball star and destined for great things. But the mob bosses in Vegas who forced her underground haven't forgotten about her. A string of hit men come to town to kill her, but each time she saves herself and her son, with the help of her friends and Mike Eiser, a local Sheriff's detective who has seen far worse. Then things get even more complicated, when one of the hit men changes his mind and becomes strangely important to Angela in a whole new way ... and a team of Federal agents come to town and ratchet up the odds. Suddenly, sleepy little Poplar Bluffs is awash in blood. Angelica will have to take it all the way to the edge and beyond - into murder, kidnapping, and lying to the Feds - to save herself and her son. But ... can she survive the fight for her family's freedom?
“This collective and collaborative novel proves that writers share much more than just an interest in, as one of the authors puts it, ‘the idea of creating something of rare beauty out of nothing at all.’ They share a Creative Unconscious that, when working on a common text, comes up with startling and unpredictable imaginative delights and insights.” — Isagani R. Cruz, Philippine Star.