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This volume investigates a broad range of structural connections between PThis volume investigates a broad range of structural connections between Pío Baroja's early fiction and the novels of his contemporaries in England and Ireland, with prominence given to Joseph Conrad, Thomas Hardy, E. M. Forster and James Joyce. Starting from the premise that Spain has been neglected in studies which assess the evolution of the European novel at the turn of the twentieth century, and challenging the insular concept of the 'Generation of 1898', the author reassesses the relationship between Baroja and English literature. Particular emphasis is given to renderings of consciousness, the role and identity of the artist, European landscapes, and questions of form, genre and representation in the novels under scrutiny. The book produces new readings of Baroja in the context of early twentieth-century English fiction.
Originally presented as the author's thesis (doctorate--University College, London, 2001).
'Exile and Otherness' investigates the exile experience in a theoretical and comparative way by exploring the possibilities and limitations of concepts like diaspora, de-localization, and transit-culture for understanding the lives and works of German and Austrian refugees fron Nazi persecution.
The Spanish novel in a turbulent century.
Drawing on transnational literary studies, periodical studies, translation studies, and comparative literary history, Modernism and the New Spain illuminates why Spain has remained a problematic space on the scholarly map of international modernisms.
This collection of essays, inspired by André Breton's concept of the limites non-frontières of Surrealism, focuses on the crossings, intersections and margins of the surrealist movement rather than its divides and exclusion zones. Some of the essays originated as papers given at the colloquium 'Surrealism: Crossings/Frontiers' held at the Institute of Romance Studies, University of London, in November 2001. Surrealism is foregrounded as a trajectory rather than a fixed body of doctrines, radically challenging the notion of frontiers. The essays explore real and imaginary journeys, as well as the urban dérives of the surrealists and situationists. The concept of crossing, central to a reading of the dynamics at work in Surrealism, is explored in studies of the surrealist object, which eludes or elides genres, and explorations of the shifting sites of identity, as in the work of Joyce Mansour or André Masson. Surrealism's engagement with frontiers is further investigated through a number of revealing cases, such as a political reading of 1930s photography, the parodic rewriting of the popular 'locked room' mystery, or the surrealists' cavalier redrawing of the map of the world. The essays contribute to our understanding of the diversity and dynamism of Surrealism as an international and interdisciplinary movement.
Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position? How do the powerless use laughter as a last resort in their self-defence? Sixteenth-century intellectuals applied their satires to a campaign against intolerance. Seventeenth-century absolutism demanded of comedy that it serve its interests. Yet subversive humour survived, even at the court, and led through the Enlightenment to its apogee in the black humour of Sade. Twentieth-century experimental fiction owes that trend a conscious debt. Meanwhile an aesthetic tradition, represented here by Flaubert, Beckett and Queneau, incites a laughter which releases tension rather than raising awareness. As humour theorists, Bergson, Freud and Koestler help focus these concerns.
Mapping Minor/Small and World Literatures: Periphery and Center makes a declarative intervention in debates about world literature, redefining the boundaries between the center and periphery to rejuvenate long-established assumptions about significance and insignificance. In this book, African American literature (emerging from the often overlooked pink periphery, a cramped space of minor literature), works from the Faroe Islands, Basque literature, First Nation Canadian literature, Western narratives about peripheral China, Kurdish literature, the ultraminor literary space of Antigua, the 'favela' of Brazilian literature, as well as the hyperlocal narratives of Australian and New Zealand literature are all studied for their meaningful role within the world literary system. Additionally, working-class writing and the literary contributions of individuals on the margins of their own societies are given a voice, ensuring that the world literary space does not merely represent the perspectives of dominant elites. Unlike other descriptions of world literature, which have frequently allowed the grandeur and breadth of the global to overshadow the imperative for authentic literary biodiversity, this anthology, featuring contributions from diverse scholars representing various countries and backgrounds, actively deconstructs the structures of power and domination inherent in Western-European-centered world literature, minor literature, and small literature.
The essays collected in this volume include a selection of those presented at a conference in the Universitat Rovira i Virgili, Tarragona, Spain, in 2002. They highlight the existence of a European network of women's writing which became a valuable source of consciousness-raising, not only for European women writers, but also for their readers. The main theme running through the essays is love: women loving against the odds and transcending all kinds of obstacles. Does love speak a common language or is it inevitably linked to social mores and individual experience? Does desire work in the same way? Do love and desire have the power to subvert dichotomous thinking and motivate real change? The texts studied in this volume are both fictional and factual, from plays and novels to diaries, letters and drama performances. The countries the essays travel through, and the languages they encounter, all contribute to forming a magic web of connections, solidarities and ideas that truly cross boundaries.