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Every man has an unconscious that contains aspirations and libido. The most dangerous are capable of evil and injury. Dr. Ellis identifies the literary Frankenstein monster as a quintessential image for this troubling monster potential in every man. Mary Shelley's "Frankenstein" also provides character images for all the major psychological complexes that plague the typical man including their father and mother complexes, their inferior function, their inner child, and especially the inner feminine, the anima. "Re-Membering Frankenstein" takes the reader through an analytical friendship with Victor Frankenstein. The protagonist's saga allows the reader to decode the issues that typically consume hours of couch time for the struggling man. Several hours invested in "Re-Membering Frankenstein" and reflecting on the consciousness questions will accelerate a man's transformation and therapeutic healing of his soul. For women this book is a decoder ring for many of the frightening and confusing behaviors of men including outbursts of rage, moodiness, macho bravado, cowering to their fathers, and belittling women.
This volume examines the cultural legacy of Jewish emigration from the Maghreb and the Middle East in the years following 1948. Drawing on the remarkable cinematic and literary output of the last twenty years, this collection posits loss as a new conceptual framework in which to understand Jewish-Muslim relations. Previous studies of Jewish emigration have followed the mass departure of Jews, but the contributors to this book choose to remain behind and trace the contours of Jewish absence in Maghrebi and Middle Eastern societies. Attuned to loss in this way, the cultural memories of Jewish-Muslim life transcend the narratives of turmoil, taboo, and nostalgia that have dominated Muslim and prevalent scholarly perspectives on Jewish emigration. Read as a whole, the collection affords an uncommon opportunity to mourn and heal through a nuanced reckoning with the absence of Jews from communities in which they had lived for millennia. Its wide geographic reach and interdisciplinary nature will speak both to scholars and lay readers in Amazigh studies, Arabic studies, Middle Eastern studies, Jewish studies, memory studies, and a host of other disciplines. In addition to the editors, the contributors to this volume are Iskandar Ahmad Abdalla, Abdelkader Aoudjit, İlker Hepkaner, Sarah Irving, Stephanie Kraver, Lital Levy, Nadia Sabri, and Lior B. Sternfeld.
From the author of the Jack Ryan series comes an electrifying #1 New York Times bestseller—a standalone military thriller that envisions World War 3... A chillingly authentic vision of modern war, Red Storm Rising is as powerful as it is ambitious. Using the latest advancements in military technology, the world's superpowers battle on land, sea, and air for ultimate global control. It is a story you will never forget. Hard-hitting. Suspenseful. And frighteningly real. “Harrowing...tense...a chilling ring of truth.”—TIME
We make our life with things, surrounded by technical artefacts and technologies. They are fundamental in the way we see and act, but only sometimes we are plenty aware of this. Where do these things come from? How were they produced? How do they define our possibilities and our identities? How do they determine the way we remember and project our future? This book explores these and other related questions analysing the relationships between technology, material memory, and forms of life, emphasizing the active and constitutive role that technologies play in our remembering with things. It argues that our common understanding of memory and its technological mediation is determined by a static view of technology, memory, and culture, and that this view is burdened by a dualism between the material and the immaterial, that overlooks the active role of memory and technology in our present forms of life and in the shaping of our future. To overcome this static view and its dualism, this book proposes a dynamic view of memory, technology, and culture, emphasising the active and constitute role of technologies in the shaping of our forms of life and including themes unusual in memory studies, such as the production of technology and the concept of nature. The approach of this book is theoretical and philosophical, but interdisciplinary, incorporating ideas and concepts from various disciplines, particularly the arts, humanities and social sciences.
Remembering Maternal Bodies is a collection of essays about the writings of several Latina and Latin American women writers who remember their mothers, and/or challenge our commonly held beliefs about motherhood and maternity, in an effort to stop depression and melancholy. It suggests that the widespread violent depression and sometimes suicidal melancholy that haunts our culture and society is the result of a terrible fantasy about the way we become ourselves. This fantasy has a matricide at its core, and this matricide will continue to have its depressing effect on us as long as it remains in place and invisible. The authors showcased in this book make visible this fantasy and change it in their works in an effort to bring us out of our depression and melancholy.
Mel Brooks' own words telling all about the players, the filming, and studio antics during the production of this great comedy classic. The book is alive and teeming with hundreds of photos, original interviews, and hilarious commentary. Young Frankenstein was made with deep respect for the craft and history of cinema-and for the power of a good schwanzstucker joke. This picture-driven book, written by one of the greatest comedy geniuses of all time, takes readers inside the classic film's marvelous creation story via never-before-seen black and white and color photography from the set and contemporary interviews with the cast and crew, most notably, legendary writer-director Mel Brooks. With access to more than 225 behind-the-scenes photos and production stills, and with captions written by Brooks, this book will also rely on interviews with gifted director of photography Gerald Hirschfeld, Academy Award-winning actress Cloris Leachman and veteran producer Michael Gruskoff. Mel Brooks is an American film director, screenwriter, comedian, actor, producer, composer and songwriter. Brooks is best known as a creator of broad film farces and comic parodies including The Producers, The Twelve Chairs, Blazing Saddles, Young Frankenstein, Silent Movie, High Anxiety, History of the World, Part I, Spaceballs and Robin Hood: Men in Tights. More recently, he had a smash hit on Broadway with the musical adaptation of his first film, The Producers. An EGOT winner, he received a Kennedy Center Honor in 2009, the 41st AFI Life Achievement Award in June 2013, and a British Film Institute Fellowship in March 2015. Three of Brooks' classics have appeared on AFI's 100 Years . . . 100 Laughs list. Blazing Saddles at number 6, The Producers at number 11, and Young Frankenstein at number 13. Judd Apatow is one of the most important comic minds of his generation. He wrote and directed the films The 40-Year-Old Virgin (co-written with Steve Carell), Knocked Up, Funny People, and This Is 40, and his producing credits include Superbad, Bridesmaids, and Anchorman. Apatow is the executive producer of HBO's Girls.
The year 2008 marks the 150th birth anniversary of Sir Jagadish Chandra Bose who, at a relatively young age, established himself among the ranks of European scientists during the heyday of colonial rule in India. He was one of those great Indian scientists who helped to introduce western science into India. A physicist, a plant electrophysiologist and one of the first few biophysicists in the world, Sir J C Bose was easily 60 years ahead of his time and much of his research that was ignored during his lifetime is now entering the mainstream. As the inventor of millimeter waves and their generation, transmission and reception, and the first to make a solid state diode, he was the first scientist who convincingly demonstrated that plants possess a nervous system of their own and “feel” pain. J C Bose later spent his life's savings to set up the Institute which carries his name in Calcutta and Darjeeling.This book covers Bose's life in colonial India, including the general patriotic environment that pervaded at the time and how he became one of the flag bearers of the Bengal Renaissance. It also examines the scientific achievements of this polymath and his contributions to physics and plant electrophysiology, while highlighting his philosophy of life.
During the filming of his celebrated novel THE ENGLISH PATIENT, Michael Ondaatje became increasingly fascinated as he watched the veteran editor Walter Murch at work. THE CONVERSATIONS, which grew out of discussions between the two men, is about the craft of filmmaking and deals with every aspect of film, from the first stage of script writing to the final stage of the sound mix. Walter Murch emerged during the 1960s at the centre of a renaissance of American filmmakers which included the directors Francis Coppola, George Lucas and Fred Zinneman. He worked on a whole raft of great films including the three GODFATHER films, JULIA, AMERICAN GRAFFITI, APOCALYPSE NOW, THE UNBEARABLE LIGHTNESS OF BEING and many others. Articulate, intellectual, humorous and passionate about his craft and its devices, Murch brings his vast experience and penetrating insights to bear as he explains how films are made, how they work, how they go wrong and how they can be saved. His experience on APOCALYPSE NOW - both originally and more recently when the film was completely re-cut - and his work with Anthony Minghella on THE ENGLISH PATIENT provide illuminating highlights.
The title of this monograph, ‘Polish-Jewish Re-Remembering’, refers to the post-1989, thirty-year-long process of reviving attention to Polish-Jewish relations in historical, cultural, and literary studies, including the impact of Jews on the development of Polish culture, their presence in Polish social life, and the relationships between Jews and non-Jews in Poland. The book consists of four parts: the first focuses on Polish, Jewish and Polish-Jewish Literature (dealing mainly with pre-1939 literary works); the second, on the post-war literary output of the Polish-Jewish writer Arnold Słucki (1920–1972); the third, on Polish-Israeli literary images in the works of writers who were active in Israel (1948–2018); and the fourth, on recent (after 2000) Polish Holocaust literature.