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Re-envisioning Siva Nataraja. A Multidisciplinary Perspective' offers new insights into the dancing Siva as icon and concept. Each of the seven essays in this volume addresses an aspect of the Nataraja (a specific form of the dancing Siva) that has been until now untouched by scholars, or one for which the research is here moved substantially forward. Through the use of hitherto unexplored materials - murals, prints, icons, Sanskrit iconographic and ritual texts, Tamil inscriptions, and the analysis of metal alloys and casting techniques - old views are checked and challenged, and new ideas are proposed. Combining a wide range of fields of expertise, the volume will add to our knowledge about this well-studied, but poorly understood icon.
In Re-envisioning Śiva Naṭarāja. A Multidisciplinary Perspective the contributors work with hitherto unexplored visual, textual, and epigraphic material and analytical techniques, presenting new insights into the dancing Śiva as icon and concept.
This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.
The essays gathered here alternately adjust the focal length of the critical lens brought to bear upon texts and contexts in the area of Indian writing in English. They bring into view both intense engagements with major voices in this literary scene and the wider socio-historical perspectives in which they have thrived. Three clearly defined sections on the genres of poetry, prose, and drama are augmented by three incisive interviews with the diasporic Indian English poet Bashabi Fraser, the renowned Indian English fiction writer Kunal Basu, and the premier Indian English playwright Mahesh Dattani. The volume will appeal to students and teachers of postcolonial and comparative literatures. It raises crucial and timely questions about the state of culture in India and the world, the crisis of intolerance, and the loss of memory and diversity. It hones a post-millennial perspective on literature written in the late 20th and early 21st centuries.