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A story about Squeaky, the fastest thing on two feet, and her brother Raymond.
Toni Cade Bambara takes the reader on a journey from New York to the Deep South and back in this collection of short stories. The book's concerns are with contemporary Black culture and Toni Cade Bambara's writing is rooted in that experience.
Thirty years ago, as a young man working at a facility for children with autism, Dale DiLeo was shown a tiny, hot, and smelly bedroom. Reserved for those least trusted by staff, this room was lockedfrom the outsideall night long. It was named after Raymond, the rooms perennial resident.Raymonds Room makes a compelling case that people with disabilities are still locked away from the rest of society. They may not be housed in rooms like Raymonds, but they are placed in facilities and programs run by a public monopoly unwilling to change. Using research, anecdotes, humor, and engaging stories, DiLeo takes aim at the billion-dollar disability industrial complex that segregates people with significant disabilities from mainstream life. Calling people with disabilities societys hidden citizens, he describes a system that prevents people from working and living in their communities, despite techniques and approaches that can help even those with the most serious challenges work and have a home of their own. For 230 pages, DiLeo describes the downsides to current practices in the field and then offers up proven alternatives to open Raymonds room.
Edited and with a Preface by Toni Morrison, this posthumous collection of short stories, essays, and interviews offers lasting evidence of Bambara's passion, lyricism, and tough critical intelligence. Included are tales of mothers and daughters, rebels and seeresses, community activists and aging gangbangers, as well as essays on film and literature, politics and race, and on the difficulties and necessities of forging an identity as an artist, activist, and black woman. It is a treasure trove not only for those familiar with Bambara's work, but for a new generation of readers who will recognize her contribution to contemporary American letters.
From the window of the small floatplane, fifteen-year-old Gabe Rogers is getting his first look at Canada's magnificent Northwest Territories with Raymond Providence, his roommate from boarding school. Below is the spectacular Nahanni River -- wall-to-wall whitewater racing between sheer cliffs and plunging over Virginia Falls. The pilot sets the plane down on the lake-like surface of the upper river for a closer look at the thundering falls. Suddenly the engine quits. The only sound is a dull roar downstream, as the Cessna drifts helplessly toward the falls . . . With the brutal subarctic winter fast approaching, Gabe and Raymond soon find themselves stranded in Deadmen Valley. Trapped in a frozen world of moose, wolves, and bears, two boys from vastly different cultures come to depend on each other for their very survival.
The Art of UNIX Programming poses the belief that understanding the unwritten UNIX engineering tradition and mastering its design patterns will help programmers of all stripes to become better programmers. This book attempts to capture the engineering wisdom and design philosophy of the UNIX, Linux, and Open Source software development community as it has evolved over the past three decades, and as it is applied today by the most experienced programmers. Eric Raymond offers the next generation of "hackers" the unique opportunity to learn the connection between UNIX philosophy and practice through careful case studies of the very best UNIX/Linux programs.
With the intrigue of a psychological thriller, Camus's masterpiece gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. Behind the intrigue, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. First published in 1946; now in translation by Matthew Ward.
There had always been the Running Man—always that phantom form somewhere in the distance, always shuffling relentlessly closer . . . For a long time, fourteen-year-old Joseph has wondered about old Tom Leyton, his reclusive next-door neighbor. Gossip and rumors suggest that something terrible happened to Tom in the past. Then Joseph is asked to draw Tom for a school art project, and that means Joseph has the opportunity to uncover the truth about this man who passes his days tending silkworms and keeping dark secrets. As Joseph learns more and more about Tom's world, he is forced to confront his own fears. Is there some connection between Joseph's dreams and his feelings about his father, who seems to have abandoned the family? And why does he continue to have nightmares about the Running Man—the disheveled figure who wanders aimlessly through town?