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"Nellie M. Thompson has thrived even before she learned to read at the age of 88. A descendent of Chief Pushmataha ... her powerful memoir tells of growing up as a Choctaw Indian in the small-town Midwest of Oklahoma, Arkansas, Texas, and eventually California in the late 1940s. Her faith in God was shaped after she was healed of polio by an Indian medicine man at the age of eight-- this experience dictated her personal commitment to a lifetime of service. She herself became an Indian Medicine woman treating human ailments with herbs and Indian techniques. This inspiring account of a Choctaw Indian woman, whose courage and faith in God move her through many difficult trials, weaves memorable anecdotes into a fresh, first-hand perspective of her history and culture."--Provided by publisher.
With essays by William Brescia Jr., Robert B. Ferguson, Patricia K. Galloway, John D. W. Guice, Grayson Noley, Carolyn Keller Reeves, Margaret Zehmer Searcy, and Samuel J. Wells This book focuses upon Choctaw history prior to 1830, when the tribe forfeited territorial claims and was removed from native lands in Mississippi. The included essays emphasize Choctaw anthropology, beliefs, and experience with the US government prior to the tribe's removal to Oklahoma. Attention is focused upon the ways in which European groups, frontiersmen, and state and federal officials affected the Choctaw ideology. This collection shows the relationship among the various forces that combined to erode the culture, economy, and political structure of the Choctaw.
Choctaws at the Crossroads examines the political economy of the Choctaws at the end of the twentieth century. Forcibly relocated in the 1830s from the lower Mississippi Valley to the southeastern corner of Indian Territory, the Choctaws today are a dynamic and complex rural ethnic community in Oklahoma. Many work as nonunionized laborers for large corporations, yet they seek to maintain some aspects of their traditional way of life. øCombining fieldwork and archival research, Sandra Faiman-Silva uncovers the processes by which the local economic and social practices of the Choctaws have become intertwined with and, in some respects, dependent on corporate and global economic forces. Low wages and often temporary work force the Choctaws to supplement their income through tribal economic assistance and through traditional practices of horticulture, fishing, craft production, canning, and residence sharing. Faiman-Silva finds a troubling paradox in this strategy. Such traditional economic activities are central to Choctaw identity and way of life and are outside the non-Indian controlled, capitalist system; at the same time, these practices help sustain the power and profits of corporations. This sensitive and theoretically informed study makes an important contribution to understanding the historic, economic, and social conditions of contemporary Native Americas.
Who can lay claim to a legally-recognized Indian identity? Who decides whether or not an individual qualifies? The right to determine tribal citizenship is fundamental to tribal sovereignty, but deciding who belongs has a complicated history, especially in the South. Indians who remained in the South following removal became a marginalized and anomalous people in an emerging biracial world. Despite the economic hardships and assimilationist pressures they faced, they insisted on their political identity as citizens of tribal nations and rejected Euro-American efforts to reduce them to another racial minority, especially in the face of Jim Crow segregation. Drawing upon their cultural traditions, kinship patterns, and evolving needs to protect their land, resources, and identity from outsiders, southern Indians constructed tribally-specific citizenship criteria, in part by manipulating racial categories - like blood quantum - that were not traditional elements of indigenous cultures. Mikaëla M. Adams investigates how six southern tribes-the Pamunkey Indian Tribe of Virginia, the Catawba Indian Nation of South Carolina, the Mississippi Band of Choctaw Indians, the Eastern Band of Cherokee Indians of North Carolina, the Seminole Tribe of Florida, and the Miccosukee Tribe of Indians of Florida-decided who belonged. By focusing on the rights and resources at stake, the effects of state and federal recognition, the influence of kinship systems and racial ideologies, and the process of creating official tribal rolls, Adams reveals how Indians established legal identities. Through examining the nineteenth and twentieth century histories of these Southern tribes, Who Belongs? quashes the notion of an essential "Indian" and showcases the constantly-evolving process of defining tribal citizenship.
Frauchimastabe responded to shifting circumstances outside the Choctaw nation by pushing the source of authority in novel directions, straddling spiritual and economic power in a way unfathomable to Taboca."--BOOK JACKET.
Choctaw Nation is a story of tribal nation building in the modern era. Valerie Lambert treats nation-building projects as nothing new to the Choctaws of southeastern Oklahoma, who have responded to a number of hard-hitting assaults on Choctaw sovereignty and nationhood by rebuilding their tribal nation.
For hundreds of years, American artisanship and American authorship were entangled practices rather than distinct disciplines. Books, like other objects, were multisensory items all North American communities and cultures, including Native and settler colonial ones, regularly made and used. All cultures and communities narrated and documented their histories and imaginations through a variety of media. All created objects for domestic, sacred, curative, and collective purposes. In this innovative work at the intersection of Indigenous studies, literary studies, book history, and material culture studies, Caroline Wigginton tells a story of the interweavings of Native craftwork and American literatures from their ancient roots to the present. Focused primarily on North America, especially the colonized lands and waters now claimed by the United States, this book argues for the foundational but often-hidden aesthetic orientation of American literary history toward Native craftwork. Wigginton knits this narrative to another of Indigenous aesthetic repatriation through the making and using of books and works of material expression. Ultimately, she reveals that Native craftwork is by turns the warp and weft of American literature, interwoven throughout its long history.