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A reminder of the pivotal role one woman played in our early apprehension of the Armenian genocide
Ravished Armenia (full title: Ravished Armenia: The Story of Aurora Mardiganian, the Christian Girl, Who Survived the Great Massacres) is a book written in 1918 by Arshaluys (Aurora) Mardiganian about her experiences in the Armenian Genocide. The story starts in 1915 when Arshaluys was 14 years old. She personally witnessed the murder of her father, mother, brothers and sisters. She was taken to the harem of a number of Turkish pashas, but had remained attached to her Christian Armenian faith despite being tortured repeatedly at the hands of her captors. She found refuge with Frederick W. MacCallum, a Canadian doctor and missionary stationed with the American Board of Commissioners for Foreign Missions (ABCFM), who safely returned her to Erzurum, which had come under Russian control. She later moved to Tbilisi (Tiflis) in the Caucasus and, through the mediation of General Andranik Ozanian and orders of the Russian military leadership in the Caucasus, was sent to the United States for recovery and to bear witness to the sufferings of the Armenians in the Ottoman Empire.
This book tells Aurora Mardiganian's life story as she relays it to a movie director and screen writer prior to the making of the movie, "Auction of souls." It is written as a cartoon, with color sequences displaying her life story from the past, interspersed with black and white sequences displaying her dialogue with the movie director and screen writer.
An extraordinary portrait of a young woman, terrorized in her own country, brought to the U.S. and mercilessly exploited by the film industry.
The first English-language biography of the de facto ruler of the late Ottoman Empire and architect of the Armenian Genocide, Talaat Pasha (1874-1921) led the triumvirate that ruled the late Ottoman Empire during World War I and is arguably the father of modern Turkey. He was also the architect of the Armenian Genocide, which would result in the systematic extermination of more than a million people, and which set the stage for a century that would witness atrocities on a scale never imagined. Here is the first biography in English of the revolutionary figure who not only prepared the way for Ataturk and the founding of the republic in 1923, but who shaped the modern world as well. In this explosive book, Hans-Lukas Kieser provides a mesmerizing portrait of a man who maintained power through a potent blend of the new Turkish ethno-nationalism, the political Islam of former Sultan Abdulhamid II, and a readiness to employ radical "solutions" and violence. From Talaat's role in the Young Turk Revolution of 1908 to his exile from Turkey and assassination--a sensation in Weimar Germany--Kieser restores the Ottoman drama to the heart of world events. He shows how Talaat wielded far more power than previously realized, making him the de facto ruler of the empire. He brings wartime Istanbul vividly to life as a thriving diplomatic hub, and reveals how Talaat's cataclysmic actions would reverberate across the twentieth century. In this major work of scholarship, Kieser tells the story of the brilliant and merciless politician who stood at the twilight of empire and the dawn of the age of genocide.
A New York Times bestseller, The Burning Tigris is “a vivid and comprehensive account” (Los Angeles Times) of the Armenian Genocide and America’s response. Award-winning, critically acclaimed author Peter Balakian presents a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history. Awarded the Raphael Lemkin Prize for the best scholarly book on genocide by the Institute for Genocide Studies at John Jay College of Criminal Justice/CUNY Graduate Center. “Timely and welcome. . . an overwhelmingly convincing retort to genocide deniers.” —New York Times Book Review “A story of multiplying horror and betrayal. . . . What happened to the Armenians in Turkey was a harbinger of the Holocaust and of the waves of modern mass murder that have swept the world ever since.” —Boston Globe “Encourages America to tap into a forgotten well of knowledge about the genocide and to revive its powerful impulse toward humanitarianism.” —New York Newsday
This book investigates the historical evolution of 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries.
The Encyclopedia of Vaudeville provides a unique record of what was once America's preeminent form of popular entertainment from the late 1800s through the early 1930s. It includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms. Entries on individual vaudevillians include biographical information, samplings of routines and, often, commentary by the performers. Many former vaudevillians were interviewed for the book, including Milton Berle, Block and Sully, Kitty Doner, Fifi D'Orsay, Nick Lucas, Ken Murray, Fayard Nicholas, Olga Petrova, Rose Marie, Arthur Tracy, and Rudy Vallee. Where appropriate, entries also include bibliographies. The volume concludes with a guide to vaudeville resources and a general bibliography. Aside from its reference value, with its more than five hundred entries, The Encyclopedia of Vaudeville discusses the careers of the famous and the forgotten. Many of the vaudevillians here, including Jack Benny, George Burns and Gracie Allen, Jimmy Durante, W. C. Fields, Bert Lahr, and Mae West, are familiar names today, thanks to their continuing careers on screen. At the same time, and given equal coverage, are forgotten acts: legendary female impersonators Bert Savoy and Jay Brennan, the vulgar Eva Tanguay with her billing as “The I Don't Care Girl,” male impersonator Kitty Doner, and a host of “freak” acts.
All people are equal, according to Thomas Jefferson, but all migrants are not. This volume looks at how they are distinguished in France, the United States, Turkey, Canada, Mexico, the Netherlands, Sweden, and Denmark made through history between migrants and how these were justified in policies and public debates. The chapters form a triptych, addressing in three clusters the problematization of questions such as 'who is a refugee', 'who is family' and 'what is difference'. The chapters in this volume show that these are not separate issues. They intersect in ways that vary according to countries of origin and settlement, economic climate, geopolitical situation, as well as by gender, and by class, ethnicity, religion, and sexual orientation of the migrants.
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture. Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style. This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.