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A dynamic tale of art and friendship, set between the World Wars, against the backdrop of a rapidly changing world Eric Ravilious is one of the best-known twentieth-century English artists. For many, his watercolors capture the spirit of midcentury England. But while he had a style of his own, he did not work in isolation; he worked within a network of artists that included fellow students at the Royal College of Art such as Edward Bawden, Barnett Freedman, Enid Marx, Percy Horton, Peggy Angus, and Helen Binyon. The story of this beloved artist is also a biography of the group of fellow creators with whom he associated—men and women who inspired, challenged, and influenced one another—from their student days up through the Second World War. Drawing on extensive research, Andy Friend considers the predecessors in the English watercolor and wood-engraving tradition that influenced the group’s art and demonstrates the significance of women artists, whose place within this interwar-era network has often been neglected. Published to coincide with the seventy-fifth anniversary of Ravilious’s death, Ravilious & Co. accompanies an exhibition of the same name, touring throughout England in 2017.
The Art of Fine Gifts: Twentieth-century painter, designer and wood engraver Eric Ravilious was responsible for a fascinating range of different works, from illustrations for books to designs for ceramics for the established Wedgwood pottery firm. This gorgeous new book features beautiful woodcut images of countryside life, watercolours of rolling landscapes and many of Ravilious' acute and profound war paintings.
The acclaimed biography detailing the lives of the British inter-war artists and designers centred on Ravilious - an enthralling narrative of creative achievement, joy and tragedy. In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nash's teaching at the Royal College of Art - Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values. Eighty years after Ravilious's untimely death, Andy Friend tells the story of this group of artists from their student days through to the Second World War. Ravilious & Co. explores how they influenced each other and how a shared experience animated their work, revealing the significance in this pattern of friendship of women artists, whose place within the history of British art has often been neglected. Generously illustrated and drawing on extensive research, and a wealth of newly discovered material, Ravilious & Co. is an enthralling narrative of creative achievement, joy and tragedy.
Eric Ravilious was among the foremost of English artists to emerge between the wars - and one of the great original wood engravers. His body of work was wide-ranging and multi-faceted; in his relatively short career after he left the Royal College of Art he produced an extraordinary amount of work - murals, watercolours, wood engravings, lithographs, pottery designs for Wedgwood. Successful and enterprising as he was in these diverse fields, it was in the field of landscape painting in watercolour that Ravilious excelled. His tragic and untimely death in 1942, while on service as an Official War Artist, meant that his great promise was never fulfilled and it has been left to Helen Binyon to present this fascinating study of the artist to aworld largely unaware of his presence. The author knew Ravilious well from their student days and has been able to draw upon her intimate knowledge of this vivid and exciting artist to make this a compelling account of a genius.Eric Ravilious is introduced by Richard Morphet, former Keeper of Modern Art at the Tate Gallery, who places Ravilious in the context of modern-day appreciation of his work and describes the close relationship between Eric Ravilious and Helen Binyon, which led her to write this illuminating book.The book is lavishly illustrated with examples of Ravilious's work from his student days to his powerfully realised drawings and paintings as an Official War Artist.
A facsimile edition of the classic High Street, which pairs the timeless illustrations of Eric Ravilious with a fascinating text by architectural historian J. M. Richards. First published in 1938, this charming book introduces the British high street. Shops include the family butcher, the cheesemonger, the baker and confectioner and the oyster bar, as well as specialized establishments such as the plumassier, the clerical outfitter and the submarine engineer. Only 2,000 copies of the original book were printed before the lithographic plates were destroyed in the London Blitz. As a result, it has become one of the most collectible of all artists' books from this period. This beautiful facsimile edition features all 24 of Ravilious's colour illustrations, and includes an essay by Gill Saunders, Senior Curator of Prints at the Victoria and Albert Museum, that sets the book in its historical context.
From one of Britain’s leading historians and the director of the Victoria & Albert Museum, a scintillating biography of Josiah Wedgwood, the celebrated eighteenth-century potter, entrepreneur, and abolitionist Wedgwood’s pottery, such as his celebrated light-blue jasperware, is famous worldwide. Jane Austen bought it and wrote of it in her novels; Empress Catherine II of Russia ordered hundreds of pieces for her palace; British diplomats hauled it with them on their first-ever mission to Peking, audaciously planning to impress China with their china. But the life of Josiah Wedgwood is far richer than just his accomplishments in ceramics. He was a leader of the Industrial Revolution, a pioneering businessman, a cultural tastemaker, and a tireless scientific experimenter whose inventions made him a fellow of the Royal Society. He was also an ardent abolitionist, whose Emancipation Badge medallion—depicting an enslaved African and inscribed “Am I Not a Man and a Brother?”—became the most popular symbol of the antislavery movement on both sides of the Atlantic. And he did it all in the face of chronic disability and relentless pain: a childhood bout with smallpox eventually led to the amputation of his right leg. As historian Tristram Hunt puts it in this lively, vivid biography, Wedgwood was the Steve Jobs of the eighteenth century: a difficult, brilliant, creative figure whose personal drive and extraordinary gifts changed the way we work and live. Drawing on a rich array of letters, journals, and historical documents, The Radical Potter brings us the story of a singular man, his dazzling contributions to design and innovation, and his remarkable global impact.
Design is an excellent introduction to the work of two major British designers and artists, Edward Bawden (1903-1989) and Eric Ravilious (1903-1942). Featuring some previously unpublished images, this book presents, in over 100 illustrations, every aspect of their creativity, including advertising, designs for wallpapers, posters, book jackets, trade cards and ceramics. Bawden and Ravilious met in the Design School of the Royal College of Art in 1922, members of a generation of students described by Paul Nash, one of their tutors, as belonging to 'an outbreak of talent'. Their shared interests in illustration led to experiments in print making. Bawden's early attempts at lino-cutting developed into a skill that he used until the end of his life. Ravilious quickly developed into one of the most renowned wood engravers of the twentieth century.
Over 500 stunning color photos display Wedgwood ceramics made in England since the mid-1700s, including early green glazed earthenwares, Queen's Ware, black basalt, jasper ware, dry-bodied stonewares, majolica, bone china, and lustre ware ranging from teapots and tableware to statuary and Art Deco sculptures. Text provides a detailed history of the many ceramics lines produced. Values are in the captions.
More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the reception of Ravilious's work since his death in 1942 and the part it has played in creating an English style of the time, positioned between tradition and Modernism, and borrowing from naive and popular art of the past.