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When evil lands on my doorstep. While Bryce and I are finally enjoying some quiet time together, a dark, shadowy figure crashes into our door. And it isn’t a small black bird this time. A devil is hurt, asking for my help. Well, I just have too many problems of my own now. People don’t want to talk to me. And Bryce isn’t touching me. So what’s a witch to do? Haul up my legs, sit on a pentagram in a circle of candles, and murmur to myself. My best friend Maddie thinks I’m under a curse. But, honestly, I feel like I have to do whatever it takes to save this town, even if it means teaming up with my archenemy witch Enora. Evil empowers me. But this dark spellcasting also intends to drive a stake right through my heart and the heart of Hawthorne University. See, not only am I feeling alone, I’m getting expelled. Cadence Hawthorne returns in this fifth book in the Hawthorne University Witch series. Content Warning: Ravens contains profanity, sex, adult situations and, of course, witchcraft.
Exploring history, folklore, mythology, and science, this book gives you a unique look at two of the most popular magical creatures of all time. The crow and his cousin, the raven, are featured players in many cultures throughout the world, including Norse, Celtic, Jewish, and Indigenous traditions. This guide teaches you how to welcome these highly intelligent birds into your own spiritual practice, whether you follow Wicca, Heathenry, Druidry, or any other path. Crows and Ravens presents rituals, meditations, and exercises that help you discover the magic and mystery of corvids. Learn about crow and raven divination, create your own crow-raven talisman, uncover the shadowy side of corvids, and more. Found in nearly all urban and wild environments, these birds present you with magical opportunities and life lessons wherever you go.
Folengo (1491-1544) was born in Mantua and joined the Benedictine order, but became a runaway monk and satirist of monasticism. In 1517 he published--as "Merlin Cocaio"--the first version of his macaronic narrative poem Baldo. This edition provides the first English translation of this send-up of ancient epic and Renaissance chivalric romance.
The Celts knew it as Annwyn, the Otherworld—certainly not a destination IT professional Lori Cooper anticipates when distracting herself with a magazine puzzle page in the dentist’s waiting room. Clues buried in the answers lead her to Tamsin, who claims to command a band of warriors for the queen of the fay. From this, Lori concludes that Tamsin is both insane and dangerous. She’s also quite worryingly attractive. However, Lori’s own sanity becomes a bigger concern when she finds herself held captive in a strange world with yet more puzzles to solve. She must pick her way through layers of illusion and deceit. Nothing and nobody, including Tamsin, is quite as they seem. Who can Lori trust? She will need to uncover the full truth if she is to return home, mind and body intact.
In fifth century Britain, spy and master of disguise Marcus ap Iorwerth, while being squeezed between the politics of two powerful kings, accidentally sparks off what will become the quest for the holy grail. Book 4 of the Macsen's Treasure Series. Winner of the Colorado Book Award and National Indie Excellence Award!
A “quirky and absorbing” exploration of the history and mythology surrounding the ravens at the Tower of London (Publishers Weekly). Tales tell of how Charles II, fearful of ancient legends that Britain will fall if the ravens at the Tower of London ever leave their abode, ordered that the wings of the six ravens be clipped. But the truth is that the ravens only arrived at the Tower in 1883, when they were brought in as props in tales of Gothic horror that were told to tourists. The legend itself originated from the summer of 1944, when ravens in London were used as unofficial spotters for enemy bombs and planes. Boria Sax gives us the first book to tell the true story of the ravens, which has far more high drama than any of the tales the tourists get to hear. Its heroes are the raven couple Grip and Mable, who eloped from the Tower together after World War II, leaving it empty and prompting fears that the British Empire would end; Jackie, who kept watch at a brewery; McDonald, who was murdered; and Thor, who could not accept his loss of flight. For over a century, the ravens have been symbols of cruelty, avatars of fate—and cuddly national pets. But Sax shows us how the ravens have come to represent Britain’s natural heritage, without which any nation would be impoverished. This informing and reflective volume addresses the need to connect with animals and the natural world and shows us the human need for wonder at nature. Praise for City of Ravens “Both a delight and a profound illumination of the subject . . . with unexpected and fascinating conclusions.” —Esther Woolfson, author of Corvus “A wonderful contribution to the modern history and mythology of one of the world’s greatest cities.” —Ronald Hutton, Commissioner of English Heritage “Boria Sax traces the history of the ravens in the Tower of London with accurate scholarship and engaging stories.” —John Marzluff, co-author of In the Company of Crows and Ravens “The author delves into the true history and cultural importance of these massive corvids. It’s a lively, entertaining tale, with a few grisly details from real events.” —Anna Sanders, Audubon Magazine
William Wordsworth's creative collaboration with his 'beloved Sister' spanned nearly fifty years, from their first reunion in 1787 until her premature decline in 1835. Rumours of incest have surrounded the siblings since the 19th century, but Lucy Newlyn sees their cohabitation as an expression of deep emotional need, arising from circumstances peculiar to their family history. Born in Cockermouth and parted when Dorothy was six by the death of their mother, the siblings grew up separately and were only reunited four years after their father had died, leaving them destitute. How did their orphaned consciousness shape their understanding of each other? What part did traumatic memories of separation play in their longing for a home? How fully did their re-settlement in the Lake District recompense them for the loss of a shared childhood? Newlyn shows how William and Dorothy's writings -- closely intertwined with their regional affiliations -- were part of the lifelong work of jointly re-building their family and re-claiming their communal identity. Walking, talking, remembering, and grieving were as important to their companionship as writing; and at every stage of their adult lives they drew nourishment from their immediate surroundings. This is the first book to bring the full range of Dorothy's writings into the foreground alongside her brother's, and to give each sibling the same level of detailed attention. Newlyn explores the symbiotic nature of their creative processes through close reading of journals, letters and poems -- sometimes drawing on material that is in manuscript. She uncovers detailed interminglings in their work, approaching these as evidence of their deep affinity. The book offers a spirited rebuttal of the myth that the Romantic writer was a 'solitary genius', and that William Wordsworth was a poet of the 'egotistical sublime' -- arguing instead that he was a poet of community, 'carrying everywhere with him relationship and love'. Dorothy is not presented as an undervalued or exploited member of the Wordsworth household, but as the poet's equal in a literary partnership of outstanding importance. Newlyn's book is deeply researched, drawing on a wide range of recent scholarship -- not just in Romantic studies, but in psychology, literary theory, anthropology and life-writing. Yet it is a personal book, written with passion by a scholar-poet and intended to be of some practical use and inspirational value to non-specialist readers. Adopting a holistic approach to mental and spiritual health, human relationships, and the environment, Newlyn provides a timely reminder that creativity thrives best in a gift economy.
Enduring lessons from the desert soundscapes that shaped the Christian monastic tradition For the hermits and communal monks of antiquity, the desert was a place to flee the cacophony of ordinary life in order to hear and contemplate the voice of God. But these monks discovered something surprising in their harsh desert surroundings: far from empty and silent, the desert is richly reverberant. Sonorous Desert shares the stories and sayings of these ancient spiritual seekers, tracing how the ambient sounds of wind, thunder, water, and animals shaped the emergence and development of early Christian monasticism. Kim Haines-Eitzen draws on ancient monastic texts from Egypt, Sinai, and Palestine to explore how noise offered desert monks an opportunity to cultivate inner quietude, and shows how the desert quests of ancient monastics offer profound lessons for us about what it means to search for silence. Drawing on her own experiences making field recordings in the deserts of North America and Israel, she reveals how mountains, canyons, caves, rocky escarpments, and lush oases are deeply resonant places. Haines-Eitzen discusses how the desert is a place of paradoxes, both silent and noisy, pulling us toward contemplative isolation yet giving rise to vibrant collectives of fellow seekers. Accompanied by Haines-Eitzen’s evocative audio recordings of desert environments, Sonorous Desert reveals how desert sounds taught ancient monks about solitude, silence, and the life of community, and how they can help us understand ourselves if we slow down and listen.