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Finalist, 2022 Miller Williams Poetry Prize In a voice at times electrified by caustic cynicism, at other times stripped bare by grief, Casey Thayer’s Rational Anthem offers wry tribute to “the greatest country God could craft with the mules he had / on hand.” In seeking to tell the story of the ragged world around him, Thayer examines the links among flag-waving populism, religious fervor, and toxic masculinity. Here male intimacy—among childhood friends, between father and son, and in the tenuous bonds between young adults—generally finds acceptance only when expressed through a shared passion for guns and hunting: “I helped my father clean his hands with field grass, / convinced we had shared a moment / in rolling the internal organs out of the abdomen.” In “How-To,” the book’s closer—a mash-up of instructions from active-shooter trainings attended by the poet—Thayer grasps at strategies for surviving a world where we have come to see school shootings as routine: “Grab a textbook, they instructed my child, and hug it to your chest over your heart.” Formally deft and lyrically dense, Rational Anthem asks why we find it so hard to change the stories we keep repeating.
"Casey Thayer's Rational Anthem offers wry tribute to "the greatest country God could craft with the mules he had / on hand." In seeking to tell the story of the ragged world around him, Thayer examines the links among flag-waving populism, religious fervor, and toxic masculinity"--
Collects all the autobiographical writings of author and satirist Ambrose Bierce, including a series of eleven essays about his experiences in the Civil War.
Dissonant Voices uncovers the interracial collaboration at the heart of the postwar avant-garde. While previous studies have explored the writings of individual authors and groups, this work is among the first to trace the cross-cultural debate that inspired and energized mid-century literature in America and beyond. By reading a range of poets in the full context of the friendships and romantic relationships that animated their writing, this study offers new perspectives on key textual moments in the foundation and development of postmodern literature in the U.S. Ultimately, these readings aim to integrate our understanding of New American Poetry, the Black Arts Movement, and the various contemporary approaches to poetry and poetics that have been inspired by their examples.
Joseph Brodsky and Collaborative Self-Translation is the first in-depth archival study to scrutinize the Russian-American poet Joseph Brodsky's self-translation practices during the period of his exile to the USA in 1972-1996. The book draws on a large amount of previously unpublished archival material, including the poet's manuscripts in Russian and English, draft translations, notes, comments in the margins and correspondence with his translators, editors and friends. Rulyova's approach to the study of self-translation is informed by 'social turn' in translation studies. She focuses on the process of text production, the agents and institutions involved, translation practices and the role played by translators and publishers in the production of the text.
"In Gut-winner of the first Miller Williams Poetry Prize selected by Patricia Smith-poet J. Bailey Hutchinson explores the substance of personal history"--
""I am trying to make myself / a thrum of votive light," Michael Mlekoday writes in All Earthly Bodies. "I am trying to let the planet / rename me." Through a kind of lyric dreamwork, Mlekoday sounds the depths-of ancestry and identity, race and gender, earth and self-to track the unbecoming and re-membering of the body"--
Ms. Louise magnifies into verse, using a variety of creative formats, the very questions that arise during certain events we are a part of both personally and globally. At the forefront is the media, chosen by the few and fed to the many. Much of this author's work had been accepted and printed until the poem "Sunday Hypocrite" got censured for the raw truth it conveyed. Told that, "Freedom of The Press", had only to do with "their freedom to choose" what is best for the public to read. This book covers the last eight years, specifically by date. The opening Mag-Art is more potent in full color as it alters advertising, using various mediums, to eliminate the message that we must buy into a material world. No other poetry book is to be found about real people, places and events, in chronological order, in poetic verse that speaks to you, rather than above you. This is a part of me for that part of you. With Poetically Correct, Louise declares that poets defined this country. She does not believe that truth is found in newspapers or politicians speeches. Instead, Louise points to poetry as societys truth teller. She asks the reader to consider human behavior, the impact of silence, and what freedom really means. - ForeWord Clarion Review (4 out of 5 stars) Acknowledging C.S. Lewis and Dr. Seuss as influences, Louises poems contain those authors respective emphases on transcendent morality and a child-like embrace of the wonders of the world. - BlueInk Review An engaging collection of poems. - Kirkus Reviews
Ambrose Bierce is one of the most colorful figures in American literary history. A writer whose Devil's Dictionary remains the delight of misanthropes and fans of satire throughout the English-speaking world, he was also a master of the short story form. From the late 1860s through the early 1900s, he worked as a journalist, gaining wide renown in the 1890s and 1900s as a satirical columnist for William Randolph Hearst's chain of newspapers. In 1913 Bierce traveled to Mexico and joined Pancho Villa's army as an observer. He disappeared late that year and his fate has been a matter of dispute ever since. The poems that Bierce wrote throughout his career are less well known than his stories, journalistic pieces, and aphoristic observations on human folly. Nevertheless, his work as a poet, as critic Donald Sidney-Fryer has argued, "clearly merits the attention of the discriminating lover and student of poetry." Varied in form and subject matter, most of his poems are (not surprisingly) satires. This volume contains a generous selection of Bierce's poems; they are alternately ironic, melancholy, bitter, and wickedly amusing. There are also fifteen essays and letters on poetry, poets, and such topics as "Wit and Humor" and "The Passing of Satire." Certainly there have been few authors more intimately familiar with wit and satire than the brilliant, iconoclastic Bierce. As editor M. E. Grenander makes plain in her introduction, both are abundantly present in this collection of "some of the most remarkable verse in American literary history." M. E. Grenander is a Distinguished Service Professor Emeritus at the University at Albany, State University of New York. Internationally recognized as aleading Bierce scholar, she is the author of Ambrose Bierce. Her articles on Bierce have appeared in the Western Humanities Review, American Literary Realism, Papers of the Bibliographical Society of America, and other publications.