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revealed by a realised Teacher, Vimala Thakar. It is also a story about the
Takes us to the Nayika in the Indian tradition, one who is paradigm of mankind's perennial quest for a divine and transcendental love.
The Book Arises Out Of A Seminar Held In 2001. Papers Collected In The Volume Cover A Wide Range Of Social, Cultural Scholastic And Artistic Aspirations Of Kasmiri Pandits - And The Topics Of Interest To Them. Quite A Few Relate To Kashmiri Pandits In Delhi. (8 Chapters - Figures.)
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.