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Universally accessible and employing common visual tropes such as the monochrome and the grid, Johnson's work is also self-referential, making specific allusion to his upbringing in Chicago and the Afro-centric values of his parents. In Rashid Johnson: Anxious Men, the artist creates a site-specific installation in the Drawing Room gallery. The core of the exhibition is a new series of black-soap-and-wax-on-tile portraits that Johnson calls his "anxious men." Executed by digging into a waxy surface, they enact a kind of drawing through erasure and represent the first time Johnson has worked figuratively outside of photography or film, and on such a small scale. Whereas Johnson's previous work has taken a more cerebral approach to questions of race and political identity, the drawn portraits confront the viewer with a visceral immediacy. The portraits are set within a multi-sensory environment that includes wallpaper featuring a photograph of the artist's father from the year Johnson was born, and an audio sound track comprised of Melvin Van Peebles's "Love, That's America," a song that originally appeared in Peebles's 1970 film Watermelon Man and that was recently pressed into service by the Occupy Wall Street movement. In this way, the exhibition, documented in this volume, creates an immersive space that implicates not only the artist but also the viewer in its interrogation of selfhood and identity.
Since 2001, Rashid Johnson (born 1977) has risen to international attention with his powerfully visual statements on contemporary culture. Working across painting, photography, sculpture, installation, video and performance, the artist has charted a trajectory that offers fresh readings of art history, social history, psychology and literature. Rashid Johnson: New Work follows the making of the artist's largest work to date: an immersive, living eco-system where fact, fiction, history and mythology converge. Described by the artist as a "brain" that prioritizes poetic rather than logical reason, the work offers unexpected associations between objects, video and sound, that have become untethered from their cultural roots, to provide nuanced readings on clichés of class, nation and race. The first book to follow the development of Johnson's sculptural and installation works, Rashid Johnson: New Work includes an interview with the artist by Kate Fowle and an extensive essay, also by Fowle, which investigates Johnson's influences and references. The New Work series examines in depth the making of a large-scale work, focusing on methods of research and production to provide new perspectives on the practice of a mid-career or established artist whose work resonates across cultures.
The focal point of this new publication on Guadalajara-based artist Rico is the work made specifically for his Aspen Art Museum exhibition, The Discipline of the Cave.
The work of renowned contemporary artist Daniel Arsham blurs the lines between art, architecture, archeology, and design. In his distinctive style, he takes ancient art works and objects from twentieth-century pop culture and casts sculptures of them in geological materials such as quartz or volcanic ash, colliding past, present, and future in haunted yet playful visions that prompt viewers to question their everyday surroundings. Gathered from interviews and other sources, Arsham-isms is a collection of lively, thought-provoking, and memorable quotations from this exciting young creative talent on a wide range of subjects-including art, architecture, film, design, pop culture, the art world, and what it means to be a globally recognized artist today.
The complex nature of industrial design, which combines functional and aesthetic elements, allows different modes of protection: cumulative, separate or partially overlapping regimes are applicable according to different legal systems. The legal framework is rapidly changing, especially in Europe where the principle of cumulation of a special sui generis regime for protecting industrial design with copyright rules has been established. In the last decade, national courts of some Member States conferred to the “cumulative regime” a peculiar meaning, other courts enforced design rights in line with the interpretation given by the Court of Justice of the EU. The copyright/design interface is presented here to a wider, non-specialist audience, taking as a starting point the notion of industrial design derived from design studies, on the border between art and science.
From Pulitzer Prize finalist Annie Jacobsen, the untold USA Today bestselling story of the CIA's secret paramilitary units. Surprise . . . your target. Kill . . . your enemy. Vanish . . . without a trace. When diplomacy fails, and war is unwise, the president calls on the CIA's Special Activities Division, a highly-classified branch of the CIA and the most effective, black operations force in the world. Originally known as the president's guerrilla warfare corps, SAD conducts risky and ruthless operations that have evolved over time to defend America from its enemies. Almost every American president since World War II has asked the CIA to conduct sabotage, subversion and, yes, assassination. With unprecedented access to forty-two men and women who proudly and secretly worked on CIA covert operations from the dawn of the Cold War to the present day, along with declassified documents and deep historical research, Pulitzer Prize finalist Annie Jacobsen unveils -- like never before -- a complex world of individuals working in treacherous environments populated with killers, connivers, and saboteurs. Despite Hollywood notions of off-book operations and external secret hires, covert action is actually one piece in a colossal foreign policy machine. Written with the pacing of a thriller, Surprise, Kill, Vanish brings to vivid life the sheer pandemonium and chaos, as well as the unforgettable human will to survive and the intellectual challenge of not giving up hope that define paramilitary and intelligence work. Jacobsen's exclusive interviews -- with members of the CIA's Senior Intelligence Service (equivalent to the Pentagon's generals), its counterterrorism chiefs, targeting officers, and Special Activities Division's Ground Branch operators who conduct today's close-quarters killing operations around the world -- reveal, for the first time, the enormity of this shocking, controversial, and morally complex terrain. Is the CIA's paramilitary army America's weaponized strength, or a liability to its principled standing in the world? Every operation reported in this book, however unsettling, is legal.
This exhibition catalogue shows the artist working in a range of mediaincluding photography, painting, sculpture, and video.
Published in an edition of 800 copies by the South London Gallery, this catalogue was produced on the occasion of Rashid Johnson's exhibition, Shelter, 28 September 2012 - 25 November 2012.For his first solo exhibition in London, New York-based artist Rashid Johnsonpresents an entirely new body of work in the South London Gallery's main space. Inspired by the idea of an imagined society in which psychotherapy is a freely available drop-in service, Johnson's installation of large-scale paintings, hanging plants, Persian rugs and four wooden day beds questions established definitions of the art object and its limitations, as well as therelationship between individual and shared cultural experience. The book features an essay by Tom Morton.
Increasing concerns over climate and environmental change, the global economic and financial crisis and impacts on host communities, audiences, participants and destinations has reinforced the need for more sustainable approaches to events. Sustainability now features as part of the bid process for many mega-events, such as the Olympic Games, as well as significant regional and local events, where the event organisers are required by funding bodies and governments to generate broader outcomes for the locality. This book is the first to offer students a comprehensive introduction to the full range of issues and topics relevant to event sustainability including impacts, operating and policy environments, stimulating urban regeneration and creating lasting legacies, as well as practical knowledge on how to achieve a sustainable event. Taking a holistic approach drawing on multidisciplinary theory it offers insight into the economic, socio-cultural and environmental impacts and how these can be adapted or mitigated. Theory and practice are linked through integrated case studies based on a wide range of event types from mega events to community festivals to show impacts, best practice and how better sustainable practice can be achieved in the future. Learning objectives, discussion questions and further reading suggestions are included to aid understanding and further knowledge; additional resources for lecturers and students including power point slides, video and web links are available online. Events and Sustainability is essential reading for all events management students and future managers.
Webster's New World Medical Dictionary, Third Edition will help you understand and communicate your medical needs when it matters the most. Written by doctors and the experts at WebMD, this edition includes 8500 entries, including 500 new terms, a vitamin appendix, and a companion website to give you access to medical language.