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This Short Monograph Is Just Not Yet Another Book On The Controversial Clan Of The Aryas. It Has The Distinction Of Being An Unbiased, Factual Statement, Which Has Been Lacking, Despite The Fact That It Has Been One Of The Favourite Topics Of The Vedic Scholars And The Indo-Europeanists. It Is Written With A Clearcut Objective Of Knowing The Facts About The Aryas, Her Comments Try To Guide The Reader As How To Understand Them. This Book Thus Had A Limited Aim. Bare Facts Are Documented And Not Stretched To Suit The Exigencies Of A Theory. The Author Has No Theory To Propound. But At The Same Time No External Framework Is Accepted. The Romantic Dreams Woven By The Earlier Generations Of Scholars Are Not Found In The Rgveda, The Main Source Of Information. And Therefore It Is Possible To See To What Extent It Was Just The Play Of Fancy. With These Facts, The Author Reconstructs The Historical Events, With Supporting Archaeological Evidence.
The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context.
Takes us to the Nayika in the Indian tradition, one who is paradigm of mankind's perennial quest for a divine and transcendental love.
This Volume Aspires To Be A Handy Reference Work For Users Whose Interest Is Not Limited To One Or Two Indian Language Literatures But Spreads Over Sanskrit, Tamil, Pali And The Prakrit As Well As To Asimiya, Bangla, Gujarati, Hindi, Kannada, Kashmiri, Maithili, Malayalam, Manipuri, Marathi, Oriya, Punjabi, Rajasthani, Sindhi, Telugu And Urdu. Starting With The Vedas And The Upanishads, The Coverage Spans Several Centuries Up To The Year 1850.
Dictionary of Indology presents the history of Indian Scriptures, Language, Literature and Humanities in all the forms, colours and dimensions; not graphically but alphabetically; from the most primitive time to the recent past; through detailed description of and references to, almost all the books available and the authors known in both Vedic and Laukika Samskrit. It deals mostly with the facts but some critical insight is also given wherever needed or necessary. Such a handy book was the need of the time as most of us are unfamiliar with most of the stupendous works by intellectual doyens. A familiarity and affection will instantly grow, which will bring the readers close to the richest and widest range of illuminating products of sublime minds. #v&spublishers
The Rise of Wisdom Moon was composed during the mid-eleventh century by Krishna mishra, an otherwise unknown poet in the service of the Chandella dynasty, whose cultural and religious capital was Khajuraho. The early popularity of Krishna mishra’s work led to its frequent translation into the vernaculars of both North and South India, and even Persian as well. Famed as providing the enduring model of the allegorical play for all subsequent Sanskrit literature, The Rise of Wisdom Moon offers a satirical account of the conquest of the holy city of Benares by Nescience, of the war of liberation waged by the forces of Intuition, and of the freedom of the Inner Man that then follows the rise of Wisdom. But at the outset, when Nescience still has the upper hand, with minions like Lord Lust, such developments seem unlikely.
The Garland of Past Lives is a collection of thirty four stories depicting the miraculous deeds performed by the Buddha in his previous rebirths. Composed in the fourth century C.E. by the Buddhist monk Aryashura, the text’s accomplished artistry led Indian aesthetic theorists to praise its elegant mixture of verse and prose. The twenty stories in this first volume deal primarily with the virtues of giving and morality. Ascetics sacrifice their lives for hungry tigers, kings open their veins for demons to drink their blood, helmsmen steer their crew through perilous seas, and quail chicks quench forest fires by proclaiming words of truth. The experience is intended to arouse astonishment in the audience, inspiring devotion, through the future Buddha’s transcendence of conventional norms in his quest to acquire enlightenment and save the world from suffering. The importance of such stories of past lives in traditional Buddhist culture, throughout Asia and up to today, cannot be overestimated.
Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.
This English-Hindi-Dictionary will fulfil the academic and writing requirements of students, researchers, scholars, translators, educationists, and writers. For improved usefulness, 'Words or Terms' have been drawn from literature, science, geography, commerce & business etc. 'Words or Terms' come tagged with explanatory meaning in Hindi alone but with a sentence in English only, for clear understanding for use in speaking or writing. Terms have been serialized in Alphabetical order, i.e., A-Z for ease in searching. Terms carry meaning in English and Hindi. To the extent possible, 'Words or Terms' used in common parlance have been included, avoiding less frequent ones. In the Appendices section, body parts, common ailments, apparel, cereals, fruit & vegetables, herbs & spices, and household items etc have been included for additional reference giving an added touch of comprehensiveness. This dictionary will prove useful for student community besides others such as, educationists, writers, translators and common man. #v&spublishers
When Go·várdhana composed his "Seven Hundred Elegant Verses" in Sanskrit in the twelfth century CE, the title suggested that this was a response to the 700 verses in the more demotic Prakrit language traditionally attributed to King Hala, composed almost a thousand years earlier. Both sets of poems were composed in the arya metre. Besides being the name of a metre, in Sanskrit arya means a noble or elegant lady, and Go·várdhana wished to reflect and appeal to a sophisticated culture. These poems each consist of a single stanza, almost as condensed and allusive as a Japanese haiku. They cover the gamut of human life and emotion, though the favorite topic is love in all its aspects. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org