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The gripping story of Pulitzer Prize-winning poet Elizabeth Bishop and her relationship with the extraordinary Brazilian woman Lota de Macedo Soares.
"Field Book of Western Wild Flowers" by J. J. Thornber, Margaret Armstrong. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Passionate, forthright and enthusiastic, Carlos Magdalena is a world-renowned horticulturist - known both for his charisma and his conservation work. The Plant Messiah follows Carlos' dreams and disappointments; from his days as a school boy in the death throes of General Franco's Fascist dictatorship, to his advent as The Plant Messiah at the forefront of conservation, backed by the reputation and resources of The Royal Botanic Gardens, Kew and enthused by the potential that lies beyond. The book discloses for the first time the details behind his 'codebreaking' exploits and the secret stories behind his work; his genius, lateral thinking and steadfast belief that everything is possible.
When the American poet Elizabeth Bishop arrived in Brazil in 1951 at the age of forty, she had not planned to stay, but her love affair with the Brazilian aristocrat Lota de Macedo Soares and with the country itself set her on another course, and Brazil became her home for nearly two decades. In this groundbreaking new study, Bethany Hicok offers Bishop’s readers the most comprehensive study to date on the transformative impact of Brazil on the poet’s life and art. Based on extensive archival research and travel, Elizabeth Bishop’s Brazil argues that the whole shape of Bishop’s writing career shifted in response to Brazil, taking on historical, political, linguistic, and cultural dimensions that would have been inconceivable without her immersion in this vibrant South American culture. Hicok reveals the mid-century Brazil that Bishop encountered--its extremes of wealth and poverty, its spectacular topography, its language, literature, and people--and examines the Brazilian class structures that placed Bishop and Macedo Soares at the center of the country’s political and cultural power brokers. We watch Bishop develop a political poetry of engagement against the backdrop of America’s Cold War policies and Brazil’s political revolutions. Hicok also offers the first comprehensive evaluation of Bishop’s translations of Brazilian writers and their influence on her own work. Drawing on archival sources that include Bishop’s unpublished travel writings and providing provocative new readings of the poetry, Elizabeth Bishop’s Brazil is a long-overdue exploration of a pivotal phase in this great poet’s life and work.
The Book of Tea is a brief but classic essay on tea drinking, its history, restorative powers, and rich connection to Japanese culture. Okakura felt that "Teaism" was at the very center of Japanese life and helped shape everything from art, aesthetics, and an appreciation for the ephemeral to architecture, design, gardens, and painting. In tea could be found one source of what Okakura felt was Japan's and, by extension, Asia's unique power to influence the world. Containing both a history of tea in Japan and lucid, wide-ranging comments on the schools of tea, Zen, Taoism, flower arranging, and the tea ceremony and its tea-masters, this book is deservedly a timeless classic and will be of interest to anyone interested in the Japanese arts and ways. Book jacket.
Originating in Japan, the hydrangea is a classic of the American garden. Flowering shrubs enthusiasts love the iconic beauty of their long-lasting blooms and their adept growth in varied environments. Whatever your experience with this lavish species, Dirr offers practical "hands-in-the soil" advice based on years of experience and research.
The author of the acclaimed memoir Mother and Son creates an intimate portrait of poet Elizabeth Bishop in this “sensitive and engrossing” debut novel (Publishers Weekly). “A portrait of the artist as a human—a woman of desire, contradiction, and need.” —A. M. Homes, author of The Mistress’s Daughter Artfully drawing from Elizabeth Bishop’s lifelong correspondences and biography, The More I Owe You explores the modernist poet’s intensely private world, including her life in Brazil and her relationship with her lover, the dazzling, aristocratic Lota de Macedo Soares. Despite their seemingly idyllic existence in Soares’s glass house in the jungle, Bishop’s lifelong battle with alcoholism rises to the surface. And as the sensuous landscape of Rio de Janeiro, the rhythms of the samba and the bossa nova, and the political turmoil of 1950’s Brazil envelop Bishop, she enters a world she never expected to inhabit . . . A vivid imagining of the tumultuous relationship between two brilliant and artistic women, The More I Owe You reveals Elizabeth Bishop to be a literary genius who lived in conflict with herself, both as a writer and as a woman. “Real–life poet Elizabeth Bishop is vividly and imaginatively portrayed in Sledge’s debut novel. . . . Strong and intoxicating.” —Booklist “A gorgeous meditation on enduring love, damage, and what it can be to be happy, for however brief a moment. Bravo, bravo, bravo.” —Stacey D’Erasmo, author of The Sky Below “A beautiful dream of a book. Sumptuously detailed, deeply felt, it is as if Sledge slipped back in time and walked every step with Elizabeth Bishop, breathed every breath with her.” —Alison Smith, author of Name All the Animals
This pioneering exploration of Georgian men and women's experiences as readers explores their use of commonplace books for recording favourite passages and reflecting upon what they had read, revealing forgotten aspects of their complicated relationship with the printed word. It shows how indebted English readers often remained to techniques for handling, absorbing and thinking about texts that were rooted in classical antiquity, in Renaissance humanism and in a substantially oral culture. It also reveals how a series of related assumptions about the nature and purpose of reading influenced the roles that literature played in English society in the ages of Addison, Johnson and Byron; how the habits and procedures required by commonplacing affected readers' tastes and so helped shape literary fashions; and how the experience of reading and responding to texts increasingly encouraged literate men and women to imagine themselves as members of a polite, responsible and critically aware public.
“A lyrical, at times mysterious, and dreamy tale of family ties . . . An intriguing, modern take on a classic American landscape” (Kirkus Reviews). At once intimate and sweeping, Bottomland follows the Hess family in the years after World War I, as they attempt to rid themselves of the anti-German sentiment that left a stain on their name. But when the youngest two daughters vanish in the middle of the night, the family must piece together what happened while struggling to maintain their life on the unforgiving Iowa plains. In the weeks after Esther and Myrle’s disappearance, their siblings desperately search for them, through the stark farmlands to the unfamiliar world of far-off Chicago. Have the girls run away to another farm? Have they gone to the city to seek a new life? Or were they abducted? Ostracized and misunderstood in their small town in the wake of the war, the Hesses fear the worst. From the acclaimed author of The Quickening, “Bottomland is more than a literary mystery. It’s a trance, a poem, a lamentation, a benediction. And it’s breathtaking. As in: remind yourself to breathe” (Rebecca Makkai, author of The Great Believers). “Hoover skillfully interweaves many of the Hess family members’ narratives. Her descriptions of the bleak rural landscape are chilling. Fans of Jim Harrison’s Legends of the Fall will enjoy the plot; Willa Cather enthusiasts will relish the setting; and Theodore Dreiser readers will savor the gritty characterizations.” —Library Journal (starred review) “There are many compelling things about Michelle Hoover’s potent new novel, Bottomland, not least of all her austere style and its visceral punch.” —The Boston Globe