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The authors explore the description and representation of mental states, lived distress, character of psychology and psychological institutional practices.
Reservoir Characterization is a collection of papers presented at the Reservoir Characterization Technical Conference, held at the Westin Hotel-Galleria in Dallas on April 29-May 1, 1985. Conference held April 29-May 1, 1985, at the Westin Hotel—Galleria in Dallas. The conference was sponsored by the National Institute for Petroleum and Energy Research, Bartlesville, Oklahoma. Reservoir characterization is a process for quantitatively assigning reservoir properties, recognizing geologic information and uncertainties in spatial variability. This book contains 19 chapters, and begins with the geological characterization of sandstone reservoir, followed by the geological prediction of shale distribution within the Prudhoe Bay field. The subsequent chapters are devoted to determination of reservoir properties, such as porosity, mineral occurrence, and permeability variation estimation. The discussion then shifts to the utility of a Bayesian-type formalism to delineate qualitative ""soft"" information and expert interpretation of reservoir description data. This topic is followed by papers concerning reservoir simulation, parameter assignment, and method of calculation of wetting phase relative permeability. This text also deals with the role of discontinuous vertical flow barriers in reservoir engineering. The last chapters focus on the effect of reservoir heterogeneity on oil reservoir. Petroleum engineers, scientists, and researchers will find this book of great value.
KEYNOTE: This book provides a savvy survey of the latest work by designers, craftspeople, and architects of African descent around the world. Artists and designers of African ancestry-many in Africa but also others throughout Europe, the Americas, and the Far East- are working in a wide array of mediums: fashion, architecture, non-traditional crafts, design, fine art, and photography. Authors Lowery Stokes Sims and Leslie King-Hammond, together with six contributors, challenge presumptions of what constitutes an 'African' style or aesthetic, and demonstrate the power and expressive potential of materials, textures and forms. Work by well-known artists such as Yinka Shonibare, MBE and architects including David Adjaye appear alongside those of lesser-known but equally exciting designers whose garments, carpets, baskets, ceramics, furniture, body arts, wall painting, photographs and sculpture blur the distinction between art and craft. The result is an enormously diverse display of young and established talent, and a wide-ranging survey of contemporary African art and design. AUTHOR: LOWERY STOKES SIMS is Director and Organizing Curator of the Global Africa Project and the Charles Bronfman International Curator at the Museum of Arts and Design in New York City. She has published extensively on African, Latino, Native and Asian American Artists. She is a contributor to Fritz Scholder: Indian/ Not Indian (Prestel). LESLIE KING-HAMMOND is the founding director of the Center for Race and Culture and the Maryland Institute College of Art. A noted scholar, teacher, and curator, King-Hammond has directed numerous exhibitions on African-American art and artists. 200 colour illustrations
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