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European comic authors produced a steady stream of comic material throughout the twentieth century, but gained the world's notice in 1975 when the French magazine Metal Hurlant was founded. A new generation of artists and writers had begun. Soon publishers were producing translations of the new comics into other languages, including English, and comics creators everywhere were inspired to innovation.This is a reference work, arranged by artist or writer, to European comics from the last quarter of the twentieth century that have been translated from any European language into English. It contains a variety of material, from the innocent imperialism of Herge's Tintin to the sadistic murder for hire in Bernet's Torpedo. Albums by a single creator or artist-and-writer team of European origin are the focus; comics in periodicals and anthologies with multiple contributors are excluded. Each entry provides a plot abstract and various notes about the original comic. An author index provides brief biographical information. There is a comprehensive general index.
Tegneserie om robotten Ranx og hans voldelige adfærd
Ranx, the Italian science fiction graphic novel series by Stefano Tamburini and Tanino Liberatore, follows a bizarre antihero, Ranx, a mechanical cyborg made from discarded photocopier parts. Ranx, the Italian science fiction graphic novel series by Stefano Tamburini and Tanino Liberatore, follows a bizarre antihero, Ranx, a mechanical cyborg made from discarded photocopier parts. After an unfortunate short circuit, he becomes the victim of fabricated feelings of love for his girlfriend Lubna, a brat, who is permanently high and has an abominable temperament. In a world that is a parody of contemporary society, featuring decadence, consumption, and selfishness, Ranx lives on as the epitome of true love. He is the last “knight in shining armor”. Ranx is a colossus in a world of savages, but don’t look for hidden meaning in these epic stories: they are merely a pretext for a lethal dose of cyberpunk, gratuitous violence, and eroticism. The amazing hyper-realistic art of Liberatore may shock and disturb you. This book features the entire RanXerox collection that was serialized in Heavy Metal Magazine from 1983-1999, “Ranx in New York”, “Happy Birthday Lubna”, “Be Bop Lubna”, “I, Me, Mine Incorporated”, “Amen” and “I, Robot”. This collection also includes never before seen early strips, “Ranx The Thug” and “Modern Dance”. A Gallery contains covers, pin-up art and sketches.
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Ranx is a sci-fi antihero, made of photocopier parts and ultraviolence. In a futuristic dystopia, he protects his girlfriend Lubna from vicious drug dealers on a brutal path of sex, carnage and destruction. This volume collects all of the RANX stories by Italian comic masters Stefano Tamburini and Tanino Liberatore.
Collecting more than a decade’s worth of excavations, comic strips, animation stills, storybook covers, and much more, this broken jigsaw puzzle of a graphic novel tells the story of Pim & Francie ― childlike male and female imps ― whose irresponsible antics get them into horrific, fantastic trouble. The brilliant, fairy tale-like backdrops hint at further layers of reality lurking under every gingerbread house or behind every sunny afternoon. Their loosely defined relationship only contributes to the existential fear that lingers underneath the various perils they are subjected to, which are threaded together by text and notes by the artist.
Introducing abstract painting and sculpture of the 20th century, this volume explores new ways to think about abstract art and the problems of interpretation it raises. Each of the ten chapters in the book addresses a particular problem associated with abstract art by focusing on specific works.