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The most popular story in all of India and a classic of world literature is summarised in 728 verses in the great epic Mahabharata. Intended for independent study or classroom use for students of various levels who have had a basic introduction to Sanskrit, this fully annotated edition of the Ramopakhyana supplies all the information required for complete comprehension. It contains the Devanagari text, Roman transliteration, sandhi analysis, Sanskrit prose equivalents to the verses, syntactic and cultural notes, and the English translation, and word-by-word grammatical analysis.
Second edition in Devanagari. Volume 1: the introduction and first half. Volume 2: the second half, appendices, and index.
The most popular story in all of India and a classic of world literature is summarised in 728 verses in the great epic Mahabharata. Intended for independent study or classroom use for students of various levels who have had a basic introduction to Sanskrit, this fully annotated edition of the Ramopakhyana supplies all the information required for complete comprehension. It contains the Devanagari text, Roman transliteration, sandhi analysis, Sanskrit prose equivalents to the verses, syntactic and cultural notes, and the English translation, and word-by-word grammatical analysis.
Consisting of about 25,000 verses in Vālmīki's Rāmāyaṇa, the story of Rāma was summarized in 704 verses in eighteen chapters in the Rāmopākhyāna, which comprises chapters 258-275 of the Āraṇyaka Parvan of the great epic Mahābhārata. The story is introduced in chapter 257 and given an afterword in chapter 276 which bring the number of verses in this book to 728. The book includes a thorough introduction to the various dimensions of the story, a descriptive glossary of proper names with references to where they are used in the text, and genealogical trees of Rāma and Rāvaṇa. The present English translation of the Rāmopākhyāna is suitable for secondary school and university students, and adults.
Papers presented at the National Seminar on Textuality and Intertextuality in the Mahabharata : Myth, Meaning and Metamorphosis held at Ajmer.
“Slender lady, I came out with you to gather fruit. I got a pain in my head and fell asleep in your lap. Then I saw a terrible darkness and a mighty person. If you know, then tell me - was it my dream? Or was what I saw real?” So speaks Satyavat, newly rescued from the god of death by Savitri, his faithful wife, at the heart of one of the best loved stories in Indian literature. This, and other well known narratives, including a version of Rama's story, bring the Forest Book of the great Sanskrit epic, the Maha·bhárata, to its compelling conclusion. Woven into the main narrative of the Pandavas’ exile, these disparate episodes indicate the range and poetic power of the Maha·bhárata as a whole—a power that has the potential to speak to common human concerns across cultures and centuries. “The Forest” is Book Three of the Maha·bhárata, “The Great Book of India.” This final quarter of the account of the Pándavas’ twelve-year exile in the forest contains four stirring stories that are among the best known in Indian literature. From a hero overcoming great odds, to a virtuous wife who rescues her family, and Indra tricking Karna, and Yudhi·shthira’s victory in the verbal contest with the tree spirit, these stories speak to common human concerns across cultures and centuries. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
This is a condensed version of a long epic, written between 750 and 500 B.C., consisting of 50,000 lines of Sanskrit verse. Divided into seven Kanor books, it tells the story of Rama from his birth to his death. At regular intervals throughout the text, the chapters being condensed are designated by Kantitles and numbers. Each interval is appropriate in length for a daily reading, and there are 365 intervals. The cast of characters is provided by a glossary of proper names.