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Since the publication of my initial Ramblings' in 2009, this supposedly restless' mind did not suddenly acquire Zen-tranquility. It continued to be what it has been for long and here is another installment of occasional thoughts, versified. I use versified' not in the strictly traditional sense because it gets a bit too restrictive for the license' some of us think we have or claim to have. These ramblings' are mostly in a territory that is consciously kept apart from the areas of my professional interest. This territory involves governments, politics, nature, things and people -- people of faith, deep, shallow, desert-dry or fertile with pseudo-versions of Zen and Sufism. In this territory, the things that happen are often seen and considered in a somewhat different way, and the reactions felt and expressed, not always with due respect and reverence. There is no conscious attempt to organize or sequester these thoughts into groups or categories, but if one finds any trend in this tumbling out of thoughts, it may perhaps be largely attributed to some kind of chronological, evolutionary randomness. And if in these wanderings, some hills and valleys begin to look familiar to those who may know, they could well be but, I hope, seen from a different angle, tangential to a path rather less-familiar, and offering a somewhat different view. No two sunsets over a familiar hill are ever the same to an eye or a heart that is never tired of sunsets; every wave leaves behind its own set of previously unseen gifts each time it sweeps over and recedes from a well-trodden beach. Some of these ramblings' have been offered before, quite extemporaneously, to informal gatherings but if anyone detects any tell-tale signs here, it would be either incidental or that my editorial revisions have not been as thorough as I had originally intended. T. Beeth November, 2013
A book of experimental writing and also some poetry. Expansive and different from others.
The summer of twenty-six had pushed the thermometer past 90 degrees for the first ten days of July, wearing down those who abode inland, suffering because they lived a few miles away from the cooling breezes of the North Atlantic... There wouldn't be much time for fun this summer. Working all day in the hot sun was taking its toll. Jethro and Mary Preston and their family of six live on an idyllic farm called Noble Hill. A spirited group, they move through their lives with selfishly devised methods and total disregard of others. Jethro is raising his children to be winners and won't accept anything less but he adapts his plan accordingly because he has a different vision for each of his children. His formidable personality pushes his youngest son, Charles, to fulfill his own dream but the youngest, Sadie, proves to be a handful, even for the awe inspiring Jethro. However, his choice for the middle child, Nathan, will put his son into a situation that seems impossible to win and constantly subjects the boy to unfair treatment. Nate meets the abuse with unwavering dedication, barely flinching when his older siblings, John and Camille cruelly taunt and trick him. His parents appear to overlook his worth, relentlessly testing his determined nature, and as Nate's life becomes more difficult, he tries to find solace in his relationship with his younger sister, Emma, who has been selected to accompany her brother in the daily labor on the farm. The devoted boy eventually realizes that if he is to survive, he must dig into the deep recesses of his soul to find the fortitude to prevail. Follow Nathan and his siblings through the trials and tribulations of life on Noble Hill.
Life In The World Wind by Lewis Haeflinger [--------------------------------------------]
Accurately researched French history and bizarre elements of the supernatural collide, in this epic tale of adventure, romance and the pursuit for identity. Set against the backdrop of a troubled revolutionary France, this fascinating novel challenges Time itself, with hidden history which should keep the reader guessing to the end, and beyond...
Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century.
Complementary to Theism and Cosmology, this book begins with a discussion of philosophical and theological idea-ism, and our common beliefs concerning nature, man, and God. It is principally concerned with idealism - the place of ideals in reality rather than with the place of ideas. It discusses personality, justice, value, morals and theism versus pantheism then ends with a discussion of the general relations between a cosmological theism and a theism whose primary interest is the conservation and the incarnation of what is good and fine.