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Sita by Bhanumathi-ji is deeply stirring and weaves an intricate tapestry of sensitivity with strength and wisdom as the story unfolds
The Ramayana is an epic poem by the Hindu sage Valmiki, written in ancient Sanskrit sometime after 300 BC. It is an allegorical story that contains important Hindu teachings, and it has had great influence on Indian life and culture over the centuries. Children are often encouraged to emulate the virtues of the two main characters -- Rama and Sita. The Ramayana is frequently performed as theater or dance, and two Indian festivals -- Dussehra and Divali -- celebrate events in the story. This version of The Ramayana is told from the perspective of Sita, the queen. After she, her husband Rama and his brother are exiled from their kingdom, Sita is captured by the proud and arrogant king Ravana and imprisoned in a garden across the ocean. Ravana never stops trying to convince Sita to be his wife, but she steadfastly refuses his advances. Eventually Rama comes to her rescue with the help of the monkey Hanuman and his army. But Rama feels he can't trust Sita again. He forces Sita to undergo an ordeal by fire to prove herself to be true and pure. She is shocked and in grief and anger does so. She emerges unscathed and they return home to their kingdom as king and queen. However, suspicion haunts their relationship, and Sita once more finds herself in the forest, but this time she is pregnant. She has twins and continues to live in the forest with them. The story is exciting and dramatic, with many turns of plot. Magic animals, snakes, divine gods, demons, sorcerers and a vast cast of characters all play a part in the fierce battles fought to win Sita back. And in the process the story explores ideas of right vs. wrong, compassion, loyalty, trust, honor and the terrible price of war.
Exiled from his homeland, Prince Rama must brave through an odyssey in search of his wife, Princess Sita. She's been captured by a demon that Rama must overcome before taking his place as the rightful ruler. A dramatic tale of love, abduction and battle will play out in a world thronged by heroes, deities and demons. The timeless Ramayana has thrilled readers and listeners since the fourth century B.C.
The story of the Ramayana is a story of trial and tribulation, of the subtlety of right and wrong, of love and loss. The actions of Rama, the righteous but troubled prince of Ayodhya, have perplexed readers over millennia. Lost Loves is an attempt to come to terms with Rama and with the Ramayana – a text that Arshia Sattar has translated to acclaim. The essays in this book imagine what might have been the thoughts and feelings of Rama and Sita as they lived through those terrible years of trial and separation. They explore what happens to love in separation, and how public lives and private desires collide to devastating effect. By trying to see the events of their lives as Rama and Sita may have seen them, Arshia Sattar makes the existential conflicts of the Ramayana fascinatingly relevant and freshly inspiring for the contemporary reader.
An exciting children's retelling of the epic story known in different versions throughout India and south-east Asia as The Ramayana. Rama marries beautiful Sita, but Ravana, the 10-headed, 20-armed Demon King, falls in love with her too. He captures her and takes her in his chariot to the Demon Kingdom, Lanka. Rama has to find a way to rescue Sita, and he seeks the help of the monkey general Hanuman and the King of the Bears, and Jambuvan, the King of the Bears. Rama, his brother Lakshman and the band of monkeys and bears battle their way to the Kingdom of the Demons. They cross the sea by building a bridge, with the help of the fishes and sea creatures, and find Sita locked in Hanuman's tower, guarded by demonesses. After a final, terrible battle, the Demon King is defeated and Rama and Sita are reunited. The beautiful end to the story, telling how people put out lamps to light Rama and Sita's pathway home, is at the heart of the Hindu festival of Divali. in which earthen lamps - called divas - are lit, to celebrate the return of Rama after his exile and to mark the end of one year and the beginning of another.
Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog. Well-behaved women seldom make history. Good thing these women are far from well behaved . . . Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries, and more who refused to behave and meekly accept their place. An entertaining mix of biography, imagery, and humor written in a fresh, young, and riotous voice, this thoroughly researched exploration salutes these awesome women drawn from both historical and fantastical realms, including real life, literature, mythology, and folklore. Each profile features an eye-catching image of both heroic and villainous women in command from across history and around the world, from a princess-cum-pirate in fifth century Denmark, to a rebel preacher in 1630s Boston, to a bloodthirsty Hungarian countess, and a former prostitute who commanded a fleet of more than 70,000 men on China’s seas.
Exploring the meaning of a Buddhist story, this book is a testimony of faith in the urgent relevance of India's spiritual traditions to the future of life on Earth, and it is an inquiry into the meaning of some central notions of these traditions. The value of spiritual traditions and of life itself is at stake here. In the Introduction, Ramchandra Gandhi raises the Ayodhya issue to international and universal levels. In the text, he offers a solution on the local and national levels. The temple mound in Ayodhya --the sacred hill on which the present Babri Masjid was built, also known as "Sita's Kitchen"--was originally a sacred place of the Adivasis (the aboriginal inhabitants of the subcontinent). It was sacred to the Goddess, the great nurturing earth, the fecund source of all life, the aboriginal presupposition of all later religions. As an aboriginal place sacred to the Mother Goddess, the hill in Ayodhya brings together all religions. Rather than a source of conflict, Ayodhya should become a meeting ground for the divergent religious traditions of the world to see their ultimate harmony. In the Buddhist story, the principal female character is an adivasi named Ananya ("not other"). The opposing sides come to see their oneness in Ananya. The frame-story is taken from the Vinaya-pitaka of the Pali Canon. It is the Bhaddavaggiyavatthu or "The Story of the Group of Well-Off Ones."
Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila.Valm'ki's Ramßyana is one of the two great national epics of India, the source revered throughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself.For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
The Adventures of Rama are incidents derived from the Ramayana, the ancient Hindu tale that was transmitted orally for centuries, captured intomagnificent painted texts by the Mughal ateliers who translated them into Persian. These incidents have been retold here and lavishly illustrated using original paintings from a 16th-century Mughal manuscript in Persian, ordered by Emperor Akbar for the commander-in-chief of the imperial army, Abd-ar-Rahim. Only 23 illustrations from the total 130 paintings are included in this book. The enthralling stories that string the epic together capture the imagination of young readers and adults alike. To rid the world of the evil ten-headed Ravana, the Hindu god Vishnu appears on Earth as a heroic prince, Rama. The devotion of his brother Lakshman, his marriage to the beautiful Sita, and encounters with demons, giants, sages, and holy men, form favorite episodes, familiar to any Hindu child. These stories conclude with Rama’s efforts to rescue the kidnapped Sita, aided by Hanuman, leader of an army of monkeys. First published in 1983 by the Freer Gallery of Art, this edition by Mapin is newly designed, enriched with details from the illustrations in the book.