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In this book, world-renowned theatre artist Pamela Howard OBE shows how her life has always been part of the art of making theatre. Part memoir, part a personal account of artistic creation, it is a work of art in its own right. Its 12 chapters, accompanied by original drawings, offer insights into Pamela Howard's creative world and the journey through life of a celebrated artist, ranging from her early life and influences, to her time at art college and the inspiration she gained from travelling the world. Following the trajectory of her life, the 12 'dreams' are poised between memory and history and give an account of an artist's growth, resilience, working patterns, and life-changing encounters with remarkable personalities and artists, as well as the practical side of working in the theatre, in visual arts and in education. Her art tells unexpected stories of little-noticed people and émigré communities, and makes performance for diverse audiences from the unique experience of one's own life. Pamela Howard's dreams have led her to work across the globe and teach and inspire several generations of theatre makers, scenographers, designers and visual artists. The Art of Making Theatre passes on that inspiration afresh and demonstrates that being an artist is not a one-off project but a way of life.
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
A unique and authoritative guide to the lives and work of prominent living contemporary choreographers. Representing a wide range of dance genres, each entry locates the individual in the context of modern dance theatre and explores their impact. Those studied include: Jerome Bel Richard Alston Doug Varone William Forsythe Phillippe Decoufle Jawole Willa Jo Zollar Ohad Naharin Itzik Gallili Twyla Tharp Wim Vandekeybus With a new, updated introduction by Deborah Jowitt and further reading and references throughout, this text is an invaluable resource for all students and critics of dance, and all those interested in the fascinating world of choreography.
Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this 'horror of a Broadway musical' lived, died and was subsequently resurrected as a mainstream success story. In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King's Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide. Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world. Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and 'Friends of Carrie' alike.