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Seminar paper from the year 2008 in the subject Indology, grade: 1,7, University of Constance, language: English, abstract: Raja Rao’s first novel Kanthapura presents the crucial historical events of the nineteen-thirties. The novel focuses on the villagers of Kanthapura who participate in India’s struggle for independence. In this term paper the features of the novel will be elaborated. It will have a good look at the credibility of the novel Kanthapura and at Gandhi’s influence on the villagers of Kanthapura. [...]
Raja Rao's Kanthapura is one of the finest novels to come out of mid-twentieth century India.
Seminar paper from the year 2008 in the subject Indology, grade: 1,7, University of Constance, language: English, abstract: Raja Rao's first novel Kanthapura presents the crucial historical events of the nineteen-thirties. The novel focuses on the villagers of Kanthapura who participate in India's struggle for independence. In this term paper the features of the novel will be elaborated. It will have a good look at the credibility of the novel Kanthapura and at Gandhi's influence on the villagers of Kanthapura. [...]
About the marriage of Rama, a young Brahmin doing graduate work in France, to Madeleine, an ethereal French college teacher, some six years his senior. In her eagerness to attain Eastern wisdom, Madeleine first casts her husband in the role of guru. Later, as her "saintliness" (or madness) progresses, she transcends the need for human companionship, leaving Rama free to pursue his own search for self-awareness.
Rama, a young scholar, meets Madeleine at a university in France. Though they seem to be made for each other, both alike in temperament and character, at times they are divided, a huge gulf separating them. Rama’s trip back to India for his father’s illness forcibly reminds him of the underlying contrasts between India and Europe, and of a certain conflict between them in himself. When he returns to France, Rama and Madeleine must face the problems in their marriage. Can they preserve their identities, or must one sacrifice one’s inheritance to make the relationship a success?
Raja Rao Is One Of The Triumvirate Of The Pioneering Indian Novelists In English. His Contribution To The Growth Of The English Novel In India Is Enormous. Each One Of His Novels Is A Trendsetter. Kanthapura, For Instance, Demonstrates How The English Language Can Be Used To Tell A Typically Indian Story Without Violating The Native Speech Rhythms And His The Serpent And The Rope Gave A New Direction To The Indian Novel In English By Philosophising It. His Range And Vision Transcend All Barriers. He Used The Fictional Medium To Portray His Patriotic And Philosophical Concerns In A Masterly Way.In This Volume, An Attempt Has Been Made To Assess Raja Rao S Novels And Short Stories In Terms Of His, Philosophy, Vision, Style, Themes And Techniques. It Is Hoped That Raja Rao Scholars Across The Globe Will Find The Book Irresistible.
Coolie portrays the picaresque adventures of Munoo, a young boy forced to leave his hill village to fend for himself and discover the world. His journey takes him far from home to towns and cities, to Bombay and Simla, sweating as servant, factory-worker and rickshaw driver. It is a fight for survival that illuminates, with raw immediacy, the grim fate of the masses in pre-Partition India.
In seventeenth-century India, Maya, a high-priced dancer who has been bought for one of the most powerful men in Bijapur, faces dangerous obstacles in her caravan journey across the Mogul Empire to her new master.
Emotion in Texts for Children and Young Adults: Moving stories takes up key issues in affect studies while putting forward new approaches and ways of thinking about the intricate entanglements of emotion, affect, and story in relation to the functions, processes, and influences of texts designed for youth. With an emphasis on national literatures and international scholarship, it examines a variety of storytelling forms, formats, genres, and media crafted for readers ranging from the very young to the newly adult. Layering recent cognitive approaches to emotion, affect studies, and feminist perspectives on emotion, it investigates not only what texts for children and young adults have to say about emotion but also how such texts try to move their readers. In this, the chapters draw attention to the ways narrative literary texts address, elicit, shape, and/or embody emotion.
This book projects R.K. Narayan as a writer who, unlike many of his contemporaries was able to address his times and country of birth without giving in to the ruling influences of certain ideologies which made the works of many of his peers monologic, and even pedagogic. It underscores the influence of colonial capitalism in India and the advent of a new and strange class of people who responded to the market economy with gusto. The book also shows how Narayan’s approach is ethical in nature without being harsh on the people he critiques. Through the application of Bakhtin’s theories, Narayan is here positioned as a writer who was deceptively simple, but who can be considered as one of the foremost post-modern writers of India. He wrote at a time when the Gandhian influence had motivated writers so much that they could not envision the other side of the coin, the constant subversion of this ruling influence. Narayan depicted that reality effectively in a grotesque form.