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Fiction. Asian Studies. Set in the romantic Himalayan valleys, amidst breathtaking mountain snowmelts and the monsoon rainstorms, these beautifully told and haunting stories explore the lives and the longins and memories of the Lohar people of Kotli. Now, so much has changed in the Lohar village, and there is a story and a secret to every person, every family. In one story, a man's wife turns out to be a stranger, and his house is not quite his own, when two strangers appear and dig out their past from its earth; in another, a boy contemplates the mystery behind an old picture. Tariq Malik was born and raised in Pakistan, and lives in Vancouver.
Contributed articles chiefly with reference to India.
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
This selection of 45 stories represents diverse narrative styles and a broad spectrum of human experience. Stories are organized chronologically, annotated, and prefaced by engaging short introductions. The updated fourth edition offers more microfiction, graphic literature, and speculative fiction; authors new to this edition include George Saunders, Leanne Betasamosake Simpson, Kristen Roupenian, Lydia Davis, and Jillian Tamaki.
The Scent of Mogra and Other Stories is a collection of four short stories about strong female characters dealing with difficult life-changing situations. The turmoil that they face is, often, the result of a social structure that discriminates against women. Through these powerful women characters, the stories reflect attitudes and ways of life in a village in India, and in modern day Mumbai; they highlight the values of an older generation, and the dreams of a new one. Beneath all their differences, The Scent of Mogra and Other Stories illuminate the quality of women's lives, exposing the pain, the injustices, as well as the triumphs that make up their existence.
Imagine being a carefree, independent young woman enjoying life. Your bold, adventurous spirit pulls you to travel to distant locales. Then out of nowhere, you’re abducted, assaulted, and raped. That is the terror-filled experience that Karen Moe survived almost thirty years ago. But this is not a crime story. This is not even just a survivor's tale. Instead, this is a manifesto. In dialogue with other feminists and through case studies from around the world, Moe uses her trauma to shine a light on how not only violence against women, but all exploitation, is a natural result of patriarchal hierarchy. Yes, this is Moe’s story of triumph over violence, but it is also a call-to-action for both men and women. The ultimate goal of Victim: A Feminist Manifesto from a Fierce Survivor is to provide tools for resistance against a culture of exploitation. “In the end, what I have suffered and survived has given me a gift... Now, resistance, fighting for justice, is what I live for. My life is far bigger than myself.” "A bold and well-constructed work that takes on difficult topics in a compelling way."—Kirkus Review. "Without false optimism, Karen Moe writes of how we can find authentic hope."— Robert Jensen author of The End of Patriarchy: Radical Feminism for Men. "This book is a call to action for all of us—women and men. You will want to put it down, but you can’t, because it’s so compelling.” —Marie McKenzie, #1 Amazon bestselling author of Things That Keep Me Up At Night. “Victim is Karen Moe’s impassioned manifesto … Victim is visceral. It is a difficult book to put down. And it is a compelling must-read!” —Victor Malarek, author of The Johns: Sex for Sale and the Men who Buy It. “A tour de force true story of surviving and surmounting the unthinkable. Victim is literary nonfiction at its best."—Sally Clark, author of The Way of The Warrior Mama: The Guide To Raising and Protecting Strong Daughters.
Award-winning poet Arleen Paré pays homage to the work of lesbian Syrian American poet Etel Adnan. If books come from books, as David W. McFadden has claimed, then Time Out of Time is a clear example, arising, very deliberately as it does, out of Etel Adnan's astonishing collection entitled Time. The poems in Time Out of Time are in love with the poems in Adnan's Time and, it seems, Paré has fallen in love with Time's author, Etel Adnan, the internationally renowned poet and painter--or perhaps it is that she has merely fallen in love with Adnan's words. Paré's poems mirror the form, the rhythm, the shape, the short, brief lines in her own spare missives that are the poems in Time. This mirroring increases the intensity of Time Out of Time, creating a rare intimacy in Paré's collection. Paré's work pays homage to Adnan's work. Both collections pay homage to the world of the lesbian in the twenty-first century and to the world of the small poem. Using clear, crisp, well-defined language in visibly defined geometries, in "stanza after sweet-smelling stanza," Paré attempts to examine the trials of this new century, the hush around the word lesbian, the hush of the world's general collapse.