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Summoned out of his quiet retirement by Wyatt Earp, former Pinkerton Charlie Siringo of prohibition-era Los Angeles becomes entangled in a conspiracy involving a powerful corrupt politician.
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
A DIRECTORY ONLY OF COUNTRY MUSIC ARTISTS AND THEIR NOSTALGIC BACKING GROUPS FROM THE 1920s TO THE PRESENT
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
George-Warren offers the first serious biography in which Gene Autry the legend becomes a flesh-and-blood man--with all the passions, triumphs, and tragedies of a flawed icon.
Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes? To answer such questions, Wise applies the perspectives of critical musicology, semiotics, and cultural studies to the changing semantic associations of yodeling in an unexplored repertoire stretching from Beethoven to Zappa. This volume marks the first musicological and ideological analysis of this prominent but largely ignored feature of American musical life. Maintaining high scholarly standards but keeping the general reader in mind, the author examines yodeling in relation to ongoing cultural debates about singing, music as art, social class, and gender. Chapters devote attention to yodeling in nineteenth-century classical music, the nineteenth-century Alpine-themed song in America, the Americanization of the yodel, Jimmie Rodgers, and cowboy yodeling, among other topics.
Border tensions are escalating to bloody violence; terrorist attacks on small-town American citizens and petty squabbles in far-flung locales threaten countless more lives. Welcome to America, circa 1916-1918, and two of the bloodiest conflicts that starkly defined an era. Teenage Hector Lassiter, an aspiring author inspired by propaganda and a siren’s song of throbbing war drums, lies about his age, mounts a horse, and storms across the Mexican border behind General “Black Jack” Pershing and George S. Patton to bring the terrorist and Revolutionary General Pancho Villa to justice. Soon, the still underage Hector is shipped off to the bloody trenches of France, fighting the so-called “War to End All Wars” where he meets fellow novelists-in-waiting John Dos Passos and Ernest Hemingway. Once A World is a love story at once epic and intimate; a portrait of the artist, and his country of birth, at a defining moment in their storied history. Edgar, Anthony and Macavity Awards finalist Craig McDonald, author of the internationally bestselling Hector Lassiter series, delivers an adventure novel and historical thriller for the still-uncertain 21st Century. Praise for Craig McDonald: “The competition for the future of crime fiction is fierce, as it should be, but don’t take your eyes off Craig McDonald. He’s wily, talented and—rarest of the rare—a true original. I am always eager to see what he’s going to do next.” —Laura Lippman “With each of his Hector Lassiter novels, Craig McDonald has stretched his canvas wider and unfurled tales of increasingly greater resonance.” —Megan Abbott “Nobody does mad pulp history like Craig McDonald. Reading a Hector Lassiter novel is like having a great uncle pull you aside, pour you a tumbler of rye, and tell you a story about how the 20th century really went down.” —Duane Swierczynski “A writer of truly unique voice, approach and ambition.” —Michael Koryta
This landmark book tells the story of one of the most enduring forms of popular culture in Australia. Prior to the 1950s, country music was called hillbilly music. Hillbilly was the rock ‘n’ roll of its day. The latest craze, straight from America, it was young, exciting and glamorous. This book traces the journey hillbilly took to become country: the rural nationalistic form it is known as today. Yodelling Boundary Riders is the first book to contextualise country music into a broader story about Australian history. Not just concerned with the development of music itself, it is also a history of the ways in which Australians have responded to the rapid rate of change in the twentieth century and the global fascination with “authenticity”. True to its subject matter, the writing is colourful and entertaining. Along the way Martin introduces some wonderful characters and events: yodelling stockmen, singing cowgirls, sentimental cowboys, coo-ees in Nashville, hobos on the mail train, the Sheik of Scrubby Creek and Australia’s craziest hillbillies.
Two Page Murdock Westerns From Spur Award-Winning Author Loren D. Estleman! Cape Hell Page Murdock is ordered to Cape Hell, Mexico, to verify a report that former Confederate Captain Oscar Childress is raising an army to take over Mexico City--and turn north to rekindle the Civil War. Unable to talk himself out of the mission, Murdock heads south on a steam train named El Espanto--The Ghost. The Book of Murdock Murdock dons a clerical collar to worm his way into the confidences of the wary residents of Owen, Texas. Seems a gang of ruthless bandits is terrorizing the Texas panhandle and all evidence points to the dusty cattle town as their base of operations. Murdock aims to unmask the gang, provided he can pass himself off as a preacher long enough to stay alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.