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Michael Ondaatje has achieved international prominence and recognition in a way that few other writers have, let alone Canadian writers. This popularity is most pronounced for works of historical fiction such as The English Patient, winner of the Golden Man Booker Prize, and In the Skin of a Lion, set in 1930s Toronto, shortlisted for the Governor General’s Award and winner of the Canada Reads competition in 2002. But Ondaatje has been writing for over fifty years, and his innovative works include some of the most accomplished poetry in the English-speaking world. Taking its title from a question in his poem “Tin Roof,” Do You Want to Be Happy and Write? reassesses Ondaatje’s writing and the role of the poet, from his troubled explorations of the self-reflexive artist to his most recent novels. Comprehensive in both approach and coverage, this new collection offers groundbreaking analysis informed by an understanding of Ondaatje’s entire oeuvre, placing early poetry collections like The Collected Works of Billy the Kid and There’s a Trick with a Knife I’m Learning to Do alongside the full range of his novels and his extensive work as a literary editor. The book highlights the transnational, postcolonial, and diasporic issues that have become increasingly apparent in Ondaatje’s work. Contributors explore key interests that have reappeared and been rethought across his fiction and poetry: the construction of identity; the nature of memory and its relation to family origins and history; the human body as a site of contestation and struggle; the contrast between Eastern and Western values and the Southeast Asian diaspora; the writer’s responsibility in depictions of war, psychic trauma, and genocide; and an ongoing fascination with the visual and the media of photography and film. An eclectic celebration of an iconic author, Do You Want to Be Happy and Write? offers an authoritative reference point for scholars and students of literature and reveals new facets of a major author to his readers around the world.
From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rae argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels.
Making and Seeing Modern Texts explores the poetics of texts through a close reading and analysis across the genres of poetry, drama, fiction, non-fiction travel literature and theory. This volume demonstrates that prose, as much as poetry, share the making and seeing of language, literary practice, and theory. Genre, then, is presented as a guide that crosses multiple boundaries. This volume selects different ways to examine texts, discussing Michael Ondaatje’s early poetry and examining narrative in Philip Roth’s The Human Stain. The book examines images in poetry, narrative in fiction, prefaces in non-fiction, metatheatre in drama, and attempts to see the modern and postmodern in theory, all of which show us the complexities of modernity or later modernity. One of the innovations is that the author, a literary critic/theorist, poet and historian, takes his training in practice and theory and shows, through examples of each, how language operates across genres.
"Healing Notes: Power of Music and Music Therapy - Path to Wellness" offers a resounding reminder of the timeless and universal harmony that transcends boundaries and touches the deepest corners of our souls. Dr. Shveata Mishra invites you on a symphonic odyssey exploring the profound language of music—a force that heals and transforms our existence. Discover how music can be your refuge, guiding you to heal from stress, anxiety, depression, and insomnia, leading you toward a more productive and harmonious life. Dr. Mishra's expertise will empower you to choose the perfect melodies to accompany your emotions, allowing music to be your trusted companion on your journey to self-healing. Learn the intricacies of human body and sleep science, and uncover the profound connection between music and our well-being. This book reveals that the music we often casually consume is not merely entertainment; it's a potent tool that moulds your conscious and unconscious mind, shaping your emotions and thoughts without your notice. "Healing Notes" is more than a book; it is an opus, an anthem to the boundless potential of human existence harmonised with the rhythms of music and the resonance of healing. Join this symphony of transformation, and let the power of music rekindle hope, mend broken spirits, and elevate your soul. Embark on a journey where music becomes a catalyst for profound well-being. Feel the resonance, embrace the symphony, and experience a transformative power like no other. Your melody of a healthier and more melodious life awaits within these pages.
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-03-1942 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 100 VOLUME NUMBER: Vol. VII, No. 6 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 33-96 ARTICLE: 1. China And India (Generalissimo Marshal Chiang Kai-shek's Message) 2. Women In China To-Day (Soldiers: Teachers: Workers: Leaders) 3. Hints On Civil Defence-2 — Duties Of Street Fire Parties 4. Ideals Of The East 5. Planned Living AUTHOR: 1. Madame Chiang Kai-shek 2. Eva Dykes Spier 3. Lt. Col. A. J. Reeve 4. M. Rutnaswamy 5. Sir Albion Bannerji KEYWORDS: 1. Freedom, China And India, United Front 2. Northern China, Manchuria, United In Service, Chinese Women 3. German Incendiary Attack, City Of London 1941, Street Fire Parties, Air-Raid Warning 4. The East, China, Japan, Chinese Industry 5. European Conditions, Five-Year Plan, India Document ID: INL-1941-42 (D-J) Vol- I (06)
This book provides a socio-cultural analysis of khayal bandishes composed by Ne’mat Khan ‘Sadarang’ and Feroze Khan ‘Adarang’. It argues that deciphering khayal bandishes as cultural symbols provides an understanding of the constitution of medieval Indian society and shows how society gets represented via such symbols. The author examines the cultural forces that nurtured the context of compositions by Sadarang and Adarang. She touches upon the cultural exchanges between Hindu and Muslim communities through scholarly and philosophical discourses to create a rationale for khayal as a syncretic form of art. A unique contribution to the study of Indian culture and music, the book will be an indispensable resource for students, teachers, and researcher scholars of South Asian studies, Hindustani music, cultural studies, history, and medieval Indian society.
Sheila Dhar`S Autobiographical Stories, Essays And Memoirs Are Classics Of Modern Indian Prose Many Out Of Print For Some Time. The Present Book Provides, For The First Time Within The Covers Of A Single Volume, Her Collected Shorter Writings, Including All Her Memorable Stories And Essays.
Takes us to the Nayika in the Indian tradition, one who is paradigm of mankind's perennial quest for a divine and transcendental love.