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The role of mass communication in nation building has often been underestimated, particularly in the case of Mexico. Following the Revolution, the Mexican government used the new medium of radio to promote national identity and build support for the new regime. Joy Hayes now tells how an emerging country became a radio nation. This groundbreaking book investigates the intersection of radio broadcasting and nation building. Hayes tells how both government-controlled and private radio stations produced programs of distinctly Mexican folk and popular music as a means of drawing the country's regions together and countering the influence of U.S. broadcasts. Hayes describes how, both during and after the period of cultural revolution, Mexican radio broadcasting was shaped by the clash and collaboration of different social forces--including U.S. interests, Mexican media entrepreneurs, state institutions, and radio audiences. She traces the evolution of Mexican radio in case studies that focus on such subjects as early government broadcasting activities, the role of Mexico City media elites, the "paternal voice" of presidential addresses, and U.S. propaganda during World War II. More than narrative history, Hayes's study provides an analytical framework for understanding the role of radio in building Mexican nationalism at a critical time in that nation's history. Radio Nation expands our appreciation of an overlooked medium that changed the course of an entire country.
In a wide-ranging, cross-cultural, and transhistorical assessment, John Mowitt examines radio’s central place in the history of twentieth-century critical theory. A communication apparatus that was a founding technology of twentieth-century mass culture, radio drew the attention of theoretical and philosophical writers such as Jean-Paul Sartre, Walter Benjamin, Jacques Lacan, and Frantz Fanon, who used it as a means to disseminate their ideas. For others, such as Martin Heidegger, Theodor Adorno, and Raymond Williams, radio served as an object of urgent reflection. Mowitt considers how the radio came to matter, especially politically, to phenomenology, existentialism, Hegelian Marxism, anticolonialism, psychoanalysis, and cultural studies. The first systematic examination of the relationship between philosophy and radio, this provocative work also offers a fresh perspective on the role this technology plays today.
There are approximately 502 million radios in America. For this savvy, far-reaching diary, celebrated journalist and author Sarah Vowell turned hers on and listened--closely, critically, creatively--for an entire year. As a series of impressions and reflections regarding contemporary American culture, and as an extended meditation on both our media and our society, Radio On is a keenly focused book that is as insightful as it is refreshing.
Radio Drama brings together the practical skills needed for radio drams, such as directing, writing and sound design, with media history and communication theory. Challenging the belief that sound drama is a 'blind medium', Radio Drama shows how experimentation in radio narrative has blurred the dividing line between fiction and reality in modern media. Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio. Tim Crook illustrates how far radio drama has developed since the first 'audiophonic production' and evaluates the future of radio drama in the age of live phone-ins and immedate access to programmes on the Internet.
Radio, the most widely used medium in the world, is a dominant mediator of musical meaning. Through a combination of critical analysis, interdisciplinary theory and ethnographic writing about community radio, this book provides a novel theorization of democratic aesthetics, with important implications for the study of old and new media alike.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
'Radio Fields' employs ethnographic methods to reveal the diverse domains in which radio is imagined, deployed, and understood. Drawing on research from six continents, the volume demonstrates how the particular capacities and practices of radio provide singular insight into diverse social worlds.
About radio and the alienation of the self
This is Radio Happy Isles... Ko e ui ‘e ni ‘a e ‘otu felenite... This is Radio Sunshine... Traveling throughout the Pacific over a period of six years, Robert Seward listened to radio wherever he went. From the Solomon Islands to Vanuatu to Fiji to Tonga to Hawai'i, he tuned in and listened. He recorded broadcasts, he sat in radio stations and newsrooms, he met the people who ran them, and he talked to folks who listened. The result is Radio Happy Isles, a highly readable, insightful, and unexpected look at the mediascape of the Pacific. What Seward discovered is surprising: in an era of satellite downloads and globe-circling communication empires, radio-the forgotten medium-is alive and well in the Pacific. Subject to political pressures and calls for privatization, its role is in constant evolution. But one thing is clear: the media rules of metropolitan dominance have not played out according to script here. Media in the Pacific has been active, not passive, in shaping its own local narratives. Full of anecdotes and engagingly written, Radio Happy Isles introduces us to an unmistakable voice, one that is varied and distinct and far from being drowned out by the noises coming from the metropolitan world.
Interviewing for Radio critically analyses previously broadcast interviews and together with advice from radio professionals explains the preparation, organization and communication required to produce a successful radio broadcast.