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"There is a nuclear ghost in Minamisōma." This is how one resident describes a mysterious experience following the 2011 nuclear fallout in coastal Fukushima. Investigating the nuclear ghost among the graying population, Ryo Morimoto encounters radiation’s shapeshifting effects. What happens if state authorities, scientific experts, and the public disagree about the extent and nature of the harm caused by the accident? In one of the first in-depth ethnographic accounts of coastal Fukushima written in English, Nuclear Ghost tells the stories of a diverse group of residents who aspire to live and die well in their now irradiated homes. Their determination to recover their land, cultures, and histories for future generations provides a compelling case study for reimagining relationality and accountability in the ever-atomizing world.
A pioneering examination of nuclear trauma, the continuing and new nuclear peril, and the subjectivities they generate Amid resurgent calls for widespread nuclear energy and “limited nuclear war,” the populations that must live with the consequences of these decisions are increasingly insecure. The nuclear peril combined with the looming threat of climate change means that we are seeing the formation of a new kind of subjectivity: humans who are in a position of perpetual ontological insecurity. In Radioactive Ghosts, Gabriele Schwab articulates a vision of these “nuclear subjectivities” that we all live with. Focusing on the legacies of the Manhattan Project, Hiroshima, and nuclear energy politics, Radioactive Ghosts takes us on a tour of the little-seen sides of our nuclear world. Examining devastating uranium mining on Native lands, nuclear sacrifice zones, the catastrophic accidents at Chernobyl and Fukushima, and the formation of a new transspecies ethics, Schwab shows how individuals threatened with extinction are creating new adaptations, defenses, and communal spaces. Ranging from personal accounts of experiences with radiation to in-depth readings of literature, film, art, and scholarly works, Schwab gives us a complex, idiosyncratic, and personal analysis of one of the most overlooked issues of our time.
The contents of this volume originate from the joint Inclusion Phenomenal Cyclodextrins Symposium held at Lancaster in July 1986. Consisting of 50 extended ab stracts and 21 original contributions, the reader will find an up-to-date survey of the current state of research into, and applications of, inclusion compounds. Topics covered range from cyclodextrin complexes and their use as media for selective chemical reagents and their applications in chromatography and in the pharmaceutical and agricultural areas; the synthesis of new hosts, particularly those containing hydrophobic cavities; the characterisation of inclusion compounds using crystallographic and spectroscopic techniques; the use of inclusion com pounds as enzyme models; macrocyclic complexes and ionophores; to intercalates and zeolites. The Symposium was extremely successful, being attended by some 250 delegates drawn from 23 nations. It is hoped that the reader will recapture the flavour of the meeting from reading this volume. xi Journal of Inclusion Phenomena 5 (1987), 1-2. 1 © 1987 by D. Reidel Publishing Company. Preface The joint meeting comprlslng the 4th International Symposium on Inclusion Phenomena and the 3rd International Symposium on Cyclodextrins was held on 20 - 25 July, 1986 at the University of Lancaster, Great Britain, and followed on from the previous joint meeting held in Tokyo in July, 1984. The meeting was sponsored by the Royal Society of Chemistry.
The notion of the Anthropocene is founded on the premise that traces of human activity on the earth will remain legible in the geological strata for millions of years to come, showing evidence of an anthropogenic ‘signature’ inscribed in the rock by the human species. Spectrality and Survivance shows how embedded in this understanding of the Anthropocene is a speculative and specular gesture that transforms the notion of the future into an anthropocentric reflection of the present, prohibiting any true engagement with the possibility of a non-anthropocentric and post-anthropocenic world. In this volume, Marija Grech develops an alternative conceptual paradigm from which to think the Anthropocene beyond any limited notion of human language, human thought, human systems of meaning, or even a human world. Grech considers how the geological trace of the Anthropocene might be said to ‘survive’ outside of the possibility of any human readership, and how the very survival of the human in and beyond the Anthropocene might necessitate such thought.
This volume traces the interconnections between myth, environmentalism, narrative, poetry, comics, and innovative artistic practice, using this as a framework through which to examine strategies for repairing our unhealthy relationship with the planet. Challenging late capitalist modes encouraging mindless consumption and the degradation of human–nature relations, this collection advocates a re-evaluation of the ethical relation to "living with" and sharing the Earth. Myth and the environment have shared a rich common cultural history travelling as far back as the times of storytelling and legend, with the environment often the central theme. Following a robust introduction, the book is organized into three main sections—Myth, Disaster, and Present-Day Views on Ecological Damage; Indigenous and Afro-diasporic Myths and Ecological Knowledge; Art Practices, Myth, and Environmental Resilience—and concludes with a Coda from Jeanette Hart-Mann. The methodology draws from diverse perspectives, such as ecocriticism, new materialism, and Anthropocene studies, offering a truly interdisciplinary discussion that reflects on the dialogue among environment and myth, and a broad range of contributions are included from Canada, the United States, the Caribbean, Ukraine, Japan, Morocco, and Brazil. The book joins a long line of approaches on the interrelations between ecological and mythical thinking and criticism that goes back to the early 20th century. This volume will be of interest to students, scholars, activists, and experts in environmental humanities, myth and myth criticism, literature and art on more-than human and nature interaction, ecocriticism, environmental activism, and climate change.
In the near future, Russia has been brought to its knees by a brutal war with Ukrainian nationalists. Following the sudden death of Russia's President, a group of senior military officers move to seize power and bring the war to a swift conclusion by considering methods previously deemed unthinkable. Their strategy, however, is fatally flawed, and a series of miscalculations leads to a sudden nuclear confrontation with the U.S.A.. In the world's hour of need, Dr Lewis Stein, a Russian capabilities expert and former CIA field officer, is brought out of retirement to help an inexperienced President prevent a limited exchange from escalating into global apocalypse. But with chaos sweeping the globe and paranoia at fever pitch, the odds are stacked in the favor of armageddon. Meticulously researched and horribly realistic, Ten To Midnight is the story of a war that could yet sweep the globe.
Modernity is made and unmade by the anecdotal. Conceived as a literary genre, a narrative element of criticism, and, most crucially, a mode of historiography, the anecdote illuminates the convergences as well as the fault lines cutting across modern practices of knowledge production. The volume explores uses of the anecdotal in exemplary case studies from the threshold of the early modern to the present.
In the near future, Russia has been brought to its knees by a bloody war in Ukraine. With the Russian people facing famine, Chinese troops massing on the Russian border and the global economy on the verge of collapse, a rogue General seizes power with a plan to end the conflict by breaking the last taboo of war. However, a series of fatal errors and miscalculations lead to a regional nuclear conflict and the destruction of several Russian cities. Amidst the ensuing chaos and confusion, the United States suddenly finds itself under nuclear attack. As missiles rain down on the United States, retired CIA analyst Dr. Lewis Stein is brought out of retirement to advise an inexperienced President on how to prevent a limited nuclear conflict from escalating into global apocalypse. But with communications in chaos and panic sweeping the globe, the odds are stacked in favor of Armageddon.
"On June 12, 1982, more than a million people gathered in Central Park for "the disarmament rally to end all disarmament rallies." Timed to coincide with and show support for the United Nations Second Special Session on disarmament, the demonstration demanded an end to the global nuclear arms race. This historic event represents the height of the antinuclear movement, and was (at that time) the largest mass protest in American history, easily larger than those in opposition to the Vietnam War. The author has written a compact history of the event - not only the day itself, but the months of planning and logistics work that made it so successful"--
Samuel Beckett’s work has entranced generations of readers with its portrayal of the end times. Beckett’s characters are preoccupied with death, and the specters of cataclysm and extinction overshadow their barren, bleak worlds. Yet somehow, they endure, experiencing surreal and often comic repetitions that seem at once to confront finitude and the infinite, up to the limits of existence. Gabriele Schwab draws on decades of close engagement with Beckett to explore how his work speaks to our current existential anxieties and fears. Interweaving critical analysis with personal reflections, she shows how Beckett’s writing provides unexpected resources for making sense of personal and planetary catastrophes. Moments for Nothing examines the ways Beckett’s works have taken on new meaning in an era of crises—climate change, environmental devastation, and the COVID-19 pandemic—that are defined by both paralyzing stasis and pervasive uncertainty. They also offer a bracing depiction of aging and the end of life, exploring loneliness, vulnerability, and decay. Beckett’s particular vision of the apocalypse and his sense of persistence, Schwab argues, help us understand our times and even, perhaps, provide sanctuary and solace. Moments for Nothing features insightful close readings of iconic works such as Endgame, Happy Days, and the trilogy, as well as lesser-known writings including the thirty-five-second play Breath, which Schwab reconsiders in light of the pandemic.