Download Free Radio In Small Nations Book in PDF and EPUB Free Download. You can read online Radio In Small Nations and write the review.

A collection which considers the crucial role of radio in small nations, presenting diverse voices and diverse themes and held together by passionate and scrupulous research.
Small nations are growing in prominence. In 1950, there were 22 sovereign European states with a population below 18 million. Today there are 36 – not to mention many more stateless nations. What are the particular characteristics of the media in small nations? What challenges do broadcasters and other media institutions in these countries face, how can these be overcome, and are there advantages to operating in a small national context? How are small nations represented on screen, and how do audiences in small nations engage with the media? Bringing together perspectives from across Europe, including case-studies on Catalonia, the Basque Country, Wales, Scotland, Iceland, Portugal, Slovenia and Macedonia, this collection answers these questions. At the same time, it provides readers with insights into broader issues of media policy, representation, national identity, transnationalism, audience reception and media research methods. With European media institutions and practitioners coming to terms with the changes brought about by digitisation and globalisation against a backdrop of financial uncertainty, this collection offers a timely contribution to debates about the media in Europe. Contributors include: Steve Blandford, John Newbigin, Sally Broughton Micova, Josep Àngel Guimerà, Ana Fernández Viso, Agnes Schindler, Dilys Jones, Trish Reid, Jacqui Cochrane, Anabela de Sousa Lopes and Merris Griffiths.
This is the first title in a new series of volumes examining different dimensions of the media and culture in small nations. Whether at a local, national or international level, radio has played and continues to play a key role in nurturing or denying – even destroying – people’s sense of ‘belonging’ to a particular community, whether it be defined in terms of place, ethnicity, language or patterns of consumption. Typically, the radio has been used for purposes of propaganda and as a means of forging national identity both at home and also further afield in the case of colonial exploits. Drawing on examples of four models of, the chapters in this volume will provide an historical and contemporary overview of radio in a number of small nations. The authors propose a stimulating discussion on the role radio has played in a variety of nation contexts worldwide.
The first comprehensive account of the beginnings of Irish foreign policy as Ireland asserted its independence by pushing the boundaries of Commonwealth membership, contributed at the League of Nations, and forged ties in Europe and America, led by a desire to escape from the shadow of British rule.
Global Broadcasting Systems (1996) provides a comprehensive look at broadcasting throughout the world. It covers every continent, region and almost every country in North and South America, Europe, Africa, Asia and Oceania. Within each geographical area, it presents the history, key issues, trends and status of broadcasting facilities and penetration; the control, regulation and management of networks and stations by government, domestic and foreign industry and the public; the financing of broadcasting systems; programming types and trends, including foreign imports; media freedom and censorship; and external radio and television services from other countries. The book discusses how new technology and political, social and economic factors influence the global media, and shows how increasing privatization has changed patterns of control and access.
The book explores the complex interconnections between media, political organisation and society. This is particularly important in a period when politics seems to be in crisis. This 'crisis' can be seen in problems of trust affecting political institutions and politicians, the apparently widespread political cynicism and apathy of audiences and citizens, and the perception that processes of globalisation are undermining the bases of contemporary democracy and public discussion. Old cherished views and ideals seem dead and there appears to be no clear vision of the future. This pessimistic view has been expressed, most cogently and explicitly, in the 'end of politics' thesis. Rather than taking this view the book investigates in detail how the use of media and new technology affects politics and how the consequences vary across national societies and regions. It focuses in particular on the way new technology poses problems, but also offers potentialities and solutions, for political actors of all sorts. To this end particular attention is paid to various political uses of the internet. The book closely analyses how political parties, pressure groups, governments and social movements explore and develop the range of media forms and rhetorics and assesses the aggregate consequences this has for political life. The book argues that key versions of the 'end of politics' thesis are simply too pessimistic about what we can hope for from the future and imply an unrealistic nostalgia about the past. Rather it puts the media-politics relationship into the broader context of a culturally complex and changing contemporary information society..
Within cinema studies there has emerged a significant body of scholarship on the idea of 'National Cinema' but there has been a tendency to focus on the major national cinemas. Less developed within this field is the analysis of what we might term minor or small national cinemas, despite the increasing significance of these small entities with the international domain of moving image production, distribution and consumption. The Cinema of Small Nations is the first major analysis of small national cinemas, comprising twelve case studies of small national--and sub national--cinemas from around the world, including Ireland, Denmark, Iceland, Scotland, Bulgaria, Tunisia, Burkina Faso, Cuba, Singapore, Taiwan, Hong Kong and New Zealand. Written by an array of distinguished and emerging scholars, each of the case studies provides a detailed analysis of the particular cinema in question, with an emphasis on the last decade, considering both institutional and textual issues relevant to the national dimension of each cinema. While each chapter contains an in-depth analysis of the particular cinema in question, the book as a whole provides the basis for a broader and more properly comparative understanding of small or minor national cinemas, particularly with regard to structural constraints and possibilities, the impact of globalization and internationalisation, and the role played by economic and cultural factors in small-nation contexts.
Shortwave broadcasting originated in the 1920s, when stations used the new technology to increase their range in order to serve foreign audiences and reach parts of their own country not easily otherwise covered. The early days of shortwave radio were covered in On the Short Waves, 1923-1945: Broadcast Listening in the Pioneer Days of Radio, published by McFarland in 1999 (paperback 2007). Then, two companion volumes were published, picking up the story after World War II. They were Listening on the Short Waves, 1945 to Today (McFarland, 2008; paperback 2010), which focuses on the shortwave listening community, and the present Broadcasting title, about the stations themselves and their environment. The heart of the book is a detailed, year-by-year account of the shortwave bands in each year from 1945 to 2008. It reviews what American listeners were hearing on the international and domestic shortwave bands, describes the arrivals and departures of stations, and recounts important events. The book describes the several categories of broadcasters--international, domestic, private, religious, clandestine and pirate. It explains the impact of relay stations, frequency management, and jamming. It also addresses the considerable changes in shortwave broadcasting since the end of the Cold War. The book is richly illustrated and indexed, and features a bibliography and extensive notes.
The question is, how should small states behave under pressure? The analysis is of three cases: Czechoslavakia in 1938, Poland from 1939 to 1945, and Finland in 1940 and 41. The author is scrupulous in not drawing too many general lessons from these cases, but the imprudence of overreliance on great power protection and of ceding to justifications for surrender based on self-determination are made clear.