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This major critical work by the great French novelist reveals Stendhal's decisive role in the literary renaissance called Romanticism. Written sixteen years before The Charterhouse of Parma, it marked the beginning of his illustrious career and established him at the forefront of the French Romantic movement. The first part of Racine and Shakespeare appeared as a pamphlet in 1823, when Waterloo was still bitterly alive in the French mind. In it, Stendhal vigorously championed the spontaneous vitality of Shakespeare while condemning the rigid imitators of Corneille and Racine. The second half of Racine and Shakespeare appeared two years later in answer to a speech against Romanticism by the secretary of the Academie Francaise.It is a brilliant tour de force, an exchange of letters between an old classicist and a young Romanticist, in which Stendhal defined Romanticism not only for his age but for all time.
An English translation, in rhyming couplets, of the French playwright Jean Racine's Iphigenia. Includes critical notes and commentary.
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.
Raymond Williams’s work was always concerned with the relation between culture and society. This book focuses on specific texts and authors, exploring the historical and cultural sources of their particular forms of writing. In it, Williams examines dramatic form and language in Racine and Shakespeare; the politics of fiction in the English Jacobin novel; David Hume and Charles Dickens and the changing characteristics of English prose; Robert Tressell, The Ragged-Trousered Philanthropists, and the role of region and class in the English novel. Also included are Williams’s reflections on the rise of English studies, on their crisis as the literary traditions of Cambridge University were beset by the ‘structuralist controversy’, and on the wider implications of this redefinition of the critical field.
In two of his most celebrated plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts.