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This is the story of harness racehorse, Derek Bromac N. After racing in New Zealand as a 2-, 3-, and 4-year-old, Derek was shipped to California to begin his racing career in the United States. He immediately began dominating his competition at remarkable race times. This classy bay gelding found success wherever his travels took him and was often a barn favorite. His crazy antics of always sticking his tongue out while being harnessed, and on the racetrack, made him a horse that wouldn't easily be forgotten. From California to New Jersey, and every racetrack in between, he was driven by some of the most elite and talented in the harness racing business. He was always known as the horse that always "gave his all." Follow Derek's narration, written by his owner Amber Sawyer, and beautifully illustrated by Tami Joe DeLisle.
How interracial couples in Brazil and the US navigate racial boundaries How do people understand and navigate being married to a person of a different race? Based on individual interviews with forty-seven black-white couples in two large, multicultural cities—Los Angeles and Rio de Janeiro—Boundaries of Love explores how partners in these relationships ultimately reproduce, negotiate, and challenge the “us” versus “them” mentality of ethno-racial boundaries. By centering marriage, Chinyere Osuji reveals the family as a primary site for understanding the social construction of race. She challenges the naive but widespread belief that interracial couples and their children provide an antidote to racism in the twenty-first century, instead highlighting the complexities and contradictions of these relationships. Featuring black husbands with white wives as well as black wives with white husbands, Boundaries of Love sheds light on the role of gender in navigating life married to a person of a different color. Osuji compares black-white couples in Brazil and the United States, the two most populous post–slavery societies in the Western hemisphere. These settings, she argues, reveal the impact of contemporary race mixture on racial hierarchies and racial ideologies, both old and new.
A fresh law school graduate, Ella was in search of the true vision for her future. A few weeks of caution thrown to the wind and unbridled passion set off a domino effect of riddles to solve. Suspicion, distrust, anger, tragedy, the drama unfolds. Yet love was desired from both parties, a mystery that eludes definition. Peace was a coveted truce. But how does one resolve issues with one who believes the world lies under his feet? It would take a journey back to the beginning, soul searching for motives, and making right the wrongs to a child separated from his dad by a cruel twist for over a decade. From the emotional turmoil of juggling careers and single parenting to revamping a family company from the crushing effects of bigotry into a global player and running multinational fortune 500 company, there is enough heartbreaking drama, fear, distrust, betrayal, and pain to last many lifetimes between Ella Olla and Jake Sullivan. Where will this all lead to? This is the Race of Love.
All her young life has been lived in the shadow of her father’s disgrace after he was caught cheating at cards at his Club in London and Alita Lang lives a dismal life under sufferance with her begrudging aunt and uncle, the Duke and Duchess of Langstone. In fact the only love in Alita’s lonely life is her passion for her uncle’s thoroughbred horses, especially her beloved stallion, Flamingo, who she has taught many tricks to. She spends most of her time in the Duke’s stables and can train the most unruly horse And now the Duke, desperate to raise money, is determined to sell them all to the brash American multi-millionaire who has just bought the neighbouring estate and its magnificent Marshfield House. Introduced to the handsome, blue-eyed and tanned Clint Wilbur as Alita Blair, an employee of the estate, she soon finds herself working for him on improvements to his stables and soon, through his consistent kindness and gentle thoughtfulness, she discovers an alluring new side to her new employer and ally. Suddenly Alita’s heart is racing as she realises that she is in love. But surely the race for love is already lost because the Duke is already scheming for his daughter, Hermione, to marry the eligible millionaire and join their two estates together.
“Charming. . . . A moving testament to the diversity and depths of love.” —Publishers Weekly You’ll laugh, you’ll cry, you’ll be swept away—in less time than it takes to read this paragraph. Here are 175 true stories—honest, funny, tender and wise—each as moving as a lyric poem, all told in no more than one hundred words. An electrician lights up a woman’s life, a sister longs for her homeless brother, strangers dream of what might have been. Love lost, found and reclaimed. Love that’s romantic, familial, platonic and unexpected. Most of all, these stories celebrate love as it exists in real life: a silly remark that leads to a lifetime together, a father who struggles to remember his son, ordinary moments that burn bright.
'A tragic age and a tragic character, both seemingly compelled to destroy themselves...a chilling reminder of how little control we have over our fates' Damon Hill 'One of the greatest motor racing stories' Nick Mason 'Timely, vivid and enthralling … it’s unputdownable’ Miranda Seymour, author of The Bugatti Queen Dick Seaman was the archetypal dashing motorsport hero of the 1930s, the first Englishman to win a race for Mercedes-Benz and the last Grand Prix driver to die at the wheel before the outbreak of the Second World War. Award-winning author Richard Williams reveals the remarkable but now forgotten story of a driver whose battles against the leading figures of motor racing's golden age inspired the post-war generation of British champions. The son of wealthy parents, educated at Rugby and Cambridge, Seaman grew up in a privileged world of house parties, jazz and fast cars. But motor racing was no mere hobby: it became such an obsession that he dropped out of university to pursue his ambitions, squeezing money out of his parents to buy better cars. When he was offered a contract with the world-beating, state-sponsored Mercedes team in 1937, he signed up despite the growing political tensions between Britain and Germany. A year later, he celebrated victory in the German Grand Prix with the beautiful 18-year-old daughter of the founder of BMW. Their wedding that summer would force a split with his family, a costly rift that had not been closed six months later when he crashed in the rain while leading at Spa, dying with his divided loyalties seemingly unresolved. He was just 26 years old. A Race with Love and Death is a gripping tale of speed, romance and tragedy. Set in an era of rising tensions, where the urge to live each moment to the full never seemed more important, it is a richly evocative story that grips from first to last.
When did America become obsessed with racial differences? After decades of progress healing real-world prejudices and anger, we suddenly live in an America where we’re expected to view every single thing through the lens of race. Children are taught the politics of racial resentment and fear in schools. Films, novels, and even comic books are judged by the color of their protagonists—and their adherence to the latest “woke” messaging. Corporate America has universally adopted the slogan “Black Lives Matter” in every piece of marketing, those words serving as a talisman to protect them from Twitter mobs and outraged activists. And the 1619 Project and similar pieces of academic propaganda seek to redefine and undermine the very notion of America as a unified and great nation. Meanwhile, organized BLM advances a radical and dangerous political agenda which, if enacted, would mean the end of the American experiment as we know it. The nation faces a pivotal moment: will we reject the Race Crazies, or let them destroy us?
In this #1 New York Times bestseller, Ijeoma Oluo offers a revelatory examination of race in America Protests against racial injustice and white supremacy have galvanized millions around the world. The stakes for transformative conversations about race could not be higher. Still, the task ahead seems daunting, and it’s hard to know where to start. How do you tell your boss her jokes are racist? Why did your sister-in-law hang up on you when you had questions about police reform? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from police brutality and cultural appropriation to the model minority myth in an attempt to make the seemingly impossible possible: honest conversations about race, and about how racism infects every aspect of American life. "Simply put: Ijeoma Oluo is a necessary voice and intellectual for these times, and any time, truth be told." ―Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair
Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
"Reproducible comic book-style retellings that introduce kids to these riveting classic stories ..."--Cover.