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Fourteen academics and writers from the land down under present papers on aboriginal identity, Asians in Australia, Australians in Asia, bi- and multiculturalism in New Zealand, and whiteness, most of which were presented at the 1998 Sydney conference, Adventures of Identity: Constructing the Multic
This volume offers a "southern," Pacific Ocean perspective on the topic of racial hybridity, exploring it through a series of case studies from around the Australo-Pacific region, a region unique as a result of its very particular colonial histories. Focusing on the interaction between "race" and culture, especially in terms of visibility and self-defined identity; and the particular characteristics of political, cultural and social formations in the countries of this region, the book explores the complexity of the lived mixed race experience, the structural forces of particular colonial and post-colonial environments and political regimes, and historical influences on contemporary identities and cultural expressions of mixed-ness.
At a time when China is being seen as the next superpower, both sweatshop and powerhouse for the global economy, political courtship on the part of interested governments is accompanied by grassroots hostility. Such ambivalence is not new.
Locating Asian Australian Cultures is a timely and challenging interdisciplinary compilation that sets a contemporary benchmark for Asian Australian studies and its future directions. In the dynamic field of diasporic Asian studies, Asian Australian Studies is an emerging and contentious area. While cognisant of issues and critical developments in North America, Europe, and Asia, Asian Australian studies forges its own specific engagements with questions of identity, racialization, and nationalisms in a world of globalized cultures and movements. This book deliberately engages with international perspectives on Asian Australian studies that offer contingent connections and address crucial questions for fields that are rapidly 'de-nationalizing'. The volume focuses on Asian Australian cultural production and identity, presenting work that interrogates notions of belonging and citizenship, representational politics, and disciplinarity in the academy. The broad-ranging essays examine the politics of Asian Australian art and literature, as well as the area's significant interventions in disciplinary formations nationally and internationally. Other essays discuss the Vietnamese War memorial in Cabramatta, notions of the 'sacrificial Asian' in contemporary films, and Chinatown sites in Australia. This book will be essential reading not only for researchers in Asian Australian studies but also for those with an interest in Asian diaspora and Australian studies.
A key intervention in the growing critical literature on race, this volume examines the social construction of race in contemporary Australia through the lenses of Indigenous sovereignty, nationhood, and whiteness. Informed by insights from white Australians in rural contexts, Koerner and Pillay attempt to answer how race shapes those who identify as white Australian; how those who self-identify thusly relate to the nation, multiculturalism, and Indigenous Sovereignties; and how white Australians understand and experience their own racialized position and its privilege. This “insider perspective” on the continuing construction of whiteness in Australia is analyzed and challenged through Indigenous Sovereign theoretical standpoints and voices. Ultimately, this investigation of the social construction of race not only extends conceptualizations of multiculturalism, but also informs governance policy in the light of changing national identity.
In a world of increasingly mixed identities, what does it mean to belong? As western democracies increasingly curtail their support for multiculturalism, how can migrants establish belonging as citizens? A Muslim Diaspora in Australia explores how a particular migrant group has faced the challenges of belonging. The author illustrates how Bosnian migrants in Australia have sought to find places for themselves as migrants, as refugees, and as Muslims, in Australia and Australian society. Challenging the methodological nationalism that tends to dominate discussions of migrant identities, the author exposes the ways in which dignity emerges as a dominant concern for people as they relate to varied local, national and translational contexts. Very little is known about how migrants themselves read and react to the multiple challenges of belonging and this pioneering work offers a timely and much needed critical insight into what it means to belong.
This book is published as both a record of conference proceedings, the workshops and the papers given, and a series of recommendations to be taken forward as agenda items for the United Nations at the World Conference in Durban, South Africa, September 2001.
The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. In a provocative contribution to the series, Graham Huggan presents fresh readings of an outstanding, sometimes deeply unsettling national literature whose writers and readers just as unmistakably belong to the wider world. Australian literature is not the unique province of Australian readers and critics; nor is its exclusive task to provide an internal commentary on changing national concerns. Huggan's book adopts a transnational approach, motivated by postcolonial interests, in which contemporary ideas taken from postcolonial criticism and critical race theory are productively combined and imaginatively transformed. Rejecting the fashionable view that Australia is not, and never will be, postcolonial, Huggan argues on the contrary that Australian literature, like other settler literatures, requires close attention to postcolonial methods and concerns. A postcolonial approach to Australian literature, he suggests, is more than just a case for a more inclusive nationalism; it also involves a general acknowledgement of the nation's changed relationship to an increasingly globalized world. As such, the book helps to deprovincialize Australian literary studies. Australian Literature also contributes to debates about the continuing history of racism in Australia-a history in which the nation's literature has played a constitutive role, as both product and producer of racial tensions and anxieties, nowhere more visible than in the discourse it has produced about race, both within and beyond the national context.
The Spirit of Colin McCahon provides a vivid historical contextualisation of New Zealand’s premier modern artist, clearly explaining his esoteric religious themes and symbols. Via a framework of visual rhetoric, this book explores the social factors that formed McCahon’s religious and environmental beliefs, and justifications as to why his audience often missed the intended point of spiritual his discourse – or chose to ignore it. The Spirit of Colin McCahon tracks the intricate process by which the artist’s body of work turned from optimism to misery, and explains the many communicative techniques he employed in order to arrest suspicion towards his Christian prophecy. More broadly, The Spirit of Colin McCahon outlines a model of analysis for the intersection of art and religion, and the place of images as rhetorical devices within Antipodean culture. The emerging field of religion and visual culture is important not only to students of New Zealand art history, but also to a growing field of appreciation for the communicative power of images. This book provides a helpful model for examining art and literature as social and religious tools, and advances the importance of visual rhetoric within studies of art and social expression.
"When Paul Keating announced his plans for an Australian Republic in 1995, he emphatically appealed for Australia's head of state to be 'one of us.' But what does it mean to be 'one of us'? Who can be an Australian citizen? Who was entitled to citizenship in the past? By what paths can newcomers become 'one of us'? And how have these paths changed since 1901? "One of Us? A Century of Australian Citizenship" traces the meanings of citizenship and belonging that are evident in the Australian Government's civil policies. The book shows that, since Federation, Australian citizenship has had much less to do with questions of civil and political rights, democracy and sovereignty than with a determination to create a cohesive and loyal citizenry. The government's policies have addressed the problems it has faced in incorporating migrants and in controlling the movement of people in and out of the country. At a time when questions of who can be 'one of us' are as alive as ever, and when citizenship, race and multiculturalism are vital issues in contemporary politics, this comprehensive examination of our past is vital to our understanding of the issue of citizenship today."